ÒBREAK THROUGH THE WALLÓ part two! The government loses control of its new military weapon, the Wall, and heÕs rampaging through Washington, D.C. with his sights set on the Capitol building! Rick Flag is forced to turn back to the Suicide Squad to stop the Wall before Washington is in ruins!

This book analyzes the 500 top-grossing films of the last 20 years to show how speakers of traditionally stigmatized dialects are represented, underrepresented, misrepresented, and mocked. Ultimately, the author demonstrates how Hollywood reinforces long-standing negative beliefs about the languages of marginalized communities.

A comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries America on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic. America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema African Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issues Asian, Latin/x, and Native Americans on film Classical Hollywood cinema and class, with an in-depth examination of The Florida Project Women in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven Allows Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.

Harley Quinn, Deadshot, Captain Boomerang, Killer CrocÑtheyÕre all villains, but as members of the Suicide Squad theyÕre useful villains, taking on AmericaÕs dirtiest and most dangerous covert missions for the good of the countryÑusually against their will. (Remotely triggered brain bombs do wonders for motivation!) But now something has changed. A mysterious organization called the People has enlisted Task Force X leader Amanda Waller into a conspiracy to create dozens of new Suicide Squads around the world. Its goal: to eliminate the threat posed by all metahumansÑheroes and villains alike. When the original SquadÕs members discover the nature of the PeopleÕs plan, will they seize this once-in-a-lifetime chance to take down the worldÕs superheroes? Or will these incorrigible criminals prove to be the unlikeliest of saviors?

Celebrate the anniversary of DCÕs favorite psychotic psychiatrist with a book dedicated to nothing but Harley covers! From her first print appearance to her own long-running series to Rebirth and more, this deluxe hardcover art book collects 25 years of the Maid of MischiefÕs most iconic comic book covers all in one volume. As the headliner of her own long-running series and a regular star of both SUICIDE SQUAD and DC COMICS: BOMBSHELLS, Harley Quinn is DC ComicsÕ most in-demand cover girl. Beyond regular monthly appearances on her own series covers and variants, sheÕs also been front and center on too many miniseries and one-shot specials to count and has twice taken over the other books in the DC Universe with special variant cover-month events. From these hundreds of unforgettable cover scenes, this volume brings you a curated collection of Harley QuinnÕs best, most memorable cover art, drawn by dozens of the industryÕs top talents!