Examines the use and meaning of Christian symbols found in Renaissance art.

Symbols of the Christian Faith is an illustrated guide to the major visual symbols used by the Christian church throughout history. These stylized illustrations, designed by artist Alva William Steffler, are intended to provide usable, up-to-date resources for contemporary church worship and Christian education. Throughout church history symbols have been used to aid worship and to communicate difficult spiritual ideas. Steffler here collects these symbols, from early Christian catacomb art to the present, offering fresh graphic interpretations of old visual forms. The accompanying text notes the biblical sources for the various symbols and traces their use in church tradition and their links to Greco-Roman culture. Extensive glossaries and indexes round out the book. Broadly inclusive and sensitive to the perspectives of every church tradition, this volume will be an invaluable resource for churches using Christian art as well as for general readers curious about the meaning of common Christian symbols.

Explore one of the richest and most rewarding aspects of Western art with this comprehensive easy-to-use, portable guide to Christian symbols. Organized like a primer, with hundreds of entries in 50 categories—from A for Angels to Z for Zodiac—this handy pocket reference enables you to recognize at a glance the identity and meaning of all the elements in any Christian work of art. 162 paintings from every century illustrate the enduring themes of our biblical heritage. A short introductory essay explains how to use the handbook and the functions of symbols in art. Cross-references, illustrations, a detailed index, and the pocket-book size make A Handbook of Symbols in Christian Art an invaluable work for museum-goers, students, travelers, art collectors, and general readers.

This thoroughly updated and comprehensive edition enhances the classic work as a guide to symbolism in Christian liturgical art, architecture, manuscripts, stained glass, and more. This edition is more heavily pictorial in an effort to provide an even stronger resource for artists and researchers, as well as the general browsing public. It addresses the rich history of Christian symbolism, presented for the twenty-first century reader. This unique resource offers page after page of line drawings depicting sacred monograms, saints, crosses, altars, flowers, fruits and trees, plus symbols of the Jewish and Christian Scriptures, the Church Year, the Apostles, the Holy Trinity; and much more. Completely updated and with ecumenical appeal, this useful new reference book expands on its earlier and well-earned reputation for providing clear and reliable information on Christian symbolism.

Saints, Signs, and Symbols, which was first published in 1962, contains in compact form all the main symbols used in the Church, complete with notes on their origin, meaning, and colouring. Of particular interest is the section on the Saints, which includes brief biographical details of each. “This is an indispensable handbook for teaching at all age levels.”—Kirkus Review

Imagine the dangerous life of an early Christian. You've embraced your newfound faith in Christ but fear the risk of persecution or death at the hands of the pagans living around you. Then a trusted friend tells you about some of Jesus' followers who secretly meet. He whispers into your ear, "Look for a fish carved in a paving stone" by a certain home on the Via Tiburtina. You smile in gratitude. Still today, modern society recognizes those Christian symbols that kept the early Christians safely connected: they appear on churches, bumper stickers, mugs -- even mints and stuffed animals. Yet we are often ignorant of the rich meaning of these symbols: their origins in Scripture, in ancient culture, and in the preaching of the Church Fathers. In this book, noted author Mike Aquilina conducts an intriguing and insightful tour of the symbols that expressed the life and devotion of the Church through the first four centuries of its existence. He explains how Christians freely borrowed pagan and Jewish symbols, giving them new, distinctly Christian meanings. Recover the zeal of our spiritual ancestors as you learn to read their symbolic language -- and discover the impact the symbols still have on your life today. More than a hundred illustrations, reproduced by artist Lea Marie Ravotti from the ancient originals, beautifully complement the text. View a mulitmedia presentation and listen to an interview of the author here.

In The Mushroom in Christian Art, author John A. Rush uses an artistic motif to define the nature of Christian art, establish the identity of Jesus, and expose the motive for his murder. Covering Christian art from 200 CE (common era) to the present, the author reveals that Jesus, the Teacher of Righteousness mentioned in the Dead Sea Scrolls, is a personification of the Holy Mushroom, Amanita muscaria. The mushroom, Rush argues, symbolizes numerous mind-altering substances—psychoactive mushrooms, cannabis, henbane, and mandrake—used by the early, more experimentally minded Christian sects. Drawing on primary historical sources, Rush traces the history—and face—of Jesus as being constructed and codified only after 325 CE. The author relates Jesus’s life to a mushroom typology, discovering its presence, disguised, in early Christian art. In the process, he reveals the ritual nature of the original Christian cults, rites, and rituals, including mushroom use. The book authoritatively uncovers Jesus’s message of peace, love, and spiritual growth and proposes his murder as a conspiracy by powerful reactionary forces who would replace that message with the oppressive religious-political system that endures to this day. Rush’s use of the mushroom motif as a springboard for challenging mainstream views of Western religious history is both provocative and persuasive. The package includes a link to 252 striking color images depicting Christian art, with key motifs indicated by the author.