This volume deals with research on the processing of a native language, second language learning, bilingualism, typical and impaired syntax processing. The articles presented here cover a number of linguistic phenomena, including passives, temporal concord, object pronouns, reflexives, embedded sentences, relative clauses, wh-movement, and binding theory. They also apply various experimental methods, such as eye tracking, reaction times, event-related potentials, picture selection tasks, sentence elicitation, pupillometry, and picture matching tasks. As such, this book details a number of the most representative methods used in language processing.

This book reviews interdisciplinary work on the mental processing of syntax and morphology. It focuses on the fundamental questions at the centre of this research, for example whether language processing proceeds in a serial or a parallel manner; which areas of the brain support the processing of syntactic and morphological information; whether there are neurophysiological correlates of language processing; and the degree to which neurolinguistic findings on syntactic and morphological processing are consistent with theoretical conceptions of syntax and morphology. The authors describe the outcomes of methods in neurophysiology (for example, functional magnetic resonance imaging), behavioural psycholinguistics, and neuropsychological lesion studies, and provide brief introductions to the methods themselves. They extend basic findings at the word and sentence level by considering how the mental processing of syntax and morphology relates to prosody, discourse, semantics, and world knowledge. They have divided the work into four parts concerned with word structure, sentence structure, processing syntax and morphology at the interfaces, and a comparison of different models of syntactic and morphological processing in the neurophysiological domain. The book is directed at graduate students and researchers in theoretical linguistics, psycho- and neurolinguistics, neurophysiology, and psychology.

The new edition of an introduction to computer programming within the context of the visual arts, using the open-source programming language Processing; thoroughly updated throughout. The visual arts are rapidly changing as media moves into the web, mobile devices, and architecture. When designers and artists learn the basics of writing software, they develop a new form of literacy that enables them to create new media for the present, and to imagine future media that are beyond the capacities of current software tools. This book introduces this new literacy by teaching computer programming within the context of the visual arts. It offers a comprehensive reference and text for Processing (www.processing.org), an open-source programming language that can be used by students, artists, designers, architects, researchers, and anyone who wants to program images, animation, and interactivity. Written by Processing's cofounders, the book offers a definitive reference for students and professionals. Tutorial chapters make up the bulk of the book; advanced professional projects from such domains as animation, performance, and installation are discussed in interviews with their creators. This second edition has been thoroughly updated. It is the first book to offer in-depth coverage of Processing 2.0 and 3.0, and all examples have been updated for the new syntax. Every chapter has been revised, and new chapters introduce new ways to work with data and geometry. New “synthesis” chapters offer discussion and worked examples of such topics as sketching with code, modularity, and algorithms. New interviews have been added that cover a wider range of projects. “Extension” chapters are now offered online so they can be updated to keep pace with technological developments in such fields as computer vision and electronics. Interviews SUE.C, Larry Cuba, Mark Hansen, Lynn Hershman Leeson, Jürg Lehni, LettError, Golan Levin and Zachary Lieberman, Benjamin Maus, Manfred Mohr, Ash Nehru, Josh On, Bob Sabiston, Jennifer Steinkamp, Jared Tarbell, Steph Thirion, Robert Winter

Learning Processing, Second Edition, is a friendly start-up guide to Processing, a free, open-source alternative to expensive software and daunting programming languages. Requiring no previous experience, this book is for the true programming beginner. It teaches the basic building blocks of programming needed to create cutting-edge graphics applications including interactive art, live video processing, and data visualization. Step-by-step examples, thorough explanations, hands-on exercises, and sample code, supports your learning curve. A unique lab-style manual, the book gives graphic and web designers, artists, and illustrators of all stripes a jumpstart on working with the Processing programming environment by providing instruction on the basic principles of the language, followed by careful explanations of select advanced techniques. The book has been developed with a supportive learning experience at its core. From algorithms and data mining to rendering and debugging, it teaches object-oriented programming from the ground up within the fascinating context of interactive visual media. This book is ideal for graphic designers and visual artists without programming background who want to learn programming. It will also appeal to students taking college and graduate courses in interactive media or visual computing, and for self-study. A friendly start-up guide to Processing, a free, open-source alternative to expensive software and daunting programming languages No previous experience required—this book is for the true programming beginner! Step-by-step examples, thorough explanations, hands-on exercises, and sample code supports your learning curve

This book covers topics in formal linguistics, intonational phonology, computational linguistics, and experimental psycholinguistics, presenting them as an integrated theory of the language faculty. In this book Mark Steedman argues that the surface syntax of natural languages maps spoken and written forms directly to a compositional semantic representation that includes predicate-argument structure, quantification, and information structure without constructing any intervening structural representation. His purpose is to construct a principled theory of natural grammar that is directly compatible with both explanatory linguistic accounts of a number of problematic syntactic phenomena and a straightforward computational account of the way sentences are mapped onto representations of meaning. The radical nature of Steedman's proposal stems from his claim that much of the apparent complexity of syntax, prosody, and processing follows from the lexical specification of the grammar and from the involvement of a small number of universal rule-types for combining predicates and arguments. These syntactic operations are related to the combinators of Combinatory Logic, engendering a much freer definition of derivational constituency than is traditionally assumed. This property allows Combinatory Categorial Grammar to capture elegantly the structure and interpretation of coordination and intonation contour in English as well as some well-known interactions between word order, coordination, and relativization across a number of other languages. It also allows more direct compatibility with incremental semantic interpretation during parsing. The book covers topics in formal linguistics, intonational phonology, computational linguistics, and experimental psycholinguistics, presenting them as an integrated theory of the language faculty in a form accessible to readers from any of those fields.

Interdisciplinary perspectives on the evolutionary and biological roots of syntax, describing current research on syntax in fields ranging from linguistics to neurology. Syntax is arguably the most human-specific aspect of language. Despite the proto-linguistic capacities of some animals, syntax appears to be the last major evolutionary transition in humans that has some genetic basis. Yet what are the elements to a scenario that can explain such a transition? In this book, experts from linguistics, neurology and neurobiology, cognitive psychology, ecology and evolutionary biology, and computer modeling address this question. Unlike most previous work on the evolution of language, Biological Foundations and Origin of Syntax follows through on a growing consensus among researchers that language can be profitably separated into a number of related and interacting but largely autonomous functions, each of which may have a distinguishable evolutionary history and neurological base. The contributors argue that syntax is such a function.The book describes the current state of research on syntax in different fields, with special emphasis on areas in which the findings of particular disciplines might shed light on problems faced by other disciplines. It defines areas where consensus has been established with regard to the nature, infrastructure, and evolution of the syntax of natural languages; summarizes and evaluates contrasting approaches in areas that remain controversial; and suggests lines for future research to resolve at least some of these disputed issues. Contributors Andrea Baronchelli, Derek Bickerton, Dorothy V. M. Bishop, Denis Bouchard, Robert Boyd, Jens Brauer, Ted Briscoe, David Caplan, Nick Chater, Morten H. Christiansen, Terrence W.Deacon, Francesco d'Errico, Anna Fedor, Julia Fischer, Angela D. Friederici, Tom Givón, Thomas Griffiths, Balázs Gulyás, Peter Hagoort, Austin Hilliard, James R. Hurford, Péter Ittzés, Gerhard Jäger, Herbert Jäger, Edith Kaan, Simon Kirby, Natalia L. Komarova, Tatjana Nazir, Frederick Newmeyer, Kazuo Okanoya, Csaba Plèh, Peter J. Richerson, Luigi Rizzi, Wolf Singer, Mark Steedman, Luc Steels, Szabolcs Számadó, Eörs Szathmáry, Maggie Tallerman, Jochen Triesch, Stephanie Ann White