Following her success as work experience girl at a celebrity news magazine, Susanna's been asked to help out with the juiciest job of all - covering the Oscars, live from LA! She can hardly believe her luck. This is her ultimate chance to schmooze with the A-list and get her hands on some National Enquirer-worthy scoops... But poor Susanna soon comes crashing down to earth as she realises what her job really entails. Once again Nell, the editor, treats her like a personal slave (well, who else is going to walk madam's handbag-sized pooch?) - and even when Susanna scores some time alone to investigate the venue, she comes up against some pretty tough security guards. And then she loses her press pass. All in all, it seems unlikely that Susanna will reach the stars in time for the big night. But then again, this is a girl who thrives on a challenge...

Needless to say, Susanna's plans don't always go as, well, planned. But nothing is going to stop this reporter from getting a great story for the London edition of Teen Scene- not Francesca, her snooty arch-nemesis, not her crush on the boy in the local chip shop, and definitely not the fact that the bright lights of the city seem very far away from the small Kent village where she's staying… Hilarious, heart-warming, and totally fabulous, dahling, Susanna is in London and loving it!

Susanna's months of hard work for her demanding Devil Wears Prada boss, Nell Wickham, are about to pay off. In her second ever assignment for Scene magazine, she'll be covering New York Fashion Week! So she's learned that grey is the new black, shorts are the new trousers and that there is actually a difference between a catwalk and a runway... All she needs now is a story. And that should be no problem for the girl who can get a story no matter what. After all, it can't be that hard to get backstage. Can it?

SUSANNA BARRINGER'S INTERNSHIP at Scene magazine is a dream come true. She'll scoop the latest celebrity stories and be the youngest journalist to rub elbows with the stars.But her first real celebrity sighting is a disaster. And her second. Then her third. Her boss can't remember her name. And her co-workers are mocking her interview skills along with her fashion sense. Is Susanna out of her league? Or can she reach the stars to get the scoop of the summer?

From its infancy, television networks and studios explore others avenues to increase their revenues. Conveniently enough, several film studios and production companies—MGM, MTM, Columbia/Screen Gems, Talent Associates, Warner Brothers—had their own record label divisions. The obvious benefit was cross promotion: a television series could be plugged on the record and the record could be promoted on the TV show. Though few and far between, several television performers went on to become major recording stars. Ricky Nelson started as a child actor on The Adventures of Ozzie and Harriet before dominating rock and pop charts. Johnny Crawford of The Rifleman, Walter Brennan of The Real McCoys, and even Bruce Willis of Moonlighting all scored Top Ten hit singles. But these were just the standouts from the hundreds of TV actors who recorded songs, and the stories behind their records are simply fascinating. In From Small Screen to Vinyl: A Guide to TV Stars Who Made Records 1950-2000, author Bob Leszczak offers a look at hundreds of stars who performed double duty: as a television performer as well as a recording artist. He looks not only at the show and the performer but the behind-the-scenes dramas that unfolded as each attempted to tackle the two different mediums. Through his interviews with many of these multitaskers, the author has uncovered new, and mostly never before known facts about those who sought to conquer the world of vinyl. As Leszczak stresses, most eagerly embraced the opportunity to record, while others saw it as a necessary evil—the result of contractual obligations or industry pressures. Entries are listed alphabetically from Nick Adams (of The Rebel) to Efrem Zimbalist, Jr. (of 77 Sunset Strip). Also included are over 80 photos of these rare releases taken from the author’s private collection. For a new look at your old favorites, From Small Screen to Vinyl, will let you see that just because one is a TV star does not mean that he or she does not have the ability to expand beyond their acting prowess. Baby boomers, fans of classic hits radio, and devotees of classic TV programs will find From Small Screen to Vinyl a treasure trove of TV and record trivia—and no TV or music library can be considered complete without it.

For fans of musicals, singing, Hollywood history, and the lives of stars, no other work equals this new three-volume reference to the on- and off-camera careers of more than 100 performers who made major contributions to the American screen musical. From June Allyson to Mae West, Hollwood Songsters provides a detailed narrative-ranging from 2,000 to 5000 words each-of the lives and careers of stars forever etched in our memories. Each entry includes a filmography, discography (of both albums and CDs), Broadway appearances, radio work, television appearances and series, and a full-page photo of the subject. This is the ideal reference work for everyone one from the mildly curious to the devoted fan.

Comedy is centuries old. In Medieval Times monarchs were entertained by court jesters. Melodramas provided boredom and stress relief for the pioneers of America’s West. The Nineteenth Century brought vaudeville and burlesque and entertainment jobs for many early comedians. Many of these passed on to their children their comedic skills. These 20th Century comedians are the subject of this book. They moved from burlesque and vaudeville to radio, Broadway, films, and some into television. Some remained “full-time” comedians and some chose serious acting roles at times.