Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.

"Saw" is a milestone novel of the seventies. It is the first work of fiction ever to hide a hippopotamus. For the first time what has come to be recognized as a common modern neurosis, astronaut angst, gets full play in the fictional universe. For the first time anywhere in the history of fiction, in one of the most passionate encounters ever written, Eileen mates with a Sphere. Solid geometry finally has a face. The Cylinder is a nemesis, and its terrifying accomplishments roll on like a nightmare for this astronaut. This is a work of science fiction, geometric fiction, irrefutable fact and gourmand fantasies.

American writer Steve Katz published his first book, The Lestriad, in 1962. Subsequent novels and collections have continue to appear from such imprints as Holt, Rinehart and Winston; Random House; Alfred A. Knopf; Ithaca House; and Sun & Moon. According to critic Jerome Klinkowitz, Katz has "pushed innovation farther than any of his contemporaries." W. C. Bamberger regards him as "the most important living American novelist." This first extended guide to the author's fiction includes a bibliography, detailed index, notes, and 200 pages of illuminating commentary. W. C. Bamberger is the author of ten books and dozens of published critical essays on the major writers of our time, including the volumes, William Eastlake: High Desert Interlocutor and The Work of William Eastlake: An Annotated Bibliography and Guide (both available from Borgo Press). He lives and works in Michigan.

This collection—derived from many impulses but unified through one distinctive sensibility—contains passionate subversive acts of language, oblique takes on American life, outbursts of comic genius, long meditations on the cruelty of contemporary customs, and funny, disturbing glimpses of daily life. Reality is rendered pitilessly real, and fantasy bares its teeth. At once playful and devastatingly serious, the works in this collection employ a variety of forms—genres, anti-genres, fantasies, games—while highlighting the dangers and delights of contemporary life: Hollywood, tsunamis, war, the art world, AIDS, ambition, weapons of mass destruction, family values, perverse sexualities, urban violence, small change and big bucks, are all used to chum the waters of imagination and truth.

LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.

An “obsessively readable” mystery from the New York Times–bestselling author of Dark Corners about a century-old diary that holds clues to a murder (The Sunday Telegraph). Asta Westerby is lonely. In 1905, shortly after coming to East London from Denmark with her husband and their two little boys, she feels like a stranger in a strange land. And it doesn’t help that her husband is constantly away on business. Fortunately, she finds solace in her diary—and she continues to do so until 1967. Decades later, her granddaughter, Ann, finds the journal, and it becomes a literary sensation, offering an intimate view of Edwardian life. But it also appears to hold the key to an unsolved murder and the disappearance of a child. A modern masterpiece by the Edgar Award–winning author of the Inspector Wexford Mysteries, and an excellent choice for readers of P. D. James, Ian Rankin, or Scott Turow, Asta’s Book is at once a crime story, a historical novel, and a psychological portrait told through the diary itself and through Ann, who is bent on unlocking the journal’s excised mystery.

Written in the shadow of the approaching millennium, American literature in the 1990s was beset by bleak announcements of the end of books, the end of postmodernism, and even the end of literature. Yet, as conservative critics marked the century's twilight hours by launching elegies for the conventional canon, American writers proved the continuing vitality of their literature by reinvigorating inherited forms, by adopting and adapting emerging technologies to narrative ends, and by finding new voices that had remained outside that canon for too long. By reading 1990s literature in a sequence of shifting contexts - from independent presses to the AIDS crisis, and from angelology to virtual reality - American Literature in Transition, 1990–2000 provides the fullest map yet of the changing shape of a rich and diverse decade's literary production. It offers new perspectives on the period's well-known landmarks, Toni Morrison, Thomas Pynchon, David Foster Wallace, but also overdue recognition to writers such as Ana Castillo, Evan Dara, Steve Erickson, and Carole Maso.