This is the official guide and reference manual for Subversion 1.6 - the popular open source revision control technology.

IT IS THE YEAR 2064, and Washington, D.C., is divided into the Rich and the Poor. The Rich bathe in their luxuries and chastise those that they believe are below them. And the Poor have been forced to endure their morbid lives ever since the end of the nationwide war, with no light seeming to peer at the end of the tunnel. As quiet and respectful as they are, they also resent every nook and cranny of D.C., of the haughty Rich, and of the self-imposed President Remington, who is willing to do whatever it takes to bring the country out of its everlasting economic despair. And as much as they want to rebel and fight for a better life, they know they will be shot and killed if they dared to do so. Blaire Cohen is a nineteen-year-old Poor woman who despises how the Poor are treated daily. She and her family labor for the government, mining from the crack of dawn to dusk. Everyday she dreams of escaping the atrocious city with her family, willing to give them the life they deserve. But that is until she gets kidnapped by a mystifying organization determined to destroy the treacherous government . . . and determined for her to join, too. Blaire begins to embark on a life oozing with the unknown. Dangerous decisions are present at every corner she encounters, and she must choose wisely, for the wrong one will lead to imminent consequences. Perfect for fans of Suzanne Collins and Veronica Roth, book one of this heart-pounding dystopian series will have you at the edge of your seat until the very last page. Disclaimer: This novel includes intense action, violence, and language that may be sensitive to some readers. Please read with caution.

Based on access to secret documents and interviews with many of the participants, Subversion as Foreign Policy is an extraordinary account of civil war in Indonesia provoked by President Eisenhower and Secretary of State John Foster Dulles, and resulting in the killing of thousands of Indonesians and the destruction of much of the country's air force and navy. "This startling new book reveals a covert intervention by the United States in Indonesia in the late 1950s involving, among other things, the supply of thousands of weapons, the creation and deployment of a secret CIA air force and logistical support from the Seventh Fleet. The intervention occurred on such a massive scale that it is difficult to believe it has been kept almost totally secret from the American public for nearly 40 years. And this CIA operation proved to be even more disastrous than the Bay of Pigs". -- San Francisco Chronicle "An exemplary study of an ignominious chapter of the Cold War in Southeast Asia". -- Journal of Asian Studies "Subversion as Foreign Policy is a remarkable book.... The Kahins have provided a rare insight into the workings of U.S. policy towards Indonesia, both clandestine and official". -- London Times Literary Supplement

“One should either wear a work of art, or be a work of art,” Oscar Wilde once declared. In The Invention of Oscar Wilde, Nicholas Frankel explores Wilde’s self-creation as a “work of art” and a carefully constructed cultural icon. Frankel takes readers on a journey through Wilde’s inventive, provocative life, from his Irish origins—and their public erasure—through his challenges to traditional concepts of masculinity and male sexuality, his marriage and his affairs with young men, including his great love Lord Alfred Douglas, to his criminal conviction and final years of exile in France. Along the way, Frankel takes a deep look at Wilde’s writings, paradoxical wit, and intellectual convictions.

An intriguing look at vintage perfume's powerful past, including reviews of more than 300 scents, with stunning period advertisements throughout.

The late Edmond Jabes was a major voice in French poetry in the latter half of this century. An Egyptian Jew, he was haunted by the question of place and the loss of place in relation to writing. He focused on the space of the book, seeing it as the true space in which exile and the promised land meet in poetry and in question. Jabes's mode of expression has been variously described: a new and mysterious kind of literary work - as dazzling as it is difficult to define, cascading aphorisms, a theater of voices in a labyrinth of forms. The manner of his writing embodies the meaning of his writing. Jabes's book is a manifesto not only of his own poetry, but of the most advanced critical poetry written during this century, one in which he engages in dialogue with some of its outstanding philosophers (Blanchot, Levinas, and Derrida)

"In this provocative work full of intriguing female characters from tattoo history, Margot Mifflin makes a persuasive case for the tattooed woman as an emblem of female self-expression." —Susan Faludi Bodies of Subversion is the first history of women’s tattoo art, providing a fascinating excursion to a subculture that dates back into the nineteenth-century and includes many never-before-seen photos of tattooed women from the last century. Author Margot Mifflin notes that women’s interest in tattoos surged in the suffragist 20s and the feminist 70s. She chronicles: * Breast cancer survivors of the 90s who tattoo their mastectomy scars as an alternative to reconstructive surgery or prosthetics. * The parallel rise of tattooing and cosmetic surgery during the 80s when women tattooists became soul doctors to a nation afflicted with body anxieties. * Maud Wagner, the first known woman tattooist, who in 1904 traded a date with her tattooist husband-to-be for an apprenticeship. * Victorian society women who wore tattoos as custom couture, including Winston Churchill’s mother, who wore a serpent on her wrist. * Nineteeth-century sideshow attractions who created fantastic abduction tales in which they claimed to have been forcibly tattooed. “In Bodies of Subversion, Margot Mifflin insightfully chronicles the saga of skin as signage. Through compelling anecdotes and cleverly astute analysis, she shows and tells us new histories about women, tattoos, public pictures, and private parts. It’s an indelible account of an indelible piece of cultural history.” —Barbara Kruger, artist