Vinoth Ramachandra considers six areas of contemporary global discourse where powerful myths energize and mobilize a great deal of public funding, academic production and media attention: myths about terrorism, religious violence, human rights, multiculturalism, science and postcolonialism.

Curated by Dr. Julia Myers, this is the culmination of a multi-year collaboration with Wayne State University. Subverting Modernism, re-contextualizes the Detroit-based Cass Corridor art movement of the 70’s and 80’s within the modernist art movement.

These essays - written by specialists of different periods and various disciplines - reveal that the division between nature and art has been continually challenged and reassesed in Western thought. Nature and art, the essays suggest, are mutually constructed, defining and redifining themselves.

The authors of these essays--including Judith Butler, Elizabeth Weed, and Rosi Braidotti--shed new light on the relationship of Irigaray to many of the philosophers she has "romanced," from Aristotle to Deleuze.

Prakash Kumar documents the history of agricultural indigo, exploring the effects of nineteenth-century globalisation on this colonial industry. Charting the indigo culture from the early modern period to the twentieth century, Kumar discusses how knowledge of indigo culture thrived among peasant traditions on the Indian subcontinent in the early modern period and was then developed by Caribbean planters and French naturalists who codified this knowledge into widely disseminated texts. European planters who settled in Bengal with the establishment of British rule in the late eighteenth century drew on this information. From the nineteenth century, indigo culture became more modern, science-based and expert driven, and with the advent of a cheaper, purer synthetic indigo in 1897, indigo science crossed paths with the colonial state's effort to develop a science for agricultural development. Only at the end of the First World War, when the industrial use of synthetic indigo for textile dyeing and printing became almost universal, did the indigo industry's optimism fade away.

Report for 1898 has Appendix: Condensed index of reports of Connecticut Board of Agriculture, 1866-1898.