Reprint of the original, first published in 1875.

The Getaway Of A Lifetime...Kinda.Summer Callahan isn’t in Cambria for the beach or the ocean or the pine-scented air around Paradise Pines Lodge. She’s there as a companion to her flighty cousin, Deah--with the understanding that they will have separate agendas the entire time. Summer just wants to be left alone to dream up the romance novels she writes under a pseudonym.A Real-life Hero Who Rivals a Romance Novel...Really!But never in Summer's wildest writer's imagination does she dream of being caught in an undertow and almost drowning, only to be rescued by a wealthy artist. And when Logan Bullard proves hard to shake, Summer fears for her heart--especially when Deah sets her sights on Logan.A Cupid to pull it all together...?But at Paradise Pines Lodge, what's meant to be has a way of happening...at the best time and in the best way. Miss Angelina Love--who may or may not own the place--has an "in" with Heaven's own "department of romance." And she's determined to see Summer and Logan together.

When a devastating blizzard paralyzes New England, Rachel Winston finds Nathan Reed near death and nurses him back to health, and Nathan learns a lesson in love and forgiveness in return.

Dr Sigmas Summer Dreams reveal her genuine concern into women consciousness and womens quest for true love. These poems focus on a womans waiting and wanting for her love and how lonely she feels in the busy world as she is neglected emotionally.

Inside the Music of Brian Wilson is, as author Phillip Lambert writes in the prologue "completely, and intensely, focused on the music of Brian Wilson, on the musical essence of his songs and the aesthetic value of his artistic achievements. It acknowledges the familiar biographical contexts of his songs, but it tells completely new stories about the birth and evolution of his musical ideas, identifying important musical trends in his work, heretofore undisclosed inter-song connections within his music, or between his music and that of others, and the nature and extent of his artistry. It aims not just to identify great songs, but to explain exactly what makes them so." Lambert, a renowned musicologist, brings to this work to life with both his professional expertise and an infectious personal appreciation of the power of pop music. His clear, engaging tone and accessible writing style allows even a musically inexperienced reader to follow him as he traces Wilson's musical evolution, with a particular focus on the years leading up to the writing and recording of Pet Sounds and SMiLE, albums which many consider to be the masterpieces of his oeuvre. Inside the Music of Brian Wilson is the definitive book on Wilson's music and is essential reading for fans of Brian Wilson, the Beach Boys, and great pop music. Includes THREE amazing Appendixes: Appendix 1: Brian Wilson Song Chronology* Appendix 2: Four Freshmen Albums, 1955-1961 Appendix 3: Favorite Songs and Influences Through 1961 *The most complete song chronology ever published.

This is the first complete narrative history of nineteenth-century American poetry. Barbara Packer explores the neoclassical and satiric forms mastered by the early Federalist poets; the creative reaches of once-celebrated, and still compelling, poets like Longfellow and Whittier; the distinctive lyric forms developed by Emerson and the Transcendentalists. Shira Wolosky provides a new perspective on the achievement of female poets of the period, as well as a close appreciation of African-American poets, including the collective folk authors of the Negro spirituals. She also illuminates the major works of the period, from Poe through Melville and Crane, to Whitman and Dickinson. The authors of this volume discuss this extraordinary literary achievement both in formal terms and in its sustained engagement with changing social and cultural conditions. In doing so they recover and elucidate American poetry of the nineteenth century for our twenty-first century pleasure, profit, and renewed study.

The Self and the Sonnet is an interdisciplinary study which considers the sonnet, a near eight hundred year old form, and looks at the historical meanderings and the popularity of the form among cultures that are far removed from the location of its origin in Italy. The book tracks the notion of the self from its Platonic beginnings to the Postmodern, using insights from Charles Taylor, Brian Morris and Calvin O. Schrag so as to work out a model of the self. Jan Patočka’s phenomenological notions of the self and Chaos Theory are important cohesive elements in the composition of this model. A limit point in Mathematics is a point that is not in the set around which all the points cluster. The book looks at the self from the limit points of the body, mind, world and language. It analyzes sonnets which predominantly show a tendency to one of these limit points. However, it keeps in mind the other limit points as possibilities of a comprehensive analysis. The motivation for this body of research comes primarily from the notion of the sonnet being a form that initially exists along with the epic as canonical writers of literary epics also write sonnets. The historic and narrative moment of self in sonnet form calls for a questioning of both the self and the sonnet. The book tries to address the questions: ‘What changes in the notion of self prompt the origin and persistence of the sonnet across cultures?’ and ‘Why and how is this form compatible with a self that is postmodern and global?’ The Anglo-American sonnet, for the most, is addressed but cultures and their attendant forms are also addressed when considering the sonnet. The Arabic zajal, the Persian ghazal, the Chinese sonnet and the Korean Sijo-sonnet are forms that are touched upon along with the Indian postcolonial versions like the forms of the sonnet in Modern Indian Languages such as Bangla, Gujarati and Marathi.