Written in 1957, when North African independence movements were gaining momentum, The Colonizer and the Colonized studies the enduring legacy, political as much as psychological, of colonisation throughout the world. Albert Memmi depicts colonialism as a disease of the European but crucially he demonstrates that colonialism destroys both the colonizer and the colonized, providing penetrating insights into colonial inheritance and resistance that remain as relevant today. One of the great works of twentieth-century political thought, The Colonizer and the Colonized speaks to experiences in the Global South as well as European countries such as Britain and France, who are still struggling with their imperial pasts. In revealing the mechanisms of colonial oppression, it also highlights the origins of all oppression of one group by another. This edition includes introductions by two of the greatest writers of the twentieth-century: South African novelist and Nobel laureate Nadine Gordimer, and Jean-Paul Sartre.

Written in 1956 when Morocco and Tunisia gained independence from France and soon after the Algerian war had started, this book describes the inescapable bonds between colonizer and colonized. Born in Tunis, Memmi is one of the colonized, but as a Jew, he identified culturally with the colonizer. He moved to France in 1956 and draws on his experience to analyze vividly how colonizer and colonized are mutually dependent, and ultimately both victims of colonialism. “The Colonizer and the Colonized [is] now regarded as a classic description of the inner dynamics of racism and colonialism, a work that in its economic and political sophistication, its sober perceptions of the interdependence of colonizer and colonized, rivals Franz Fanon’s more famous but more romantic Black Skin, White Masks and The Wretched of the Earth.” — Richard Locke, The New York Times “The subject of colonialism has rarely been treated more lucidly and devastatingly than in this book.” — Library Journal “Widely influential.” — New Yorker “Confiscated by colonial police throughout the world since its 1957 publication, The Colonizer and the Colonized is an important document of our times, an invaluable warning for all future generations.” — Los Angeles Times “Albert Memmi’s characterology of master and servant has a personal as well as a social dimension. The pecking order he describes has its accurate analogues in the lives of middle-class Americans.” — Emile Capouya, Saturday Review

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The economic motives of colonial enterprises are clear today. The cultural and moral mission of a colonizer, even in the beginning, is no longer tenable. Europeans in the colonies want to go home because their lives there are not as good as they were in their own countries. #2 The settler who has become rich during his time in the colony will not leave until his advantages have run out. He will continue to live there until his livelihood is threatened, at which point he will seriously consider returning to his own land. #3 The colonizer is in charge of the entire colonial system, from the laws that grant him exorbitant rights, to the systems that exploit the colonized. He cannot help but notice how everything is rigged in his favor, and he cannot avoid living in relation to the two sides of the scale. #4 A colonial is a European living in a colony who has no privileges. A colonizer is a European living in a colony who has privileges, and a colonialist is a European living in a colony who has both privileges and an attitude of superiority towards other colonists.

Memmi examines the manifold causes of the failure of decolonization efforts throughout the world. As outspoken and controversial as ever, he initiates a much-needed discussion of the ex-colonized and refuses to idealize those who are too often painted as hapless victims.

The renowned writer describes coming of age during the violent Mexican Revolution and living as an openly homosexual man in a brutally machista society. Salvador Novo (1904–1974) was a provocative and prolific cultural presence in Mexico City through much of the twentieth century. With his friend and fellow poet Xavier Villaurrutia, he cofounded Ulises and Contemporáneos, landmark avant-garde journals of the late 1920s and 1930s. At once “outsider” and “insider,” Novo held high posts at the Ministries of Culture and Public Education and wrote volumes about Mexican history, politics, literature, and culture. The author of numerous collections of poems, including XX poemas, Nuevo amor, Espejo, Dueño mío, and Poesía1915–1955, Novo is also considered one of the finest, most original prose stylists of his generation. Pillar of Salt is Novo’s incomparable memoir of growing up during and after the Mexican Revolution; shuttling north to escape the Zapatistas, only to see his uncle murdered at home by the troops of Pancho Villa; and his initiations into literature and love with colorful, poignant, complicated men of usually mutually exclusive social classes. Pillar of Salt portrays the codes, intrigues, and dynamics of what, decades later, would be called “a gay ghetto.” But in Novo’s Mexico City, there was no name for this parallel universe, as full of fear as it was canny and vibrant. Novo’s memoir plumbs the intricate subtleties of this world with startling frankness, sensitivity, and potential for hilarity. Also included in this volume are nineteen erotic sonnets, one of which was long thought to have been lost.

In this book, written after The Colonizer and the Colonized and Portrait of a Jew, Albert Memmi writes, “It is true that all oppression has a strong tendency to become a total oppression, but it is a question of degree and nuance, of generalities and accent. The specific conditions of each oppression consists precisely of such degrees and particular intonations. The Jew is not oppressed as a member of a class, which distinguishes him from the proletariat, for example. Nor is he oppressed as a member of a biological group, which distinguishes him from Negroes or women. He is affected as a member of a total, social, cultural, political and historical group. In other words, the Jew is oppressed as a member of a people, a minor people, a dispersed people, a people always and everywhere in the minority (which distinguished him from the colonized, also oppressed as a people, but a people in the majority). [...] The Jew must be liberated from oppression, and Jewish culture must be liberated from religion. This double liberation can be found in the same course of action — the fight for [the State of] Israel.” Portrait of a Jew and The Liberation of the Jew “form a whole: the beginning and the outcome of a passionate quest. The first offers a diagnosis, the second a remedy. [...] Both are written with moving sincerity [...] As a personal document, Memmi’s introspective study is valuable. Thought-provoking and disturbing in the best sense of the word, it allows us to look into the tormented mind and soul of a distinguished Jewish writer who aspires to live honestly while belonging simultaneously to two worlds. His doubts and affirmations carry the weight of testimony.” — Elie Wiesel, The New York Times “Portrait of a Jew and The Liberation of the Jew [are] filled with a Jewish existentialism marked by quest for identity and self-affirmation far more psychological and sociological than traditionally religious.” — Richard Locke, The New York Times “[The Liberation of the Jew] is in large measure a personal record. It is a moving record [...] The poignancy of this unique work stems from its being a courageous self-analysis by a highly sensitive artist. Its confessional honesty is complete.” — Louis Schwartzman, Journal of Jewish Education

This anthology presents Albert Memmi’s insights on the legacies of the colonial era, critical theories of race, and his own story as a French writer of Tunisian and Jewish descent, allowing readers to appreciate the full arc of one of the great thinkers of the twentieth century.