Amber, Jazz, and Geena are three sisters who want to have the new library at school named after their mum, so they take the idea to their teachers. But for the teachers to agree, the girls must first raise some money to help the library and stock it with books.

Why are Americans obsessed with the home run in sports, business, and even life? What made the steroid era inevitable? Revisiting the great home run seasons of Babe Ruth through those of Barry Bonds, All the Babe's Men answers these and other provocative questions. Baseball, and particularly the long ball itself, evolved via accident, necessity, and occasional subterfuge. During the dead-ball era, pitching ruled the game, and home run totals hovered in the single digits. Then a ban on the spitball and the compression of stadium dimensions set the stage for new sluggers to emerge, culminating in Ruth's historic sixty-homer season in 1927. The players, owners, and fans became hooked on the homer, but our addiction took us to excess. As the home run became the ultimate goal for hitters, players went to new lengths to increase their power and ability to swing for the fences. By the time Barry Bonds set a new single-season record in 2001, Americans had to face the fact that their national pastime had become corrupted from within. Through a play-by-play analysis of the game's historic long-ball seasons, its superstars, and the contemporary legal nightmares and tainted records, All the Babe's Men divulges how America evolved into a home run society where baseball is king.

With actress Pam Grier's breakthrough in Coffy and Foxy Brown, women entered action, science fiction, war, westerns and martial arts films--genres that had previously been considered the domain of male protagonists. This ground-breaking cinema, however, was--and still is--viewed with ambivalence. While women were cast in new and exciting roles, they did not always arrive with their femininity intact, often functioning both as a sexualized spectacle and as a new female hero rather than female character. This volume contains an in-depth critical analysis and study of the female hero in popular film from 1970 to 2006. It examines five female archetypes: the dominatrix, the Amazon, the daughter, the mother and the rape-avenger. The entrance of the female hero into films written by, produced by and made for men is viewed through the lens of feminism and post-feminism arguments. Analyzed works include films with actors Michelle Yeoh and Meiko Kaji, the Alien films, the Lara Croft franchise, Charlie's Angels, and television productions such as Xena: Warrior Princess and Alias.

Come along and ride on a fantastic voyage. Limousine driver Bobby Martinez takes you along on some of his adventures. From bazaar weddings to promiscuous prom nights you get to ride shotgun. Bobby shares his experiences with you as you get to look behind the dark tinted glass and see what goes on. You'll get to meet some of the celebrities he has chauffeured. You'll share some of the dangerous times he has experienced and you get to see some close calls he has been through. Strap yourself in for some high speed adventures inspired by real events. No one has sworn him to secrecy and he reveals all secrets. You'll find out what some drivers get away with and what they do that you would too if you had the chance. It is no coincidence that some of the names you may see are very close in similarity to real people. You'll know who they are. It is compelling and thrilling. It is about unbelievable characters and unmentionable acts. After reading this book, you will never look at a limousine the same.

Holly, Cat and Belle are best friends - and superstars in the making! As they settle into their new school - the world-famous Garrick School of the Performing Arts - they soon find out that trying to be a star can be tough. But it's also fun when your best friends are around to help you make your dreams come true - and find a touch of romance!

“A revelation. It will introduce readers to one of the most significant global centers of film production, Nigeria . . . an important work . . . Essential.” —Choice In this comprehensive study of Nollywood stardom around the world, Noah A. Tsika explores how the industry’s top on-screen talents have helped Nollywood to expand beyond West Africa and into the diaspora to become one of the globe’s most prolific and diverse media producers. Carrying VHS tapes and DVDs onto airplanes and publicizing new methods of film distribution, the stars are active agents in the global circulation of Nollywood film. From Omotola Jalade-Ekeinde’s cameo role on VH1’s popular series Hit the Floor to Oge Okoye’s startling impersonation of Lady Gaga, this book follows Nollywood stars from Lagos to London, Ouagadougou, Cannes, Paris, Porto-Novo, Sekondi-Takoradi, Dakar, Accra, Atlanta, Houston, New York, and Los Angeles. Tsika tracks their efforts to integrate into various entertainment cultures, but never to the point of effacing their African roots. “Tsika breaks new ground in showing that Nollywood stars are not the passive creations of an industry, but rather have been essential conditions of its existence and phenomenal success.” —Jacquelyn Southern, Center for Urban & Global Studies, Trinity College “There is no doubt that this is a pioneering book, one that raises important questions about the transnational and transmedial dimensions of an emergent, corporate culture of stardom and models an entirely new approach to the study of African movies and media.” —African Studies Review “Makes a convincing case that one cannot fully understand Nollywood without a thorough and rigorous examination of its stars.” —Christina Lane, University of Miami

Beer, Babes, and Balls explores the increasingly popular genre of sports talk radio and how it relates to contemporary ideas of masculinity. Popular culture plays a significant role in fashioning identities, and sports talk radio both reflects and inspires cultural shifts in masculinity. Through analysis of the content of sports talk radio as well as interviews with radio production staff and audience members, scholar and avid sports talk radio listener David Nylund sheds light on certain aspects of contemporary masculinity and recent shifts in gender and sexual politics. He finds that although sports talk radio reproduces many aspects of traditional masculinity, sexism, racism, and heterosexism, there are exceptions in these discourses. For instance, the most popular national host, Jim Rome, is against homophobia and racism in sport, which indicates that the medium may be a place for male sports fans to discuss gender, race, and sexuality in consequential ways. Nylund concludes that sports talk radio creates a male bonding community that has genuine moments of intimacy and connection, signifying the potential for new forms of masculinity to emerge, while simultaneously reproducing traditional forms of masculinity.