Eugenia Ledoux wakes one morning to a note on the kitchen table: "Gone to save the world. Sorry. Yours, Sheb Woolly Ledoux. Asshole." Eugenia is nine years old, a synaesthesiac and a tightrope walker. She adores her father and his lunatic charms; she loves that he takes her fishing in the middle of the night and calls her Stunt. Sheb has always promised he'll one day take her to the moonscape of northern Ontario, where astronauts train; instead he writes a note, blows up a shoulder-pad factory, and leaves. His heartbroken daughter is left behind with her mother, the sharp-edged former ingenue Mink, and her sister, the death-obsessed and hauntingly beautiful Immaculata. After a fake funeral for Sheb, Mink vanishes too. Eugenia and Immaculata, left alone, double in age overnight. Immaculata becomes a swan-like giantess, and soon finds her calling caring for Leopold, a diseased and irresistible malcontent down the street. Eugenia, however, stays the same: dark and diminutive, and bereft. She finds herself a bicycle and sets off to track down her father, encountering an astronaut and a waitress named Cupid along the way. Stunt is the first novel by one of Canada's most acclaimed playwrights. Like synaesthetic Eugenia, your senses will be addled as Dey's words take on colours, tastes, and smells, somehow coming to mean more than you thought they did; they depict, with compassionate hilarity and luminous heartbreak, the love between a girl and her father.

Describes how stunt performers, camera trickery, and computer graphics are used to create illusions of reality in movies.

A stunt double is hired by an actor to serve as his doppelgänger in order to sabotage his career.

Throughout film history, one of the fundamental fantasies portrayed on screen has been the kind of physical action few of us could ever experience in real life. The image of an 'every man' engaged in hand-to-hand, mortal combat, defending his family or even the world population against an overwhelming and malevolent force, speaks to our most primal instincts and thus became a mainstay of movie entertainment. In order to translate these deep-seated fantasies to the screen, filmmakers have been developing special skills and crafts for over 100 years. It is these skills that make 'movie magic' and have allowed audiences to take part in the primal hopes and fears we all possess. Movie Stunts & Special Effects: A Comprehensive Guide to Planning and Execution is designed to inform filmmakers on how to plan for and utilize these crafts by engaging and empowering filmmakers to better communicate with stunts and effects practitioners, and thereby enabling them to more fully realize their vision. Director/Producer Andrew Lane surveys fights, use of weapons, cars and vehicles, falls, the use of pyrotechnics, atmospheric effects, bullet hits, wounds and blood, among many other categories. Factors such as cost, time to implement, safety accommodations, and assessing the competence of those employed to plan and execute stunts and special effects are numerous and very specific. Each topic in Movie Stunts & Special Effects is examined using narrative explanations, extensive interviews with world-renowned experts. Various stunts and special effects will be explored in the context of how they are best captured by a camera and then editorially constituted in the final product.

Explores the work done by stunt doubles, who are specially trained to take the place of actors and actresses during dangerous scenes in movies and television shows.

Suggests over 300 ideas for activities for stunts, pranks, tricks, gags, practical jokes, and games.

From Michael Buckley, the bestselling author of the Sisters Grimm and NERDS series, and Dan Santat, author-illustrator of Sidekicks, comes this hilarious picture book starring Kel Gilligan (a.k.a. “The Boy Without Fear”) that encourages kids to laugh at their fears and celebrates the bravery it takes to try new things no matter how ordinary. Narrated by Kel himself as he attempts his “stunts” with Evel Knievel–like flair, the story unfolds as a performance in which readers themselves become part of the audience, encouraging Kel to get dressed all by himself (without a net!), eat new foods like broccoli (eww!), and take a bath (gasp!). Bold, interactive, and downright silly, this is a book to make kids cheer and attempt some “stunts” of their own.