The must-read summary of Ed Rampell's book: “Progressive Hollywood: A People’s Film History of the United States”. This complete summary of "Progressive Hollywood" by Ed Rampell presents his assessment of the relationship between politics and Hollywood, the major movements in the film industry and the rise of the progressive left in entertainment and how it is countering the industry's right wing. He also describes the impacts of Hollywood on society, the limits imposed by politics and the consequences of their infringement. Added-value of this summary: • Save time • Understand how Hollywood and politics often overlap • Expand your knowledge of American politics and culture To learn more, read "Progressive Hollywood" and discover how the rise of the progressive left wing is shaking up the entertainment industry.

The must-read summary of Ed Rampell's book: "Progressive Hollywood: A People's Film History of the United States". This complete summary of "Progressive Hollywood" by Ed Rampell presents his assessment of the relationship between politics and Hollywood, the major movements in the film industry and the rise of the progressive left in entertainment and how it is countering the industry's right wing. He also describes the impacts of Hollywood on society, the limits imposed by politics and the consequences of their infringement. Added-value of this summary: - Save time - Understand how Hollywood and politics often overlap - Expand your knowledge of American politics and culture To learn more, read "Progressive Hollywood" and discover how the rise of the progressive left wing is shaking up the entertainment industry.

With an introduction by Greg Palast, author of bestseller The Best Democracy Money Can Buy, Progressive Hollywood features Rampell?s interviews and interactions with Hollywood luminaries such as producers Jerry Bruckheimer and Robert Greenwald; actors Jack Nicholson, Rob Reiner, Mike Farrell, Ed Asner, Martin Sheen, David Clennon, Gore Vidal and Dennis Hopper; directors Michael Moore, Spike Lee, Oliver Stone and Lionel Chetwynd; blacklisted screenwriters Bernie Gordon (who initiated the 1999 protests against Elia Kazan?s lifetime achievement Oscar), Bobby Lees (who injected dialectical materialism into Abbott and Costello comedies) and Norma Barzman (author of 2003's The Red and the Blacklist).

Rob Wagner's Script, the film literary magazine published between 1929 and 1949, was Hollywood's only left-leaning, rabble-rousing movie publication that provided its readers with a regular dose of progressive politics, open love letters to the Soviet Union and a forum for such leftists as Dalton Trumbo and Charlie Chaplin. Rob Wagner founded the magazine on socialist principles. Its remarkable success in a company town ruled by conservative studio moguls is testament to Wagner's humorous but sophisticated approach to Depression-era radical politics. Author Rob Leicester Wagner, the great-grandson of Wagner, traces the birth of Script 'to the Red Scare of 1918-1919. The US government spied on Wagner and used his friends to inform on him for his antiwar activities and alleged German sympathies. The government ultimately attempted, but failed, to indict him on sedition charges. In Hollywood Bohemia: The Roots of Progressive Politics in Rob Wagner's Script, the author uses declassified War Department and FBI files and Rob Wagner's own personal diaries to deliver a portrait of a man driven to extol the virtues of socialism in an industry that best illustrates the unstoppable engine of capitalism. Illus., Notes, Index.

“Vitally important, devastatingly thorough, and shockingly revealing…. After reading Primetime Propaganda, you’ll never watch TV the same way again.” —Mark Levin Movie critic Michael Medved calls Ben Shapiro, “One of our most refreshing and insightful voices on the popular culture, as well as a conscience for his much-maligned generation.” With Primetime Propaganda, the syndicated columnist and bestselling author of Brainwashed, Porn Generation, and Project President tells the shocking true story of how the most powerful medium of mass communication in human history became a vehicle for spreading the radical agenda of the left side of the political spectrum. Similar to what Bernard Goldberg’s Bias and A Slobbering Love Affair did for the liberal news machine, Shapiro’s Primetime Propaganda is an essential exposé of corrupting media bias, pulling back the curtain on widespread and unrepentant abuses of the Hollywood entertainment industry.

Winner, 2023 Shapiro Best Book Award, Association for Israel Studies From Frank Sinatra’s early pro-Zionist rallying to Steven Spielberg’s present-day peacemaking, Hollywood has long enjoyed a “special relationship” with Israel. This book offers a groundbreaking account of this relationship, both on and off the screen. Tony Shaw and Giora Goodman investigate the many ways in which Hollywood’s moguls, directors, and actors have supported or challenged Israel for more than seven decades. They explore the complex story of Israel’s relationship with American Jewry and illuminate how media and soft power have shaped the Arab-Israeli conflict. Shaw and Goodman draw on a vast range of archival sources to demonstrate how show business has played a pivotal role in crafting the U.S.-Israel alliance. They probe the influence of Israeli diplomacy on Hollywood’s output and lobbying activities, but also highlight the limits of ideological devotion in high-risk entertainment industries. The book details the political involvement with Israel—and Palestine—of household names such as Eddie Cantor, Kirk Douglas, Elizabeth Taylor, Barbra Streisand, Vanessa Redgrave, Arnold Schwarzenegger, Robert De Niro, and Natalie Portman. It also spotlights the role of key behind-the-scenes players like Dore Schary, Arthur Krim, Arnon Milchan, and Haim Saban. Bringing the story up to the moment, Shaw and Goodman contend that the Hollywood-Israel relationship might now be at a turning point. Shedding new light on the political power that images and celebrity can wield, Hollywood and Israel shows the world’s entertainment capital to be an important player in international affairs.

"Through the heart of Hollywood cinema runs a surprising current of progressive politics. Sports movies, a genre that has flourished since the mid-seventies, evoke the American dream and represent the nation to itself. Once considered mere credos for Reaganism, on closer view, movies from Rocky (1976) to Ali (2001) dream of democratic participation and recognition more than individual success. In every case, off-field relationships take precedence over on-field competition. Arranged chronologically, this critical study of six major sports films also tells the story of multiculturalism's gradual adoption. The mainstream's first minority heroes are paradoxically white ethnic, rural, working-class men, exemplified by Rocky, Slap Shot (1977) and The Natural (1984); Black, brown, and women characters follow in White Men Can't Jump (1992), A League of Their Own (1992), and Ali. But despite their insistence on community and diversity these popular dramas show limited faith in civic institutions. Hannah Arendt, Jeffrey Alexander, and others inform original analysis and commentary on the political significance of popular culture. Reading these familiar movies from another angle paints a fresh picture of how the United States has imagined democracy since its bicentennial"--