A limited edition publication of music compositions by Zahra Partovi, with images by Susan Weil.

A longtime fixture in the New York art scene, Susan Weil has always maintained an adventurous attitude toward material and form even as she continued to paint self-assuredly in both abstract and representational modes. Her mixed media works address the plastic quality of time and space through processes of cutting, crumpling and refiguring her compositions. Weil has influenced many in the Abstract Expressionist movement - especially her ex-husband, Robert Rauschenberg, with whom she collaborated on many projects, most notably the Blueprint paintings of 1950.

In the twentieth century, large companies employing many workers formed the bedrock of the U.S. economy. Today, on the list of big business's priorities, sustaining the employer-worker relationship ranks far below building a devoted customer base and delivering value to investors. As David Weil's groundbreaking analysis shows, large corporations have shed their role as direct employers of the people responsible for their products, in favor of outsourcing work to small companies that compete fiercely with one another. The result has been declining wages, eroding benefits, inadequate health and safety protections, and ever-widening income inequality. From the perspectives of CEOs and investors, fissuring--splitting off functions that were once managed internally--has been phenomenally successful. Despite giving up direct control to subcontractors and franchises, these large companies have figured out how to maintain the quality of brand-name products and services, without the cost of maintaining an expensive workforce. But from the perspective of workers, this strategy has meant stagnation in wages and benefits and a lower standard of living. Weil proposes ways to modernize regulatory policies so that employers can meet their obligations to workers while allowing companies to keep the beneficial aspects of this business strategy.

An NYRB Classics Original Simone Weil—philosopher, activist, mystic—is one of the most uncompromising of modern spiritual masters. In “On the Abolition of All Political Parties” she challenges the foundation of the modern liberal political order, making an argument that has particular resonance today, when the apathy and anger of the people and the self-serving partisanship of the political class present a threat to democracies all over the world. Dissecting the dynamic of power and propaganda caused by party spirit, the increasing disregard for truth in favor of opinion, and the consequent corruption of education, journalism, and art, Weil forcefully makes the case that a true politics can only begin where party spirit ends. This volume also includes an admiring portrait of Weil by the great poet Czeslaw Milosz and an essay about Weil’s friendship with Albert Camus by the translator Simon Leys.

This book focuses on six women who are often seen as particularly tough-minded: Simone Weil (1909-1943, French philosopher), Hannah Arendt (1906-1975, German-American philosopher), Mary McCarthy (1912-1989, American writer), Susan Sontag (1933-2004, American writer), Diane Arbus (1923-1971, American photographer, and Joan Didion (1934, American writer). It traces the careers of these women and their challenges to the pre-eminence of empathy as the ethical posture from which to examine pain.

Translated from the French by Benjamin Ivry, Simone Weil was one of the twentieth century's most original philosopher-critics, and as a result her legacy has been claimed by many. This memoir by Weil's niece is strong-willed and incisive and as close as we are likely to get to the real Simone Weil. Born into a freethinking Jewish family, Weil contributed many articles to Socialist and Communist journals and was active in the Spanish Civil War until her health failed. In 1940 she became strongly attracted to Roman Catholicism and the Passion of Christ. Most of her works, published posthumously, continue to inform debates in ethics, philosophy, and spirituality surrounding questions of sacrifice, asceticism, and the virtues of manual labor. Massively influential, Weil's writings were widely praised by such readers as Albert Camus, T. S. Eliot, Simone de Beauvoir, Pope John XXIII, Czeslaw Milosz, and Susan Sontag. Sylvie Weil recovers the deeply Jewish nature of Simone's thinking and details how her preoccupations with charity and justice were fully in the tradition of tzedakah, the Jewish religious obligation toward these actions. Using previously unpublished family correspondence and conversations, Sylvie Weil offers a more authentically personal portrait of her aunt than previous biographers have provided. At Home with Andr and Simone Weil illuminates Simone's relationship to her family, especially to her brother, the great Princeton mathematician Andr Weil. A clear-eyed and uncompromising memoir of her family, At Home with Andr and Simone Weil is a fresh look at the noted French philosopher, mystic, and social activist.

This is a monograph focusing on former student Susan Weil of Black Mountain College, part of an ongoing series dedicated to the college's legacy. When Susan Weil went to Black Mountain as a student in 1948, she was followed by Robert Rauschenberg, her boyfriend from the AcadZmie Julian in Paris. Her earlier decision to attend the school was one of several ways in which she crucially influenced his early artistic development.