The first book by the great French radical historian Maurice Dommanget (1888–1976) to be translated into English, this book is an engaging, sympathetic telling of the life and works of Sylvain Maréchal (1750–1803), an unjustly forgotten figure of the French Revolutionary era. Maréchal was not only a militant atheist and opponent of royalty, but, as the author of the Manifesto of the Equals he laid the groundwork for modern communism. With an introduction by Jean-Numa Ducange.

This is a bold new history of the sans-culottes and the part they played in the French Revolution. It tells for the first time the real story of the name now usually associated with urban violence and popular politics during the revolutionary period. By doing so, it also shows how the politics and economics of the revolution can be combined to form a genuinely historical narrative of its content and course. To explain how an early eighteenth-century salon society joke about breeches and urbanity was transformed into a republican emblem, Sans-Culottes examines contemporary debates about Ciceronian, Cynic, and Cartesian moral philosophy, as well as subjects ranging from music and the origins of government to property and the nature of the human soul. By piecing together this now forgotten story, Michael Sonenscher opens up new perspectives on the Enlightenment, eighteenth-century moral and political philosophy, the thought of Jean-Jacques Rousseau, and the political history of the French Revolution itself.

Socialism was man's most ambitious attempt to supplant religion with a doctrine claiming to ground itself in “science.” Each failure to create societies of abundance or give birth to “the New Man” inspired more searching for the path to the promised land: revolution, communes, social democracy, communism, fascism, Arab socialism, African socialism. None worked, and some exacted a staggering human toll. Then, after two centuries of wishful thinking and bitter disappointment, socialism imploded in a fin de siècle drama of falling walls and collapsing regimes. It was an astonishing denouement but what followed was no less astonishing. After the hiatus of a couple of decades, new voices were raised, as if innocent of all that had come before, proposing to try it all over again. Joshua Muravchik traces the pursuit of this phantasm, presenting sketches of the thinkers and leaders who developed the theory, led it to power, and presided over its collapse, as well as those who are trying to revive it today. Heaven on Earth is a story filled with character and event while at the same time giving us an epic chronicle of a movement that tried to turn the world upside down—and for a time succeeded.

The Consecration of the Writer is the definitive study of the first stages of a phenomenon that has profoundly affected world literature: the process by which modern writers ceased to speak as representatives of some religious or political power and instead seized the mantle of spiritual authority in their own right, speaking directly to and in the name of humanity. ø Paul Bänichou identifies three great moments in this process: the advent of the Enlightenment faith in philosophy and the rise of its literary concomitant, the man of letters; the literary creations of the counterrevolution and their surprising involvement in the elevation of the status of poetry; and, finally, the fusion of these tendencies in the early phases of romanticism in France. ø Bänichou deepens our understanding of romanticism by showing that it was a revision of the Enlightenment faith rather than a reaction against it. The extraordinary depth of Bänichou?s research, the originality of his conclusions, and the importance of his methodological reflections make this study an essential reference in the contemporary return to literary history.

The revolutionary ideals of equality, communal living, proletarian morality, and technology worship, rooted in Russian utopianism, generated a range of social experiments which found expression, in the first decade of the Russian revolution, in festival, symbol, science fiction, city planning, and the arts. In this study, historian Richard Stites offers a vivid portrayal of revolutionary life and the cultural factors--myth, ritual, cult, and symbol--that sustained it, and describes the principal forms of utopian thinking and experimental impulse. Analyzing the inevitable clash between the authoritarian elements in the Bolshevik's vision and the libertarian behavior and aspirations of large segments of the population, Stites interprets the pathos of utopian fantasy as the key to the emotional force of the Bolshevik revolution which gave way in the early 1930s to bureaucratic state centralism and a theology of Stalinism.