And she explores Melville's complex relationship with women, particularly his wife and sisters, on whom he depended to copy and correct his manuscripts. (Renker's evidence that Melville physically and emotionally abused his wife, Elizabeth Shaw Melville, has already generated attention and controversy).

Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.

A literary classic that wasn't recognized for its merits until decades after its publication, Herman Melville's Moby-Dick tells the tale of a whaling ship and its crew, who are carried progressively further out to sea by the fiery Captain Ahab. Obsessed with killing the massive whale, which had previously bitten off Ahab's leg, the seasoned seafarer steers his ship to confront the creature, while the rest of the shipmates, including the young narrator, Ishmael, and the harpoon expert, Queequeg, must contend with their increasingly dire journey. The book invariably lands on any short list of the greatest American novels.

A novel of alien gods, monsters, and galactic destruction from the New York Times–bestselling author of the Riverworld series. Captain Ramstan commands the crew of one of the only alaraf-drive vessels capable of instantaneous travel between two points of space. While on an official scientific surveillance expedition, he revises their mission to join the search for a missing ship. But instead of the spacecraft, they discover a planet in its death throes, decimated by meteors that have been launched with extreme velocity from just outside of its atmosphere. The ultimate source of the destruction, however, is beyond anyone’s imagination . . . Ramstan may be the only man who can stop the world-destroying entity known as the “Chaos-Monster” before it follows in their footsteps to Earth. A stolen alien idol offers aid—though at a price. But there are those who hear his warnings as nothing but the rantings of a delusional madman, and Ramstan will have to put his career—and life—on the line to prove that, though he might not be the savior the universe wants, he’s exactly the one it needs. Praise for Philip José Farmer “An excellent science fiction writer.” —Isaac Asimov “[Farmer’s work is a] blend of intellectual daring and pulp fiction prose.” —The New York Times “Farmer offers his audience a wide-screen adventure that never fails to provoke, amuse, and educate. . . . His imagination is certainly of the first rank.” —Time on The World of Tiers “The greatest science fiction writer ever.” —Leslie A. Fiedler, author of Love and Death in the American Novel

This unique introduction explores Herman Melville as he described himself in Billy Budd-"a writer whom few know." Moving beyond the recurring depiction of Melville as the famous author of Moby-Dick, this book traces his development as a writer while providing the basic tools for successful critical reading of his novels. Offers a brief introduction to Melville, covering all his major works Showcases Melville's writing process through his correspondence with Nathaniel Hawthorne Provides a clear sense of Melville's major themes and preoccupations Focuses on Typee, Moby-Dick, and Billy Budd in individual chapters Includes a biography, summary of key works, interpretation, commentary, and an extensive bibliography.

In A Politics of the Ordinary, Thomas Dumm dramatizes how everyday life in the United States intersects with and is influenced by the power of events, on the one hand, and forces of conformity and normalcy on the other. Combining poststructuralist analysis with a sympathetic reading of a strain of American thought that begins with Emerson and culminates in the work of Stanley Cavell, A Politics of the Ordinary investigates incidents from everyday life, political spectacles, and popular culture. Whether juxtaposing reflections about boredom in rural New Mexico with Emerson's theory of constitutional amendment, Richard Nixon's letter of resignation with Thoreau's writings to overcome quiet desperation, or demonstrating how Disney's Toy Story allegorizes the downsizing of the American white-collar work force, Dumm's constant concern is to show how the ordinary is the primary source of the democratic political imagination.