Over the course of the twentieth century, Mongolian life was transformed, as a land of nomadic communities encountered first socialism and then capitalism and their promises of new societies. The stories collected in this anthology offer literary snapshots of Mongolian life throughout this tumult. Suncranes and Other Stories showcases a range of powerful voices and their vivid portraits of nomads, revolution, and the endless steppe. Spanning the years following the socialist revolution of 1921 through the early twenty-first century, these stories from the country’s most highly regarded prose writers show how Mongolian culture has forged links between the traditional and the modern. Writers employ a wide range of styles, from Aesopian fables through socialist realism to more experimental forms, influenced by folktales and epics as well as Western prose models. They depict the drama of a nomadic population struggling to understand a new approach to life imposed by a foreign power while at the same time benefiting from reforms, whether in the capital city Ulaanbaatar or on the steppe. Across the mix of stories, Mongolia’s majestic landscape and the people’s deep connection to it come through vividly. For all English-speaking readers curious about Mongolia’s people and culture, Simon Wickhamsmith’s translations make available this captivating literary tradition and its rich portrayals of the natural and social worlds.

Cursed Bunny is a genre-defying collection of short stories by Korean author Bora Chung. Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society. Anton Hur’s translation skilfully captures the way Chung’s prose effortlessly glides from being terrifying to wryly humorous. Winner of a PEN/Heim Grant.

"THE GREEN-EYED LAMA" IS THE BEST NOVEL EVER WRITTEN ABOUT MONGOLIA" (JACK WEATHERFORD)THE FIRST MONGOLIAN NOVEL EVER PUBLISHED IN THE WEST!AN AWARD-WINNING, DECADE-LONG BESTSELLER IN MONGOLIA.The year is 1938. The newly-installed communist government of Mongolia, under orders from Moscow, has launched a nation-wide purge. Before it ends, nearly a tenth of the country's population will be murdered.A young nomadic herds-woman named Sendmaa falls in love with Baasan, a talented and handsome Buddhist lama. Baasan resolves to leave the priesthood and marry Sendmaa, but her scheming neighbor persuades Baasan's brother, Bold, to ask for Sendmaa's hand in marriage first. Their love triangle is engulfed by tragedy when Mongolia's Stalin moves to crush the Buddhist faith.Baasan is arrested. Sendmaa, Bold, and the other northern herders are branded counter-revolutionaries, and their herds are confiscated.As the country teeters toward war, Baasan is sentenced to death as a class enemy. But an improbable ally, a lama turned "KGB" agent, intervenes in a way that reaches all the way to Franklin Roosevelt. Still, Baasan must summon every bit of his talent and ingenuity if he's to survive the gulag, reunite with Sendmaa, and help save the Buddhist faith.The Green-Eyed Lama is based on a true story. Nearly all of the book's characters are referred to by their real names. Written originally in English, it was published in Mongolian in 2008, and has been a bestseller in Mongolia for 10 years. The Green-Eyed Lama is the first Mongolian novel to be published in the West. In November 2017, the French publishing house Grasset Editions published the novel in French under the title Le Moine Aux Yeux Verts.

The End of the Dark Era is the first book of Mongolian poetry to be published in the United States, and one of the few avant-garde collections to have come from the vast steppes of Mongolia. Poet Tseveendorjin Oidov, who is also one of Mongolia's most renowned painters, traverses the Mongolian dreamscape in poems populated by horses, eagles, and a recurring darkness that the poet dissipates with his startling descriptions and abiding empathy. The short poems of the book's second half are accompanied by thirty‐six of Oidov's abstract line drawings.

From the author of National Book Award finalist Crossing comes an unlikely love story in Kosovo with unpredictable consequences that reverberates throughout a young man's life—a dazzling tale full of fury, tenderness, longing, and lust. “Devastating in the most beautiful ways. From the first pages you realize that you are in the hands of an absolute artist.” —Torrey Peters, author of Detransition, Baby April 1995. Arsim is a twenty-four-year-old, recently married student at the University of Pristina, in Kosovo, keeping his head down to gain a university degree in a time and place deeply hostile to Albanians. In a café he meets a young man named Miloš, a Serb. Before the day is out, everything has changed for both of them, and within a week two milestones erupt in Arsim’s married life: his wife announces her first pregnancy and he begins a life in secret. After these fevered beginnings, Arsim and Miloš’s unlikely affair is derailed by the outbreak of war, which sends Arsim’s fledgling family abroad and timid Miloš spiraling down a dark path, as depicted through chaotic journal entries. Years later, deported back to Pristina after a spell in prison and now alone and hopeless, Arsim finds himself in a broken reality that makes him completely question his past. What happened to him, to them, exactly? How much can you endure, and forgive? Entwined with their story is a re-created legend of a demonic serpent, Bolla; it’s an unearthly tale that gives Arsim and Miloš a language through which to reflect on what they once had. With luminous prose and a delicate eye, Pajtim Statovci delivers a relentless novel of desire, destruction, intimacy, and the different fronts of war.

This book re-examines the origins of modern Mongolian nationalism, discussing nation building as sponsored by the socialist Mongolian People’s Revolutionary Party and the Soviet Union and emphasizing in particular the role of the arts and the humanities. It considers the politics and society of the early revolutionary period and assesses the ways in which ideas about nationhood were constructed in a response to Soviet socialism. It goes on to analyze the consequences of socialist cultural and social transformations on pastoral, Kazakh, and other identities and outlines the implications of socialist nation building on post-socialist Mongolian national identity. Overall, Socialist and Post-Socialist Mongolia highlights how Mongolia’s population of widely scattered seminomadic pastoralists posed challenges for socialist administrators attempting to create a homogenous mass nation of individual citizens who share a set of cultural beliefs, historical memories, collective symbols, and civic ideas; additionally, the book addresses the changes brought more recently by democratic governance.