The definitive directory of makers and marks from 1850 to 1945 by J. Anthony Carter, with John Walter and Henning Ritter. Hardback, hardcover laminated ‘wipe clean¿ printed case; 10 x 7.5in, 656 pages, 2300 illustrations. ISBN 978-0-9960731-0-3.This is the true German Knife Collector's Bible! Anthony Carter's "The Sword and Knife Makers of Germany 1850-2000". The first volume was published in 2001, and in the following year, the British author, Anthony Carter, died before he was able to finish the second volume. Carter was also the owner of the publishing house, so the whole project was in danger of never being finished. Thankfully, due to the foresight and dedication of Christian Cranmer, who's son Alexander was Anthony Carter's godson, this project is finally complete.We have assembled with the tremendous help and contributions of both John Walter and Henning Ritter the complete set which includes the previous Volume One- Makers A through L (now greatly expanded) and the finished Volume Two- makers M through Z all in one massive 656 text with over 2300 illustrations.Exclusively printed by The Tharston Press, an imprint of International Military Antiques, Inc.This book is mandatory for any German edged weapons collector.

German swordsmiths have always been famous for their production of high-quality swords, making the swords themselves highly sought by collectors. Equally important to the knowledgeable collector are the histories of the men who designed, manufactured and sold these prized weapons. German Swords and Sword Makers presents the most information ever published on German sword and edged weapon makers from the Middle Ages to the present. It includes photos and illustrations of swords from Prussia, Bavaria, Wurttemberg, Saxony and Austria; more than 300 illustrations of German sword maker blade marks spanning five centuries; rare sketches and photos of German sword makers and their factories; a listing of German sword makers who exported swords to Union and Confederate dealers during the American Civil War; identification of sword and edged-weapon suppliers to Nazi Germany; and much more.

Nearly 100 German military edged weapons are presented in this sumptuously photographed volume featuring information about their owners. Spanning nearly two hundred years, Legacies in Steel is an in-depth photographic study of historical edged weapons from the German military. The elegant details of each selection are displayed in close-up detail. Many of these weapons belonged to nobility, aristocrats, high-ranking military personnel as well as soldiers and seamen. Where possible, the careers and exploits of these former owners are highlighted, bringing both personal and historical context to these beautifully crafted artifacts. By the 19th century, swords and daggers were no longer effective fighting weapons, but they maintained their popularity in Western Europe as uniform regalia. They were carried as a symbol of authority, achievement, and most importantly, honor. These weapons were produced with great skill and at high cost, requiring the skill of specialized artisans, often using precious metals and ivory, elaborate hand engraving and chiseling. Blades were fabricated of the highest quality Solingen steel. Folded steel Damascus blades were also painstakingly produced. Many examples are unique and border on singular works of art.

A multidisciplinary overview of current research into the enduringly fascinating martial artefact which is the sword.

This sixteenth-century German guide to sword fighting and combat training is a crucial source for understanding medieval swordplay techniques. Following his translation of Joachim Meyer’s The Art of Combat, Jeffrey L. Forgeng was alerted to an earlier version of Meyer’s text, discovered in Lund University Library in Sweden. The manuscript, produced in Strasbourg around 1568, is illustrated with thirty watercolor images and seven ink diagrams. The text covers combat with the longsword (hand-and-a-half sword), dusack (a one-handed practice weapon comparable to a sabre), and rapier. The manuscript’s theoretical discussion of guards sheds significant light on this key feature of the historical practice, not just in relation to Meyer but in relation to medieval combat systems in general. The Art of Sword Combat also offers an extensive repertoire of training drills for both the dusack and the rapier, a feature largely lacking in treatises of the period and critical to modern reconstructions of the practice. Forgeng’s translation also includes a biography of Meyer, much of which has only recently come to light, as well as technical terminology and other essential information for understanding and contextualizing the work.

A guide to crafting a folding knife using a liner lock mechanism. Offers alternate construction methods and tool options, and variations on the basic design. Includes 181 color photos and diagrams plus in-depth instructions.--