This is our Sydney, the brightest and best of it, North to the south to the east and the west of it. Bats and cicadas, lawn bowls and the zoo, This is our town. Let us share it with you.

The Rough Guide to Sydney is the ultimate handbook to this vibrant city. Features include: - Full-colour section introducing Sydney's highlights. - Lively coverage of every attraction, from catching a wave at Bondi Beach or scaling the Harbour Bridge to watching a film under the stars. - Critical reviews of restaurants and accommodation for every price range, plus the lowdown on the best places to drink, dance, swim and shop. - Detailed accounts of city escapes including wine tasting in the Hunter Valley, bushwalking in the Blue Mountains and cruising on the Hawkesbury River. - Maps and plans covering the city and day-trips.

Finalist, CCBC Marilyn Baillie Picture Book Award Finalist, Quebec Writers' Federation Janet Savage Blachford Prize for Children's and Young Adult Literature Sydney and his friends gather outside to play, transforming one by one to climb, leap, lumber and soar into a shared jungle of their imagination. Hanging upside down in a tree, Sydney imagines he is a sleepy, sun-bathing sloth. And that's where Sami finds him. Sami thinks sloths are too slow, so she scampers up the tree and becomes a spider monkey. “Fast is fun!” she chatters. “Fast is best!” And that’s where Edward finds them... One after another, the neighborhood kids wander by and slip into a shared imaginative world where leaves and giant flowers unfurl, playing, laughing, teasing and bickering, until Edward the elephant fills up his trunk and—WHOOSH!—sends the children “galloping home like a herd of small wet animals.” As always, Marie-Louise Gay’s writing and artwork are wonderfully pitched to young readers, capturing the effortless way that children travel back and forth between the worlds of real life and make believe. With its sun-dappled watercolors, depiction of time spent outdoors with friends, and quiet, wistful ending, I’m Not Sydney perfectly illustrates the slow-moving magic of a childhood summer. Key Text Features illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.

For the first time, see the making of Sydney and all its public buildings and places in exquisite drawings in this new book. For anyone who cares about Sydney, or cities in general -- whether a passionate city dweller, architect, landscape designer, planner, engineer or historian -- it offers a deep appreciation of the city's evolution.

'I don't think I've seen a more impressive collection of Australian writers in a single book.' Stephen Romei, The Australian One of the central moral issues of our time is the question of asylum seekers, arguably the most controversial subject in Australia today. In this landmark anthology, twenty-seven of Australia's finest writers have focused their intelligence and creativity on the theme of the dispossessed, bringing a whole new perspective of depth and truthfulness to what has become a fraught, distorted war of words. This anthology confirms that the experience of seeking asylum – the journeys of escape from death, starvation, poverty or terror to an imagined paradise – is part of the Australian mindset and deeply embedded in our culture and personal histories. A Country Too Far is a tour de force of stunning fiction, memoir, poetry and essays. Edited by award-winning writers Rosie Scott and Tom Keneally, and featuring contributors including Anna Funder, Christos Tsiolkas, Elliot Perlman, Gail Jones, Raimond Gaita, Les Murray, Rodney Hall and Geraldine Brooks, this rich anthology is by turns thoughtful, fierce, evocative, lyrical and moving, and always extraordinarily powerful. A Country Too Far makes an indispensable contribution to the national debate. 'There is a passion about the book, and a moral, emotional and artistic synergy that makes for deeply satisfying reading. It is as if the contributors have themselves felt dispossessed, not of their land, but of the idea of their own country, and have seized the opportunity to reclaim it . . . A fine book like A Country Too Far, one that inspires both compassion and anger, can change the way people think and act, and encourage them to expect more from themselves and their nation.' Sydney Morning Herald 'A Country Too Far represents the varied and vibrant voice of writers speaking out as Australia contravenes its obligations to refugees. Its stories, poems, memoirs and essays collect their work into an eloquent refusal of silence in the face of, as John Tranter writes: 'this/ fetch of disparate peoples/ assigned to come possessionless into massive/ light '.' Weekend Australian 'Brilliant testimony from some of our finest writers.' Anne Deveson 'The strength of the book is its range of genres and depth of perspective . . . a book to pass on to others who don't necessarily share its perspective or those who do but need sustenance. But it's also a book for holding onto and dipping into again . . . A Country Too Far is part of a literary tradition in which authors attempt to face the social context in which they live . . . to resist political word games with other words.' The Guardian 'With asylum seekers high on Australia's moral, social and political agenda, you'll want to make room on your reading list for A Country Too Far . . . [these] 27 Australian poets, authors and journalists . . . have thoughtfully and beautifully expressed their ideas and views on the complexities of the refugee issue.' InStyle 'A stunning anthology and searing moral work that beautifully gives voice to the voiceless without preaching at any point . . . In a political era where there appears to be no bottom to the barrel of immigration policy, A Country Too Far is timely, important and wise.' readings.com.au 'Don't buy a copy of this book. Buy two. Send one to a federal politician.' Newcastle Herald 'A Country Too Far, co-edited by Rosie Scott and Tom Keneally, is a timely attempt to set the record straight about asylum seekers in Australia, to counter the negative media propaganda and to protest at the government's treatment of them. Featuring some of Australia's finest writers, it is an immensely readable, humane collection of fiction, memoir, poetry and essays.' Lucy Popescu, huffingtonpost.co.uk 'Profoundly important. It deftly and eloquently touches on so many of the key tensions and issues in this debate . . . We can only hope that this collection is widely read and that it stirs within us a desire to reclaim the compassion that we once had and demand from our leaders a more humane policy.' Sydney Review of Books 'So disturbing and awakening, it is capable of changing even the most firmly cemented opinions.' New Standpoints

In this lively portrait of Sydney's development, Peter Spearritt traces a century in the life of the city - from the celebrations of the Federation of Australia in 1901 to the 2000 Olympic Games. He describes the extra-ordinary growth of the city and its sprawling suburbs, and the transition from a port and a manufacturing center to an international financial hub.