The award-winning investigative journalist takes readers deep inside the 1993 slayings of three boys in West Memphis, Arkansas, revealing the overzealous prosecution that may have improperly convicted three teenagers.

So much to read, so little time? This brief overview of Devil’s Knot tells you what you need to know—before or after you read Mara Leveritt’s book. Crafted and edited with care, Worth Books set the standard for quality and give you the tools you need to be a well-informed reader. This short summary and analysis of Devil’s Knot by Mara Leveritt includes: • Historical context • Chapter-by-chapter summaries • Character profiles • Timeline of major events • Important quotes • Fascinating trivia • Supporting material to enhance your understanding of the original work About Mara Leveritt’s Devil’s Knot: The True Story of the West Memphis Three: In 1993, the brutal murders of three eight-year-old boys shocked the small town of West Memphis, Arkansas. Under pressure to solve the case, and lacking physical evidence to identify any suspects, authorities set their sights on a local trio of misfit teenagers, Damien Echols, Jason Baldwin, and Jessie Misskelley, later dubbed the West Memphis Three. Leveritt’s account of the case, which resulted in one death sentence and two life sentences, is by turns a shocking, appalling, and heartbreaking work of true crime writing. Likening the Three’s plight to the Salem Witch Trials, she calls America’s justice system into question, arguing that these three young men were condemned simply for being different. The summary and analysis in this ebook are intended to complement your reading experience and bring you closer to a great work of nonfiction.

New York Times bestselling author Damien Echols and his wife Lorri Davis reveal their intimate and affecting letters, written while Echols was wrongfully imprisoned on death row. An explosive bestseller, Life After Death turned a national spotlight on Damien Echols, who was just eighteen when he was wrongly condemned to death. But one of the most remarkable parts of his story still remained untold. After seeing a documentary about the “West Memphis Three,” Lorri Davis—a New Yorkbased landscape architect—wrote him a letter, beginning a thirteen-year correspondence that witnessed their marriage while Echols was still on death row and culminated in Echols’ release in 2011. Sharing their private letters, Yours for Eternity is a must-read for the legions who followed the case as well as anyone who appreciates an extraordinary love story.

They did it. The West Memphis 3 are guilty. They are guilty despite what the documentaries, books and news stories have said over and over. Guilty beyond a reasonable doubt. Damien Echols, Jason Baldwin and Jessie Misskelley Jr. killed three 8-year-olds, Christopher Byers, Michael Moore and Stevie Branch, on May 5, 1993, in a wooded area in West Memphis, Ark. The murders were thrill kills, according to Echols himself. But they were much more than that. Police were struck by the ritualistic aspects. Local dabblers in the occult immediately came under suspicion. Under questioning, Echols, already acknowledged as a witch, flaunted his knowledge of the occult, his theories of how the killings could have "magickal" implications and his insights into how the killer would think and feel. He demonstrated special knowledge about the case beyond the little publicly known. He gave out signals that he was a prime suspect; a series of witnesses further implicated him. A confession broke open the case. The widely accepted WM3 storyline is that inept police and prosecutors, with a howling mob of religious fanatics to placate, somewhat arbitrarily picked out three innocent boys to blame for horrific murders because Damien and his best pal Jason wore black T-shirts, listened to heavy metal music and had funny haircuts and because the third boy, Little Jessie, was practically retarded and thus easily manipulated. Almost every element in that storyline has little relation to reality. The weirdness that drew the attention of authorities stemmed from bad choices by the suspects rather than clothing, haircuts or rocking out to Megadeth. The West Memphis police did their duty in a diligent if imperfect manner. The investigation was professional and painstaking. Detectives took many statements, followed strange and unpromising leads and administered the polygraph dozens of times. All three of the teens from the trailer parks were convicted. The convictions held up on appeal. Eventually, thanks to Hollywood celebrities and misleading documentaries that left out crucial evidence, the killers who became the West Memphis 3 walked free. No exonerating evidence, despite many years of investigation and a defense fund in the millions of dollars, has been produced. None of the three has a credible alibi. The mainstream media bought into the premise that "those boys were innocent." By putting the focus on mullet-headed rednecks, drawling overweight cops and righteously angry Christians, the media played upon the most egregious stereotypes of Southern whites, while positioning a murdering sociopath as a hip kid who was just too cool for the uptight hometown idiots. The West Memphis 3 myth was made to order for the familiar narrative of the perceptive young outsider that every hipster and aspiring artist imagines himself to have been. Among the sensitive souls who found a doppelganger of their teen selves in Echols were professional outsiders - such as Johnny Depp and Henry Rollins. In Aleister Crowley's "magickal" system, which Echols embraced in his preteen years, orgasm and ecstasy are equated with death and sacrifice and the sexual fluids are often represented as blood or water. Echols felt he was in transition to a state of being a god, something other than human; he believed that drinking blood invested him with spiritual energy. Echols and "blood brother" Jason formed a pathological dyad, cultivating elaborate violent fantasies. Via the ritual torture, killing and eating of dogs, cats and other animals, they educated themselves in the curriculum of occult murder. The lurking allure of a "thrill kill" finally became irresistible when the killing time coincided with sunset, the rise of a full moon and the pagan holiday of Beltane.

Terry Hobbs, step-father of one of three young boys brutally murdered in West Memphis, Arkansas in 1993, recounts his tragic story to Vicky Edwards.

"Jason's story illuminates the many ways America's justice system can go wrong and fight-often with a vengeance-to sustain that wrong. It celebrates the ordinary heroes who rose up, using art and new technology to challenge trials they saw as mockeries of justice"--P. [4] of cover.

Now the subject of the Discovery+ series Children of the Snow, a cold case murder investigation is cracked open by “a powerful, confident voice in the new true crime memoir genre” (James Renner, author of True Crime Addict). Four children were abducted and murdered outside of Detroit during the winters of 1976 and 1977, their bodies eventually dumped in snow banks around the city. J. Reuben Appelman was only six years old when the murders began and even evaded an abduction attempt during that same period, fueling a lifelong obsession with what became known as the Oakland County Child Killings. Autopsies showed that the victims had been fed while in captivity, reportedly held with care. And yet, with equal care, their bodies had allegedly been groomed post-mortem, scrubbed-free of evidence that might link to a killer. There were few credible leads, and equally few credible suspects. That’s what the cops had passed down to the press, and that’s what the city of Detroit, and Appelman, had come to believe. When the abductions mysteriously stopped, a task force operating on one of the largest manhunt budgets in history shut down without an arrest. Although no more murders occurred, Detroit remained haunted. Eerily overlaid upon the author’s own decades-old history with violence, The Kill Jar tells the gripping story of Appelman’s ten-year investigation into buried leads, apparent police cover-ups, con men, child pornography rings, and high-level corruption saturating Detroit’s most notorious serial killer case. “Always deft, often sublime, Appelman uses his investigation to draw us into his personal journey through darkness, to light and life” (Chip Johannessen, producer of Dexter).