A study of the principles involved in finding the extent and direction of sunlight and shadows on buildings, together with a series of charts for different hours and seasons for the latitudes of Australia, New Zealand, Papua New Guinea and Pacific island nations.

“Form,” writes the author, “is developed by means of light and shade; without these every object would appear flat.” Originally published in the mid-nineteenth century, this classic approach to three-dimensional drawing was the first book to provide art students with instructions for correctly illustrating perspective outlines of various objects. An art historian noted for her authoritative reference works, Merrifield clearly demonstrates the principles of light and shade by revealing the effects of common daylight, sunshine, and candle or artificial light on geometrical solids. Her simple explanations are accompanied by illustrations of cubes, prisms, pyramids, cylinders, spheres, ovals, and cones. As useful and practical today as it was when first published well over a century ago, Light and Shade provides beginning and advanced art students with valuable insights into effective drawing and sketching.

Excerpt from Sunshine and Shade Included in this volume (after careful revision) are various old favourites, which, lingering only in the memories of a' few local lovers of the Muse, are otherwise inaccessible, having long since passed out of print. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.