Please note: This is a companion version & not the original book. Sample Book Insights: #1 I hated waking up. It was a struggle to face life, and I saw no way out other than through death. I had been battling depression for years, and I thought about suicide almost daily. #2 I was extremely depressed, and I didn’t know how to express my pain. I was afraid of what it would mean to lose my voice, but part of my depression was rooted in not knowing why my voice had deteriorated. #3 I had come to resent the group for a number of reasons. I felt like I was being used, and I didn’t have a problem making money, but that trip sealed for me just how far we had fallen as a group and how useless I had become to everyone around me. #4 I was not feeling music at the time, but I had been a music lover my entire life. The only song I listened to was a soft-pop ballad by Sarah McLachlan called Angel. It kept me serene even when life was difficult.

In this surprising and moving memoir, the legendary rap star and cofounder of Run D.M.C. keeps it a hundred percent, speaking out about his battle with depression and overcoming suicidal thoughts—one of the most devastating yet little known health issues plaguing the black community today. As one third of the legendary rap group Run D.M.C., Darryl “DMC” McDaniels—aka Legendary MC, The Devastating Mic Controller, and the King of Rock—had it all: talent, money, fame, prestige. While hitting #1 on the Billboard charts was exhilarating, the group’s success soon became overwhelming. A creative guy who enjoyed being at home alone or with his family, DMC turned to alcohol to numb himself, a retreat that became an addiction. For years, he went through the motions. But in 1997, when intoxication could no longer keep the pain at bay, he plunged into severe depression and became suicidal. He wasn’t alone. During the same period, suicide became the number three leading cause of death among black people—a health crisis that continues to this day. In this riveting memoir, DMC speaks openly about his emotional and psychological struggles and the impact on his life, and addresses the many reasons that led him—and thousands of others—to consider suicide. Some of the factors include not being true to who you are, feelings of loneliness, isolation, and alienation, and a lack of understanding and support from friends and family when it’s needed most. He also provides essential information on resources for getting help. Revealing how even the most successful people can suffer from depression, DMC offers inspiration for everyone in pain—information and insight that he hopes can help save other lives.

From hip-hop pioneer Darryl “DMC” McDaniels comes Darryl’s Dream, a new picture book about creativity, confidence, and finding your voice. Meet Darryl, a quiet third grader with big hopes and dreams. He loves writing and wants to share his talents, but he’s shy—and the kids who make fun of his glasses only make things worse. Will the school talent show be his chance to shine? Darryl’s Dream, by iconic performer Darryl "DMC" McDaniels, is a story about finding confidence, facing bullies, and celebrating yourself. This full-color picture book is certain to entertain children and parents with its charming art and important message.

Darryl McDaniels, better known as DMC, is only one-third of the groundbreaking rap group Run-DMC, but his trendsetting style and street-smart wisdom have made him a star in his own right. Darryl formed Run-DMC fifteen years ago with two friends, and since then the group has been transforming rap and hip-hop into the most popular music in the world, while building a fan base that quietly rivals the biggest acts in rock and roll. From the streets of Hollis, Queens, to the world's largest arenas, Darryl and Run-DMC blazed the trail that would take rap and hip-hop to the top of the charts, but as pioneers the group would also face a number of trials and tribulations. In King of Rock: Respect, Responsibility, and My Life with Run-DMC, Darryl candidly talks for the first time about his career as a rap artist and the people he has met throughout the years. Through hilarious anecdotes and thoughtful reflection, Darryl shares the wisdom he has accumulated in his thirty-five years, detailing his battles with fame, money, drugs, and alcohol. Darryl's sharp, flavorful tales of the rise of the group and the fascinating behind-the-scenes glimpses he offers of the rap and hip-hop world capture the excitement and the hardship of being in the spotlight, while also revealing the knowledge he has gained along the way. Written from the distinct perspective of an artist who has been an integral part of the rap and hip-hop scene since day one, King of Rock is at once the story of Run-DMC and the memoir of Darryl McDaniels-a boy from Queens trying to make it in the big time. With confidence, compassion, and an acute awareness of life's troubles and rewards, Darryl traces his experiences growing up and into the rap mogul DMC, and finally settling into marriage, fatherhood, and a shift of focus to respect, responsibility, and peace. King of Rock is a sharply observed, unpretentious, and often very funny account of being a part of one of the most important acts in the history of popular music.

A professional booze writer whose life spins out of control tries to piece it back together by embarking upon an epic wine-fueled adventure that takes him to every corner of the U.S. Part vision quest, part guidebook, part journey into the bizarre tapestry of American life, it will make you laugh, make you cry and teach you a whole lot about wine. Former Playboy magazine nightlife columnist Dan Dunn has a made a career out of drinking. Yet this man’s man—a connoisseur of beer and whiskey—knew next to nothing about one of the major drinks enjoyed the world over: wine. When a fateful tasting experience coincided with a serious existential crisis, Dunn decided to hit the road on a journey of discovery. To quench his thirst for knowledge (and be able to throw down with the experts), he would educate himself about the industry glass by glass, from winery to winery, in nearly every region in the United States. His bold 15,000-mile road trip took Dunn from Sonoma, California, to Pawley’s Island, South Carolina, where he twirled, sniffed, and sipped glass after glass of a vast array of wines with vintners, savants, and celebrities, including Kurt Russell and “The Most Interesting Man in the World,” Jonathan Goldsmith. Dunn’s mission was to transform himself from a heartbroken schlub who barely knew the difference between Merlot and Meritage, into a confident connoisseur capable of wowing others simply by swirling some fermented grape juice around in his mouth and pronouncing it “troubling, yet brilliant.” In American Wino, Dunn shares it all—the good, the bad, the sublime. As his wine knowledge grows and becomes more complex, he shares it with the reader in the form of digestible, actionable nuggets in each chapter. It’s like a wine-tasting course at your local community college extension program, only with more sex and less crushing despair. An intoxicating blend of travel writing, memoir, and booze journalism that pairs earthy humor with fine wine for hilarious and enlightening results, it is the story of one man’s journey to find himself—and everyman’s journey to better understand the true spirit of this divine elixir.

This explosive expose examines the music industry from 1981 to the present, offering insights into the ways in which, despite the introduction of modern marketing techniques and corporate imaging, the music industry has remained, for the most part, a shell game played by hustlers. of photos.

Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.