This study provides a window into the lives of ordinary South Africans more than ten years after the end of apartheid, with the promises of the democracy movement remaining largely unfulfilled. Catherine Besteman explores the emotional and personal aspects of the transition to black majority rule by homing in on intimate questions of love, family, and community and capturing the complex, sometimes contradictory voices of a wide variety of Capetonians. Her evaluation of the physical and psychic costs to individuals involved in working for social change is grounded in the experiences of the participants and illu-minates two overarching dimensions of life in Cape Town: the aggregate forces determined to maintain the apartheid-era status quo, and the grassroots efforts to effect social change.

This richly illustrated history of Cape Town under Dutch and British rule tells the story of its residents, the world they inhabited and the city they made - beginning in the seventeenth century with the tiny Dutch settlement, hemmed in by mountains and looking out to sea, and ending with the well-established British colonial city, poised confidently on the threshold of the twentieth century. This social history of Cape Town under Dutch and British rule traces the changing character of the city and portrays the varied lives and experiences of its inhabitants e" black and white, rich and poor, slave and free, Christian and Muslim. The story told in these pages is both immensely readable and endlessly interesting, and is sure to remain for long the definitive history of the city. The volume is illustrated throughout with a wealth of paintings, maps and photographs. The book is written for the general reader as well as academics.

For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.

A unique overview of the whole 350-year history of South Africa’s racial order, from the mid-seventeenth century to the apartheid era. Maylam periodizes this racial order, drawing out its main phases and highlighting the significant turning points. He also analyzes the dynamics of South African white racism, exploring the key forces and factors that brought about and perpetuated oppressive, discriminatory policies, practices, structures, laws and attitudes. There is also a strong historiographical dimension to the study. It shows how various writers have, from different perspectives, attempted to explain the South African racial order and draws out the political and ideological agendas that lay beneath these diverse interpretations. Essential reading for all those interested in the past, present and future of South Africa, this book also has implications for the wider study of race, racism and social and political ethnic relations.

This volume documents the analysis of excavated historical archaeological collections at the Cape of Good Hope, South Africa. The corpus provides a rich picture of life and times at this distant outpost of an immense Dutch seaborne empire during the contact period. Representing over three decades of excavation, conservation, and analysis, the book examines ceramics, glass, metal, and other categories of artifacts in their archaeological contexts. An enclosed CD includes a video reconstruction plus a comprehensive catalog and color illustrations of the artifacts in the corpus. The parallels and contrasts this volume reveals will help scholars studying the European expansion period to build a richer comparative picture of colonial material culture.