This volume showcases a wide range of contemporary approaches to the identification of literary structures within Qur’anic surahs. Recent academic studies of the Qur’an have taken an increasing interest in the concept of the surah as a unity and, with it, the division of complete surahs into consecutive sections or parts. Part One presents a series of case studies focussing on individual Qur’anic surahs. Nevin Reda analyzes the structure of Sūrat Āl ʿImrān (Q 3), Holger Zellentin looks at competing structures within Sūrat al-ʿAlaq (Q 96), and A.H. Mathias Zahniser provides an exploration of the ring structures that open Sūrat Maryam (Q 19). Part Two then focusses on three discrete aspects of the text. Nora K. Schmid assesses the changing structural function of oaths, Marianna Klar evaluates how rhythm, rhyme, and morphological parallelisms combine in order to produce texture and cohesion, while Salwa El-Awa considers the structural impact of connectives and other discourse markers with specific reference to Sūrat Ṭāhā (Q 20). The final section of the volume juxtaposes contrasting attitudes to the discernment of diachronic seams. Devin Stewart examines surah-medial oracular oaths, Muhammad Abdel Haleem questions a range of instances where suggestions of disjointedness have historically been raised, and Nicolai Sinai explores the presence of redactional layers within Sūrat al-Nisāʾ (Q 4) and Sūrat al-Māʾidah (Q 5). Bringing a combination of different approaches to Qur’an structure into a single book, written by well-established and emerging voices in Qur’anic studies, the work will be an invaluable resource to academics researching Islam, religious studies, and languages and literatures in general. Chapters 3 and 6 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

The Medinan layer of the Qur’an occupies a key position in the formative period of Islam yet poses substantial interpretive challenges. This volume exemplifies a rich array of scholarly approaches to the Medinan Qur’an’s distinctive textual, literary, and theological features.

The Quran is certainly one of the most important texts in human history. But it wasn’t originally a text at all. When the Quran appeared in the seventh century, it was a vocal recital performed by an unlettered man named Muhammad. It remains an oral performance for Muslims all over the world to this day. The Prophet’s Whistle is a study of the ancient, nonliterary features of the Quran, many of which are often overlooked by historians and the public. George Archer corrects this striking absence by using observations from the anthropologies of living oral cultures, the cognitive sciences of literacy, and the study of other dead oral cultures. The Prophet’s Whistle shows that the thought systems of the Quran are oral, through and through, but by the end of the life of its Prophet, the Quran likewise hints at a personal and cultural embrace of writing and the mindsets of literate people.

This title is published in Open Access with the support of the University of Helsinki Library.The book surveys and analyzes changes in religious groups and identities in late antique Arabia, ca. 300-700 CE. It engages with contemporary and material evidence: for example, inscriptions, archaeological remains, Arabic poetry, the Qurʾān, and the so-called Constitution of Medina. Also, it suggests ways to deal with the later Arabic historiographical and other literary texts. The issue of social identities and their processes are central to the study. For instance, how did Arabian ethnic and religious identities intersect on the eve of Islam? The book suggests that the changes in social groups were more piecemeal than previously thought.

For many Muslims, there is an inseparable connection between sound and meaning, particularly when it comes to Islamic verse and scripture. This provides fertile ground for a comparative study across traditions and forms. Timur Yuskaev offers a meditation on the Qur’an and human sensibilities, heard together, in American Muslim sermons. Foregrounding sound, poetry and music, it is a cultural anthropology of the Qur’an, carried out in conversation with colleagues in multiple disciplines, including Religions in America, Qur’anic, Islamic, Memory, Communication, and Sound Studies. The author draws upon the works of Mikhail Bakhtin, Charles Long, Mary Douglas and many others to hear mysticism in a homiletic symphony by Warith Deen Mohammed, to sense the experience of the covenant in a three-minute, ribbon-cutting speech by Aras Konjhodzic, and to appreciate the Qur’anic musicality of a down-to-earth interfaith address by Sarah Sayeed. A creative guide to an organic engagement with texts, this book will be of particular interest to those studying scriptures and the Qur’an.

This book provides a comprehensive survey of Qur’an translation in Indonesia – the most populous Muslim-majority country in the world with a highly diverse, multilingual society. Delving into the linguistic and political dimensions of this field, the contributors – many of whom are Indonesian scholars – employ a wide range of historical, socio-cultural, linguistic and exegetical approaches to offer fresh insights. In their contributions, the negotiation of authority between state and of non-state actors is shown to be a constant theme, from the pre-print era through to the colonial and postcolonial periods. Religious organizations, traditional institutions of scholarship and Wahhabi-Salafi groups struggle over the meaning of the Qur’an while the Ministry of Religious Affairs publishes its own Qur’an translations into many of the country’s languages. The contributors also explore the influential role of the Ahmadiyya movement in shaping Qur’an translation in Indonesia. Moreover, they examine the specific challenges that translators face when rendering the Qur’an in languages with structures, histories and cultural contexts that are vastly different from Arabic. Opening up the work of Indonesian scholars to a wider audience, this book will appeal to anyone interested in Qur’anic studies and Islam in the Southeast Asia region.

Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.