In their new monograph, Gender and Short Fiction: Women's Tales in Contemporary Britain, Jorge Sacido-Romero and Laura M Lojo-Rodriguez explain why artistically ambitious women writers continue turning to the short story, a genre that has not yet attained the degree of literary prestige and social recognition the novel has had in the modern period. In this timely volume, the editors endorse the view that the genre still retains its potential as a vehicle for the expression of female experience alternative to and/or critical with dominant patriarchal ideology present at the very onset of the development of the modern British short story at the turn of the nineteenth century.

A Companion to the British and Irish Short Story provides a comprehensive treatment of short fiction writing and chronicles its development in Britain and Ireland from 1880 to the present. Provides a comprehensive treatment of the short story in Britain and Ireland as it developed over the period 1880 to the present Includes essays on topics and genres, as well as on individual texts and authors Comprises chapters on women’s writing, Irish fiction, gay and lesbian writing, and short fiction by immigrants to Britain

Marking the fiftieth anniversary of Eudora Welty's first important publication, this special collection of critical essays celebrates her achievement as an incomparable literary artist. Since 1936, when "Death of a Traveling Salesman" was published, the excellence of her stories, novels, essays and collections has been giving unceasing acclaim, and she has become one of the most honored and most esteemed of American writers. The essays in this collection convey the scholarly pleasure one finds in studying the works of Eudora Welty. Although they employ varying critical methodologies, pleasure is at the source of the examinations published in this book. In these essays, forma, mythic, and thematic criticism from a variety of scholars offers fresh access to A Curtain of Green, The Wide Net, The Golden Apples, and Delta Wedding. One bibliographical study included shows Welty to be keenly attuned to the nuances of meaning during the writing and revising of The Opti

From the heartbroken protagonist she depicted in her first published story, "Death of a Traveling Salesman," to the reflective widow she described in her last novel, The Optimist's Daughter, Eudora Welty wrote realistically about the shadows and radiance of love. In a meticulous exploration of this theme, Sally Wolff combines new readings of Welty's fiction with contextual information and background drawn from a nineteen-year friendship with Welty. A common image in much of Welty's fiction, the rose has traditionally symbolized love in literature. Wolff argues that the dark rose-from the height of its brilliance to the end of its life-serves as an apt metaphor for the dichotomies Welty presents, equally suggestive of beauty and sadness, as well as the comic, tragic, and mysterious qualities of love. While some of Welty's characters seem autobiographical-a daughter remembering her parents' marriage or a broodingly hopeful member of a large family wedding-at times Welty analyzes from a distance the dynamics of successful and troubled loving relationships. Although Welty experienced love several times during her life, she never married, and Wolff argues that this vantage point allowed Welty to write from an objective perspective in her fiction about the varied dimensions of love. A Dark Rose explores several texts to examine Welty's nuanced and intricate portrayals of love. Though love in Welty's fiction fails, wears thin, and even faces death-it remains a vital force in her characters' lives.

The Death of the Heart is perhaps Elizabeth Bowen's best-known book. As she deftly and delicately exposes the cruelty that lurks behind the polished surfaces of conventional society, Bowen reveals herself as a masterful novelist who combines a sense of humor with a devastating gift for divining human motivations. In this piercing story of innocence betrayed set in the thirties, the orphaned Portia is stranded in the sophisticated and politely treacherous world of her wealthy half-brother's home in London.There she encounters the attractive, carefree cad Eddie. To him, Portia is at once child and woman, and her fears her gushing love. To her, Eddie is the only reason to be alive. But when Eddie follows Portia to a sea-side resort, the flash of a cigarette lighter in a darkened cinema illuminates a stunning romantic betrayal--and sets in motion one of the most moving and desperate flights of the heart in modern literature.