A New York Times Book Review Editors' Choice Selection "The most exciting and definitive collection of Lovecraft's work out there." –Danielle Trussoni, New York Times Book Review No lover of gothic literature will want to be without this literary keepsake, the final volume of Leslie Klinger’s tour-de-force chronicle of Lovecraft’s canon. In 2014, The New Annotated H. P. Lovecraft was published to widespread acclaim— vaunted as a “treasure trove” (Joyce Carol Oates) for Lovecraft aficionados and general readers, alike. Hailed by Harlan Ellison as an “Olympian landmark of modern gothic literature,” the volume included twenty-two of Lovecraft’s original stories. Now, in this final volume, best- selling author Leslie S. Klinger reanimates twenty-five additional stories, the balance of Lovecraft’s significant fiction, including “Rats in the Wall,” a post– World War I story about the terrors of the past, and the newly contextualized “The Horror at Red Hook,” which recently has been adapted by best- selling novelist Victor LaValle. In following Lovecraft’s own literary trajectory, readers can witness his evolution from Rhode Island critic to prescient literary genius whose titanic influence would only be appreciated decades after his death. Including hundreds of eye- opening annotations and dozens of rare images, Beyond Arkham finally provides the complete picture of Lovecraft’s unparalleled achievements in fiction.

H.P. Lovecraft's essay on Supernatural Horror in Literature is published here together with a showcase of the fiction which Lovecraft recommends. Authors include Charles Dickens, Victor Hugo, Edgar Allan Poe, Ambrose Bierce, Clark Ashton Smith, Rudyard Kipling, Oscar Wilde, A. Conan Doyle, H.G. Wells, Arthur Machen, Algernon Blackwood, M.R. James and many more.

”The reader would do well to remember that it is Lovecraft‘s shadow which overlies almost all of the important horror fiction.”—Stephen King Written by arguably the most important horror writer of the twentieth century, H. P. Lovecraft’s 1927 essay “Supernatural Horror in Literature” traces the evolution of the genre from the early Gothic novels to the work of contemporary American and British authors. Throughout, Lovecraft acknowledges those authors and stories that he feels are the very finest the horror field has to offer: Washington Irving, Edgar Allan Poe, Henry James, Rudyard Kipling, Bram Stoker, Robert Louis Stevenson, Guy de Maupassant, Ambrose Bierce, and Arthur Conan Doyle, each prefaced by Lovecraft's own opinions and insights in their work. This chilling collection also contains Henry James’ wonderfully atmospheric short novel The Turn of the Screw. For every fan of modern horror, here is an opportunity to rediscover the origins of the genre with some of most terrifying stories ever imagined.

Explore the marvelous complexity of Lovecraft's writing—including his use of literary allusions, biographical details, and obscure references in this rich, in-depth exploration of great horror fiction from the acknowledged master of the weird, including the stories "Herbert West—Reanimator", "Pickman's Model", "The Call of Cthulhu", "The Thing on the Doorstep", "The Horror at Red Hook" and more. Did Lovecraft believe in ghosts or paranormal phenomena? In what story does the narrator fear riding the Boston T? A pathfinder in the literary territory of the macabre, H.P. Lovecraft is one of America's giants of the horror genre. Now, in this second volume of annotated tales, Lovecraft scholars S. T. Joshi and Peter Cannon provide another rare opportunity to look into the mind of a genius. Their extensive notes lift the veil between real events in the writer's life—such as the death of his father—and the words that spill out onto the page in magnificent grotesquerie. Mansions, universities, laboratories, and dank New England boneyards appear also as the haunts where Lovecraft's characters confront the fabulous and fantastic, or—like the narrator in "Herbert West—Reanimator"—dig up fresh corpses. Richly illustrated and scrupulously researched, this extraordinary work adds exciting levels of meaning to Lovecraft's chilling tales . . . and increases our wonder at the magic that transforms life into a great writer's art.

Explore the marvelous complexity of Lovecraft's writing—including his use of literary allusions, biographical details, and obscure references in this rich, in-depth exploration of great horror fiction from the acknowledged master of the weird, including the stories "Herbert West—Reanimator", "Pickman's Model", "The Call of Cthulhu", "The Thing on the Doorstep", "The Horror at Red Hook" and more. Did Lovecraft believe in ghosts or paranormal phenomena? In what story does the narrator fear riding the Boston T? A pathfinder in the literary territory of the macabre, H.P. Lovecraft is one of America's giants of the horror genre. Now, in this second volume of annotated tales, Lovecraft scholars S. T. Joshi and Peter Cannon provide another rare opportunity to look into the mind of a genius. Their extensive notes lift the veil between real events in the writer's life—such as the death of his father—and the words that spill out onto the page in magnificent grotesquerie. Mansions, universities, laboratories, and dank New England boneyards appear also as the haunts where Lovecraft's characters confront the fabulous and fantastic, or—like the narrator in "Herbert West—Reanimator"—dig up fresh corpses. Richly illustrated and scrupulously researched, this extraordinary work adds exciting levels of meaning to Lovecraft's chilling tales . . . and increases our wonder at the magic that transforms life into a great writer's art.

A noted cultural critic unearths the weird, the eerie, and the horrific in 20th-century culture through a wide range of literature, film, and music references—from H.P. Lovecraft and Daphne Du Maurier to Stanley Kubrick and Christopher Nolan. What exactly are the Weird and the Eerie? Two closely related but distinct modes, and each possesses its own distinct properties. Both have often been associated with Horror, but this genre alone does not fully encapsulate the pull of the outside and the unknown. In several essays, Mark Fisher argues that a proper understanding of the human condition requires examination of transitory concepts such as the Weird and the Eerie. Featuring discussion of the works of: H. P. Lovecraft, H. G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christopher Nolan.

This collection of new essays and reprints of significant articles provides a comprehensive picture of Lord Dunsany's contribution to fantasy fiction and world literature. These essays make a case for the continued study of this neglected but hugely influential writer.