Archaeologists are increasingly interested in studying the experiences of Chinese immigrants, yet this area of research is mired in long-standing interpretive models that essentialize race and identity. Showcasing the enormous amount of data available on the lives of Chinese people who migrated to North America in the nineteenth century, this volume charts new directions by providing fresh approaches to interpreting immigrant life. In this volume, leading scholars first tackle broad questions of how best to position and understand these populations. They then delve into a variety of site-based and topical case studies, providing new approaches to themes like Chinese immigrant foodways and highlighting understudied topics including entrepreneurialism, cross-cultural interactions, and conditions in the Jim Crow South. Pushing back against old colonial-based tropes, contributors call for an awareness of the transnational relationships created through migration, engagement with broader archaeological and anthropological debates, and the expansion of research into new contexts and topics. Contributors: Linda Bentz | Todd J. Braje | Kelly N. Fong | D. Ryan Gray | J. Ryan Kennedy | Christopher Merritt | Laura W. | Virginia S. Popper | Adrian Praetzellis | Mary Praetzellis | Chelsea Rose | Douglas E. Ross | Charlotte K. Sunseri | Barbara L. Voss | Priscilla Wegars | Henry Yu

'This volume comprises nine articles that fall into three categories: general survey of Chinese archaeology as well as the author's visit to Tom Harrison's field work in Sarawak in 1966; field reports on archaeological sites in Fujian and Sichuan; and archaeological investigations in Hebei, Henan, Shandong and Fujian.

Winner of the 2009 Society for American Archaeology Book Award Chinese Society in the Age of Confucius is based on the most up-to-date archaeological discoveries. It introduces new data, as well as new ways to think about them - modes of analysis that, while familiar to archaeological practitioners in the West and in Japan, are herein applied to evidence from the Chinese Bronze Age for the first time. The treatment of social stratification, clan and lineage organisation, as well as gender and ethnic differences will be of interest to those involved in the general or comparative analysis of grand themes in the Social Sciences.

For more than forty years William Watson has occupied a unique place in the study and teaching of Chinese art in Great Britain. Professor Watson's publications cover a wide field, his command of Chinese, Japanese, Russian and western languages giving access to the fullest literature on his subjects. The colloquies he organized at the Percival David Foundation achieved international repute, with results that remain on record. At the Royal Academy of Arts he took a leading part in the Chinese archaeological exhibition of 1972 which reinstated cultural relations between Britain and China. Also at the Royal Academy he was the instigator and chief organizer of the Japanese exhibition of 1982, in which for the first time the art of the Tokugawa period was comprehensively presented outside of Japan as enshrining the national genius. The present two volumes collect Professor Watson's main smaller publications made in the course of museum and university careers. Many are specific studies of works in terms of cultural context, dating and historical significance. They contain mainly writing on Chinese, Japanese and Korean subjects, in particular the bronze art, ceramics and sculpture of the T'ang and earlier periods. Painting is treated in some closely defined topics. Vol II Contents: Preface Styles of Mahayanist Iconography in China On Some Categories of Archaism in Chinese Bronze Realistic Style in the Art of Han and T'ang China Divisions of T'ang Decorative Style Nara-e-hon The Chinese Chariot: an Insider's View Kak Charoen and the Early Metal Age of Central Thailand Tao-chi and the Dialectic of Landscape The City in Ancient China Landscape Elements in the Early Buddhist Art of China The Progress of Archaeology in China The Individuality of the Honan Tradition in the Shang Period Categories of Post-Yuan Decorative Bronzes Iran and China The Interpenetration of Opposites? Pre-Han Bronze metallurgy in West China Textile Decoration in the Edo Period and its Further Implication The Sources and Development of Style in pre-Han and Han Lacquer Ornament Precious Metal - its Influence on T'ang Earthenware Chinese Style in the Paintings of the Istanbul Albums

A collection of articles in which the contributors analyze and reconstruct the roles of women in various regions of China from the late Neolithic to the early Empire period. Topics include mortuary ritual, social status and structures of power, economic influences on cultural practice, textile production, and art in early Chinese societies.