Based on documents found principally in the Soviet archives recently opened to the public, Stumbling Its Way through Mexico is an invitation to rethink the history of Communism in Mexico and Latin America.

Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Mendez, and Aurora Reyes, politicians began to appropriate the artists' nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution's legacy—and what it meant to be authentically Mexican.

Radicals in the Barrio uncovers a long and rich history of political radicalism within the Mexican and Chicano working class in the United States. Chacón clearly and sympathetically documents the ways that migratory workers carried with them radical political ideologies, new organizational models, and shared class experience, as they crossed the border into southwestern barrios during the first three decades of the twentieth-century. Justin Akers Chacón previous work includes No One is Illegal: Fighting Racism and State Violence on the U.S.-Mexico Border (with Mike Davis).

Carleton Beals was among America’s most distinctive foreign correspondents. His colorful, combatively critical reporting of U.S. intervention in Latin America had a fearless energy and authority that won him millions of readers. He interviewed the Nicaraguan rebel leader Sandino in the camp from which he fought thousands of U.S marines in 1928, covered two revolutions in Cuba (1933 and 1959), and interpreted the Mexican Revolution for American readers. Beals’s dispatches and features appeared regularly in the Nation, New Republic, Current History and the Progressive, and often in the New York Times. Time magazine called him “the best informed and the most awkward living writer on Latin America.” Forty books, including chronicles, political analysis and novels, drawn mostly from his travels and wide-ranging contacts in what he called “America South” made that characterization apt. But Beals was also an eyewitness reporter on Mussolini’s rise in Italy. He wrote on U.S. topics too, such as Louisiana’s Huey Long, and the environmental damage and rural migration in the 1930s caused by emerging agri-business in America’s South and West. Many of his books were best-sellers, their evidence-based assessments earning at least grudging respect even among those who took issue with his indictments of U.S. economic and government elites. At once biography and analytical history, The Rebel Scribe tells the story of a fiercely independent non-conformist. It probes Beals’s interactions with political leaders, democrats, demagogues, populists and revolutionaries, and reveals how his ability to immerse himself in their societies gave his accounts a palpable authenticity and, time has shown, a prescience that is almost prophetic. Christopher Neal’s layered narrative traces how Beals identified patterns of political behavior and concepts that later became fully-fledged schools of thought, such as the idea of a Third World, dependency theory, U.S. neo-imperialism, and aspects of critical theory. His story sheds light on the evolution of U.S. foreign policy and intervention, from Mexico and Nicaragua in the 1920s, to Cuba and Vietnam in the 1960s. It reveals the fraught trail that faced—and still faces—contrarian journalists who challenge conventional assumptions, while also showing how probing journalism drives change.

An international history of radical movements and their convergences during the Mexican Revolution The Mexican Revolution was a global event that catalyzed international radicals in unexpected sites and struggles. Tracing the paths of figures like Black American artist Elizabeth Catlett, Indian anti-colonial activist M.N. Roy, Mexican revolutionary leader Ricardo Flores Magón, Okinawan migrant organizer Paul Shinsei Kōchi, and Soviet feminist Alexandra Kollontai, Arise! reveals how activists around the world found inspiration and solidarity in revolutionary Mexico. From art collectives and farm worker strikes to prison "universities," Arise! reconstructs how this era's radical organizers found new ways to fight global capitalism. Drawing on prison records, surveillance data, memoirs, oral histories, visual art, and a rich trove of untapped sources, Christina Heatherton considers how disparate revolutionary traditions merged in unanticipated alliances. From her unique vantage point, she charts the remarkable impact of the Mexican Revolution as radicals in this critical era forged an anti-racist internationalism from below.

A major historian tells the dramatic and untold story of the shadowy networks of revolutionaries across Asia who laid the foundations in the early twentieth century for the end of European imperialism on their continent. This is the epic tale of how modern Asia emerged out of conflict between imperial powers and a global network of revolutionaries in the turbulent early decades of the twentieth century. In 1900, European empires had not yet reached their territorial zenith. But a new generation of Asian radicals had already planted the seeds of their destruction. They gained new energy and recruits after the First World War and especially the Bolshevik Revolution, which sparked utopian visions of a free and communist world order led by the peoples of Asia. Aided by the new technologies of cheap printing presses and international travel, they built clandestine webs of resistance from imperial capitals to the front lines of insurgency that stretched from Calcutta and Bombay to Batavia, Hanoi, and Shanghai. Tim Harper takes us into the heart of this shadowy world by following the interconnected lives of the most remarkable of these Marxists, anarchists, and nationalists, including the Bengali radical M. N. Roy, the iconic Vietnamese leader Ho Chi Minh, and the enigmatic Indonesian communist Tan Malaka. He recreates the extraordinary milieu of stowaways, false identities, secret codes, cheap firearms, and conspiracies in which they worked. He shows how they fought with subterfuge, violence, and persuasion, all the while struggling to stay one step ahead of imperial authorities. Undergound Asia shows for the first time how Asia’s national liberation movements crucially depended on global action. And it reveals how the consequences of the revolutionaries’ struggle, for better or worse, shape Asia’s destiny to this day.

Appendix 1: Diplomatic Representation by Latin American Country, 1934-1940 -- Appendix 2: Diplomats Posted to Latin America,1934-1940 -- Notes -- Bibliography -- Index -- Back Cover