The histories of the British and Russian royal families have been entwined for centuries. In the first publication to examine the relationship between Britain and Russia using artworks drawn exclusively from the Royal Collection, 'Russia: Art, Royalty and the Romanovs' interweaves the familial, political, diplomatic, and artistic stories of these two nations over more than four hundred years.0From initial contacts in the mid-sixteenth century, through alliances, marriages, and two World Wars, up to the current reign, this richly illustrated book gives readers a glimpse into the public and personal dealings of these two fascinating dynasties. With new research on previously unpublished works, including Imperial porcelain, arms, costume, insignia, and photographs, together with paintings by both Russian artists and British artists working in Russia, this will be the first time that the uniquely interlinked narrative of the art connecting the two royal families has been presented in such stunning, lavishly illustrated detail. Exhibition: The Queen's Gallery, Buckingham Palace, London, UK (09.11.2018 - 28.04.2019).

This book explores diplomacy and ritual practice at a moment of new departures and change in both early modern Europe and Russia.

In English Trade and Adventure to Russia in the Early Modern Era, Maria Salomon Arel revisits Anglo-Russian trade in first half of the seventeenth century. Drawing on largely neglected Russian and English sources, she reconstructs the history of the Muscovy Company in a period of expanding opportunities for foreigners in Russia and of tightening links between regional markets across the globe. In her strongly revisionist telling, the Company successfully rebuilt in the aftermath of the devastating Time of Troubles, securing its uniquely privileged position in the Russian market at the hands of a newly installed tsar and Romanov dynasty keen to revive the country’s decimated economy through the stimulus of foreign trade. Meanwhile, on the London end of a trade clearly deemed relevant to commercial and shipping interests increasingly dependent on Russian naval stores and invested in the Russian re-export trades to and from the Mediterranean and Asia, the Company restructured its organization and finances with crucial royal support in furtherance of the ‘public good’ and early Stuart dynastic honor. As Arel documents, by the 1630s-40s, English trade to Russia was flourishing, as seen in the growing number of Muscovy Company men active all along the Moscow-Archangel route, their substantial commercial infrastructure, extensive supply networks among a broad swath of Russian merchants and traders, and prominent role in the exploitation of monopoly trades established to fill the tsar’s coffers with specie. The picture drawn by Arel overturns a traditional narrative on the Russia trade that has relegated the English to the shadows, demonstrating the tenacity and continued development of their enterprise at the intersection of English commercial expansion, Russian economic growth, and advancing globalization processes. Taking the narrative even further, the book opens up new perspectives and research directions by pointing to an incipient link between the Russian and transatlantic markets, while shifting the lens on the Anglo-Dutch relationship in the Russia trade away from the time-worn dichotomy of cutthroat competition to a more nuanced understanding of mutual cooperation and business association between merchants on the ground, even in the face of commercial and territorial competition between nations.

In this study of Art and Diplomacy we see the relationship between renaissance design in decorated borders and the messages conveyed in the texts of royal letters from the English kings to Russia and rulers in the Far East. These are cases of art serving the Crown, with much of the early limning done by Edward Norgate, the English miniaturist. Printed here for the first time from Russian archives, this collection provides a continuum for the study of the limning of royal letters throughout the 17th century. The letters that the decoration enhances reveal the details of privileges and commercial advantages sought by the English, and the cultural interests of the Russians in their requests for English doctors, apothecaries, jewellers, and mineralogists.

This revisionist history explores how the tsar's power was transferred in Russia over three centuries, as cultural practices and customs evolved.

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