Desert Borderland investigates the historical processes that transformed political identity in the easternmost reaches of the Sahara Desert in the half century before World War I. Adopting a view from the margins—illuminating the little-known history of the Egyptian–Libyan borderland—the book challenges prevailing notions of how Egypt and Libya were constituted as modern territorial nation-states. Matthew H. Ellis draws on a wide array of archival sources to reconstruct the multiple layers and meanings of territoriality in this desert borderland. Throughout the decades, a heightened awareness of the existence of distinctive Egyptian and Ottoman Libyan territorial spheres began to develop despite any clear-cut boundary markers or cartographic evidence. National territoriality was not simply imposed on Egypt's western—or Ottoman Libya's eastern—domains by centralizing state power. Rather, it developed only through a complex and multilayered process of negotiation with local groups motivated by their own local conceptions of space, sovereignty, and political belonging. By the early twentieth century, distinctive "Egyptian" and "Libyan" territorial domains emerged—what would ultimately become the modern nation-states of Egypt and Libya.

As part of the Getty Foundation's Pacific Standard Time: Art in L.A., 1945-1980 regional initiative, the exhibition Backyard Oasis, mounted by Palm Springs Art Museum in 2012, examines photographs of swimming pools from 1945 to 1982 as visual analogs of the ideals and expectations associated with Southern California. These images of individual water-based environs in the arid landscape are an integral part of the region's identity, a microcosm of the hopes and disillusionments of the country's post-World War II ethos. The catalogue contains an introductory essay providing an overview of the development of the swimming pool and its attendant aesthetic and social culture. Authored by the exhibition's organizing curator and its contributing research team members, the catalogue's five chapters are: Exposed Desires: Poolside Reflections on Celebrity, Daniell Cornell, Senior Curator and Deputy Director for Art, Palm Springs Art Museum; Swimming Alone: The Backyard Pool in Cold War California, Jennifer Watts, Curator of Photographs, Huntington Library, San Marino; Designing Nature: The Pool in the Garden, Robert Stearns, Independent Curator and Project Coordinator, Palm Springs; From Beefcake to Skatecake: Subcultures and Masculinity, Tyler Stallings, Director, Sweeny Art Gallery, University of California, Riverside; Dystopia and the Swimming Pool, Dick Hebdige, Professor of Art, University of California, Santa Barbara.

This book offers a nuanced analysis of the ways in which Egyptian and British novels represent the Egyptian nationalist project in its struggle against British hegemony in the aftermath of two revolutions: the 1881-82 Urabi Revolution, known for inaugurating the British occupation of Egypt, and the 1919 Revolution celebrated in Egyptian national memory as the classic Egyptian revolution par excellence. Reading the novels against the grain, the study recovers female voices that are multiply marginalized, due to their gender and/or ethnicity, whether by colonial imperial powers, the nation, their immediate regional community or, finally, by the works under discussion themselves. Using a comparative lens, the study foregrounds the ways in which the authors confirm, critique, rewrite/revise, or reject developmental narratives. Female Voices and Egyptian Independence pays particular attention to women that range from the uneducated black slave, to the uneducated rural Siwan woman with artistic talent, to the wealthy cultured Coptic housewife, to the rising late nineteenth-century British female professional, and finally to the eclipsed twentieth-century Egyptian female national intellectual, all of whom play crucial roles in the journeys of the respective male protagonists, and by extension, the Egyptian national project.

Los Angeles is a city of dualities--sunshine and noir, coastline beaches and urban grit, natural beauty and suburban sprawl, the obvious and the hidden. Both Sides of Sunset: Photographing Los Angeles reveals these dualities and more, in images captured by master photographers such as Bruce Davidson, Lee Friedlander, Daido Moriyama, Julius Shulman and Garry Winogrand, as well as many younger artists, among them Matthew Brandt, Katy Grannan, Alex Israel, Lise Sarfati and Ed Templeton, just to name a few. Taken together, these individual views by more than 130 artists form a collective vision of a place where myth and reality are often indistinguishable. Spinning off the highly acclaimed Looking at Los Angeles (Metropolis Books, 2005), Both Sides of Sunset presents an updated and equally unromantic vision of this beloved and scorned metropolis. In the years since the first book was published, the artistic landscape of Los Angeles has flourished and evolved. The extraordinary Getty Museum project Pacific Standard Time: Art in L.A. 1945-1980 focused global attention on the city's artistic heritage, and this interest has only continued to grow. Both Sides of Sunset showcases many of the artists featured in the original book--such as Lewis Baltz, Catherine Opie, Stephen Shore and James Welling--but also incorporates new images that portray a city that is at once unhinged and driven by irrepressible exuberance. Proceeds from the sale of the book will benefit Inner-City Arts--an oasis of learning, achievement and creativity in the heart of Los Angeles' Skid Row that brings arts education to elementary, middle and high school students.

Lonely Planet: The world's leading travel guide publisher Take a journey through every country in the world. 850 images. 230 countries. One complete picture. With details of every United Nations-approved country in the world, and a few more principalities and dependencies besides, Lonely Planet's Travel Book is the ultimate introduction to a world of travel and the essential travel reference book for every household! Each country is profiled by Lonely Planet's expert authors and features details of when to visit, what to see and do, and how to learn more about the country's culture from its film, music, food and drink. Every entry has a map and statistics about the country. All brand new, incredible photography illustrates each country, depicting what life is like in each nation from photographic portraits of people, beautiful landscape photographs and vibrant street photography. This premium packaged 448-page book with beautiful rainbow foil on the cover will make an impressive gift. About Lonely Planet: Started in 1973, Lonely Planet has become the world's leading travel guide publisher with guidebooks to every destination on the planet, gift and lifestyle books and stationery, as well as an award-winning website, magazines, a suite of mobile and digital travel products, and a dedicated traveller community. Lonely Planet's mission is to enable curious travellers to experience the world and to truly get to the heart of the places they find themselves in. TripAdvisor Travelers' Choice Awards 2012, 2013, 2014, and 2015 winner in Favorite Travel Guide category 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.

This book will present close readings of three contemporary Arabic novelists - an Egyptian (Gamal Al-Ghitany), an Algerian (Taher Ouettar) and a Touareg Libyan (Ibrahim Al-Koni) - who have all turned to Sufism as a literary strategy aimed at negotiating i