A groundbreaking study of one of the greatest encyclopedias of the medieval Islamic world—al-Nuwayri’s The Ultimate Ambition in the Arts of Erudition Shihab al-Din al-Nuwayri was a fourteenth-century Egyptian polymath and the author of one of the greatest encyclopedias of the medieval Islamic world—a thirty-one-volume work entitled The Ultimate Ambition in the Arts of Erudition. A storehouse of knowledge, this enormous book brought together materials on nearly every conceivable subject, from cosmology, zoology, and botany to philosophy, poetry, ethics, statecraft, and history. Composed in Cairo during the golden age of Islamic encyclopedic activity, the Ultimate Ambition was one of hundreds of large-scale compendia, literary anthologies, dictionaries, and chronicles produced at this time—an effort that was instrumental in organizing the archive of medieval Islamic thought. In the first study of this landmark work in a European language, Elias Muhanna explores its structure and contents, sources and influences, and reception and impact in the Islamic world and Europe. He sheds new light on the rise of encyclopedic literature in the learned cities of the Mamluk Empire and situates this intellectual movement alongside other encyclopedic traditions in the ancient, medieval, Renaissance, and Enlightenment periods. He also uncovers al-Nuwayri’s world: a scene of bustling colleges, imperial chanceries, crowded libraries, and religious politics. Based on award-winning scholarship, The World in a Book opens up new areas in the comparative study of encyclopedic production and the transmission of knowledge.

From rulers to uninvited guests, from women to thieves, from dreams to names, from blindness to torture - in a series of ground-breaking studies, Power, Marginality, and the Body in Medieval Islam explores the multi-layered and complex textual universe of medieval Islam. The power of the ruler sits alongside the power of the trickster, as games of detection and verbal erudition are displayed for the edification of the reader. Humour is not lacking either as male and female characters indulge in various forms of wit that redefine and recast the sacred. For much of this world, the body reigns supreme: not only in illness and miracle cures but in displays of transgression and torture. Covering the range of literature from sacred text to history, biography and anecdote, this book provides a stimulating analysis of the world of medieval Islamic mentalités.

In his Beautifying the Ugly and Uglifying the Beautiful (Taḥsīn al-qabīḥ wa-taqbīḥ al-ḥasan) the prolific anthologist al-Thaʿālibī (d. 429/1038) offers a thematically arranged selection of Arabic poems and prose anecdotes or sayings with contrary or paradoxical purport, such as praise of miserliness, boredom, sickness, and death, or condemnation of generosity, intelligence, youth, and music. The book is both entertaining and informative, giving insight in premodern Arab and Islamic culture. It contains a new edition of the Arabic text and a complete English translation (the first in any language) with extensive annotation, preceded by an introduction with the necessary background of the genre.

This volume appears now finally in English, sixty years after the death of its author, Lucien Tesnière. It has been translated from the French original into German, Spanish, Italian, and Russian, and now at long last into English as well. The volume contains a comprehensive approach to the syntax of natural languages, an approach that is foundational for an entire stream in the modern study of syntax and grammar. This stream is known today as dependency grammar (DG). Drawing examples from dozens of languages, many of which he was proficient in, Tesnière presents insightful analyses of numerous phenomena of syntax. Among the highlights are the concepts of valency and head-initial vs. head-final languages. These concepts are now taken for granted by most modern theories of syntax, even by phrase structure grammars, which represent, in a sense, the opposite sort of approach to syntax from what Tesnière was advocating. Now Open Access as part of the Knowledge Unlatched 2017 Backlist Collection.

"In this comparative analysis of the significance of keeping and revealing secrets in early Islamic culture, Ruqayya Yasmine Khan draws from a broad range of Arabo-Islamic texts to map interconnections between concepts of secrecy and identity. In early Islamic discourse, Khan maintains, individual identity is integrally linked to a psychology of secrecy and revelation - a connection of even greater importance than what is being concealed or displayed. Khan further maintains that secrecy and identity demarcate boundaries for interpersonal relations when governed by the cultural norms of discretion espoused in these texts."--BOOK JACKET.

This is the first comprehensive and comparative study of compositional and stylistic techniques in medieval Arabic and Persian lyric poetry. Ranging over some seven countries, it deals with works by over thirty poets in the Islamic world from Spain to present-day Afghanistan, and examines how this rich poetic traditions exhibits both continuity and development in the use of a wide variety of compositional strategies. Discussing such topics as principles of structural organisation, the use of rhetorical figures, metaphor and images, and providing detailed analyses of a large number of poetic texts, it shows how structural and semantic features interacted to bring coherence and meaning to the individual poem. It also examines works by the indigenous critics of poetry in both Arabic and Persian, and demonstrates the critics' awareness of, and interest in, the techniques which poets employed to construct poems which were both eloquent and meaningful. Comparisons are also made with classical and medieval poetics in the west. The book will be of interest not merely to specialists in the relevant fields, but also to all those interested in pre-modern poetry and poetics.