Syncretic Islam is a fascinating and brilliant study of the religious thought and career of one of the doyens of Muslim traditionalism in South Asia, Imam Ahmad Raza Khan Barelvi. An Islamic scholar, jurist and an Urdu poet, Ahmad Raza Khan was the founder of the Barelvi movement whose defining feature of thought is the active veneration of the Prophet as the most exalted of all beings. This work overviews and analyses the multiple facets constituting Ahmad Raza Khan's intellectual life and, in extension, the Barelvi school of thought in an eminently accessible manner. It is the story of a remarkable revivalist, born in the North Indian town of Bareilly during British India, who grew up to be hailed by his followers as the mujaddid, or reviver, of Islam in nineteenth-century India. A Pathan by descent, Hanafi by religious mores, Qadiri by disposition and Barelvi by nativity, Syncretic Islam captures the astounding contribution of Ahmad Raza Khan and attempts to explain his spiritual influence that still binds millions of people in the Indian subcontinent.

This book traces the historical identity of Kashmir within the context of Islamic religious architecture between early fourteenth and mid-eighteenth century. It presents a framework of syncretism within which the understanding of this architectural tradition acquires new dimensions and possibilities in the region. In a first, the volume provides a detailed overview of the origin and development of Islamic sacred architecture while contextualizing it within the history of Islam in Kashmir. Covering the entirety of Muslim rule in the region, the book throws light on Islamic religious architecture introduced with the establishment of the Muslim Sultanate in the early fourteenth century, and focuses on both monumental and vernacular architecture. It examines the establishment of new styles in architecture, including ideas, materials and crafts introduced by non-Kashmiri missionaries in the late-fourteenth to fifteenth century. Further, it discusses how the Mughals viewed Kashmir and embellished the land with their architectural undertakings, coupled with encounters between Kashmir’s native culture, with its identity and influences introduced by Sufis arriving from the medieval Persianate world. The book also highlights the transition of the traditional architecture to a pan-Islamic image in the post-Independence period. With its rich illustrations, photographs and drawings, this book will interest students, researchers, and professionals in architecture studies, cultural and heritage studies, visual and art history, religion, Islamic studies and South Asian studies. It will also be useful to professional architecture institutes, public libraries, museums, cultural and heritage bodies as well as the general reader interested in the architectural and cultural history of South Asia.

This book traces the historical identity of Kashmir within the context of Islamic religious architecture between early fourteenth and mid-eighteenth century. It presents a framework of syncretism within which the understanding of this architectural tradition acquires new dimensions and possibilities in the region. In a first, the volume provides a detailed overview of the origin and development of Islamic sacred architecture while contextualizing it within the history of Islam in Kashmir. Covering the entirety of Muslim rule in the region, the book throws light on Islamic religious architecture introduced with the establishment of the Muslim Sultanate in the early fourteenth century, and focuses on both monumental and vernacular architecture. It examines the establishment of new styles in architecture, including ideas, materials and crafts introduced by non-Kashmiri missionaries in the late-fourteenth to fifteenth century. Further, it discusses how the Mughals viewed Kashmir and embellished the land with their architectural undertakings, coupled with encounters between Kashmir’s native culture, with its identity and influences introduced by Sufis arriving from the medieval Persianate world. The book also highlights the transition of the traditional architecture to a pan-Islamic image in the post-Independence period. With its rich illustrations, photographs and drawings, this book will interest students, researchers, and professionals in architecture studies, cultural and heritage studies, visual and art history, religion, Islamic studies and South Asian studies. It will also be useful to professional architecture institutes, public libraries, museums, cultural and heritage bodies as well as the general reader interested in the architectural and cultural history of South Asia.

When asked "What religion do you follow?" the typical answer is to name a specific group, or to respond "None." An increasing number of people, however, are intentionally combining elements from various religious heritages, demonstrating that religions do not have firm boundaries, nor are they purely distinct. In Praise of Mixed Religion discusses the concept of syncretism, the term for the mixing of religious perspectives. The religious studies discipline has traditionally distinguished between two responses to syncretism: a subjective view, which treats syncretism as morally reprehensible, and an objective view, which treats it as a morally neutral phenomenon. William Harrison adopts a third perspective, the advocacy view, which claims that mixing religions is a good and necessary process. He cites countless examples - such as Islam's transformative encounter with Greek thought - from both history and recent years to show how religious traditions have gained theological and practical wisdom by borrowing key ideas, beliefs, and practices from outside their own movements. By encouraging syncretism, In Praise of Mixed Religion contests the hard boundaries between religious worldviews and presents a dramatic alternative for thinking and talking about religion.

The contributors explore the issues of agency and power which motivate the conflicting discourses surrounding syncretism, that is the mixing of different religious traditions within a culture.

This volume deals with Islamic sects in the Near East such as the Alevis (Turkey), Druzes (Libanon), Alawis (Syria), Ahl-i Haqq (Iran, Iraq) and Shabak (Iraq), which have in common a syncretistic system of belief with a strong Shi'ite influence, as well as secrecy and endogamy. The contributions in this volume focus on the present situation of these communities, their relation to mainstream Islam, their involvement in national and ethnic politics, aspects of faith and rituals, the relevance of sacred texts, modes of religious and social transformation, and the recent revival of Alevism. In view of the new visibility of these formerly "hidden" sects and their increasing social and political importance, this volume provides important information for all scholars interested in the religious and political situation of the region.

Study with reference to Marathwada, India.