The classic Glasgow Memoir with a new introduction by Tom Morton This is Clifford Hanley's vibrant, unsentimental and hilarious account of growing up in the 1920s and '30s, and his later working life as a radio broadcaster and journalist. His razor-sharp observations and anecdotes cover many topics, from family life, art and showbiz to politics, sex, TB and what it was like to be a conscientious objector during the Second World War. But even the most bittersweet stories are leavened with humour, and the irrepressible Glasgow spirit always shines through. 'Hanley writes with consistent relish for his native city . . . captures Glasgow and its people nonchalantly and unfussily' – Ian Jack, The Guardian 'Like a portal into a vanished Glasgow, but one where the city, its people – their foibles, hopes, humour and warmth – are instantly familiar' – Norry Wilson, Lost Glasgow

There is a story in the name of almost every street and district in Glasgow, with some tracing their origins to pagan times, long before Glasgow could even be called a city. In this hugely informative and entertaining book, Carol Foreman not only investigates the influences and inspirations for many of the city's most famous thoroughfares, but also considers the origins of particular districts, buildings and even the great River Clyde itself. This revised edition includes new information on city-centre street names from the M8 to the north bank of the Clyde, to Glasgow Green and Bridgeton in the east and to Kingston Bridge in the west. Also included are the districts of the Gorbals, the West End and Anderston. Packed with fascinating information and enhanced with over a hundred photographs and drawings, Glasgow Street Names is an indispensable book which introduces the history of the city in an imaginative and accessible way.

Colin MacFarlane was born in the Gorbals in the 1950s, 20 years after the publication of No Mean City, the classic novel about pre-war life in what was once Glasgow's most deprived district. He lived in the same street as its fictional 'razor king', Johnnie Stark, and subsequently realised that a lot of the old characters represented in the book were still around as late as the 1960s. Men still wore bunnets and played pitch and toss; women still treated the steamie as their social club. The razor gangs were running amok once again, and filth, violence, crime, rats, poverty and drunkenness abounded, just like they did in No Mean City. MacFarlane witnessed the last days of the old Gorbals as a major regeneration programme, begun in 1961, was implemented, and, as a street boy, he had a unique insight into a once great community in rapid decline. In this engrossing book, MacFarlane reveals what it was really like to live in the old Gorbals.

This A-Z map of Glasgow is a full colour, paperback street atlas featuring 168 pages of continuous street mapping which includes coverage of: *Hamilton *Motherwell *Paisley *Clydebank *Coatbridge *Airdrie *Renfrew *Kirkintilloch *Dumbarton *Milngavie *Cumbernauld *Johnstone *Barrhead *East Kilbride *Larkhall *Carluke

In the wake of Glasgow’s transformation in the nineteenth-century into an industrial powerhouse — the "Second City of the Empire" — a substantial part of the old town of Adam Smith degenerated into an overcrowded and disease-ridden slum. The Old Closes and Streets of Glasgow, Thomas Annan’s photographic record of this central section of the city prior to its demolition in accordance with the City of Glasgow Improvements Act of 1866, is widely recognized as a classic of nineteenth-century documentary photography. Annan’s achievement as a photographer of paintings, portraits and landscapes is less widely known. Thomas Annan of Glasgow: Pioneer of the Documentary Photograph offers a handy, comprehensive and copiously illustrated overview of the full range of the photographer’s work. The book opens with a brief account of the immediate context of Annan’s career as a photographer: the astonishing florescence of photography in Victorian Scotland. Successive chapters deal with each of the main fields of his activity, touching along the way on issues such as the nineteenth-century debate over the status of photography — a mechanical practice or an artistic one? — and the still ongoing controversies surrounding the documentary photograph in particular. While the text itself is intended for the general reader, extensive endnotes amplify particular themes and offer guidance to readers interested in pursuing them further.

The story, in his own words, of one of the most popular and influential British popstars of the past 30 years. Begins in the district of Springburn where Bobby Gillespie was born into a working-class Glaswegian family in the summer of 1961 and closes with the release of Screamadelica, the album often credited with 'starting the '90s'