Lyonel Trouillot?s harrowing novel depicts a night of blazing violence in modern-day Port-au-Prince and recalls hundreds of years of violence stretching back even before the birth of Haiti in the fires of revolution. Three narrators?a madam, a taxi driver, and a post office employee?describe in almost hallucinatory terms the escalating chaos of a bloody uprising that pits the partisans of the Prophet against the murderous might of the great dictator Deceased Forever-Immortal. ø The drama of promise and betrayal in Haitian life inform?s Street of Lost Footsteps with the grim irony and savage tenderness characteristic of writers for whom the repetitiveness of history has gone beyond tragedy, through farce, and on into insanity. With impressive originality and touching immediacy, Trouillot explores the nature of political oppression, memory, and truth.

At the heart of Ana Popescu's existence is the love for her son. He is the only thing that makes life in Ceausescu's Romania tolerable. In their mean little flat they have created a private world in which no harm can come to them. But Ana is haunted by a mystery in her own past, and by her awareness under a totalitarian regime the soul can gradually be corrupted. At last as incident at Ion's school convinces her she must send him away. When she seizes the chance to give Ion freedom, Ana unwittingly propels him beyond bureaucracy into an underworld of refugees and migrants. Attempting to follow, she is caught and thrown into prison. Then the collapse of communism and the overthrow of Ceausescu rekindle her hope for a future, as she leaves her country for the first time and embarks on a quest to reclaim her lost child. The achievement of Bel Mooney's powerful and ambitious new novel, as it moves across the changing face of contemporary Europe, is that it takes us inside the lives of people caught up in the flood tide of political events. A story of sacrifice, loss and love, it is a moving and triumphant celebration of the power and immutability of the bonds of motherhood and is also about one of the most pressing humanitarian issues of our age.

This much-needed guide to translated literature offers readers the opportunity to hear from, learn about, and perhaps better understand our shrinking world from the perspective of insiders from many cultures and traditions. In a globalized world, knowledge about non-North American societies and cultures is a must. Contemporary World Fiction: A Guide to Literature in Translation provides an overview of the tremendous range and scope of translated world fiction available in English. In so doing, it will help readers get a sense of the vast world beyond North America that is conveyed by fiction titles from dozens of countries and language traditions. Within the guide, approximately 1,000 contemporary non-English-language fiction titles are fully annotated and thousands of others are listed. Organization is primarily by language, as language often reflects cultural cohesion better than national borders or geographies, but also by country and culture. In addition to contemporary titles, each chapter features a brief overview of earlier translated fiction from the group. The guide also provides in-depth bibliographic essays for each chapter that will enable librarians and library users to further explore the literature of numerous languages and cultural traditions.

This National Book Critics Circle Award is “an entrancing attempt to catch what falls between: the irreducibly personal, messy, even embarrassing ways reading and living bleed into each other, which neither literary criticism nor autobiography ever quite acknowledges" (The New York Times). “Stories, both my own and those I’ve taken to heart, make up whoever it is that I’ve become,” Peter Orner writes in this collection of essays about reading, writing, and living. Orner reads and writes everywhere he finds himself: a hospital cafeteria, a coffee shop in Albania, or a crowded bus in Haiti. The result is a book of unlearned meditations that stumbles into memoir. Among the many writers Orner addresses are Isaac Babel and Zora Neale Hurston, both of whom told their truths and were silenced; Franz Kafka, who professed loneliness but craved connection; Robert Walser, who spent the last twenty-three years of his life in a Swiss insane asylum, working at being crazy; and Juan Rulfo, who practiced the difficult art of silence. Virginia Woolf, Eudora Welty, Yasunari Kawabata, Saul Bellow, Mavis Gallant, John Edgar Wideman, William Trevor, and Václav Havel make appearances, as well as the poet Herbert Morris--about whom almost nothing is known. An elegy for an eccentric late father, and the end of a marriage, Am I Alone Here? is also a celebration of the possibility of renewal. At once personal and panoramic, this book will inspire readers to return to the essential stories of their own lives.

Haiti has long played a significant role in global perception of the western hemisphere, but ideas about Haiti often appear paradoxical. Is it a land of tyranny and oppression or a beacon of freedom as site of the world's only successful slave revolution? A bastion of devilish practices or a devoutly religious island? Does its status as the second independent nation in the hemisphere give it special lessons to teach about postcolonialism, or is its main lesson one of failure? Haiti and the Americas brings together an interdisciplinary group of essays to examine the influence of Haiti throughout the hemisphere, to contextualize the ways that Haiti has been represented over time, and to look at Haiti's own cultural expressions in order to think about alternative ways of imagining its culture and history. Thinking about Haiti requires breaking through a thick layer of stereotypes. Haiti is often portrayed as the region's nadir of poverty, of political dysfunction, and of savagery. Contemporary media coverage fits very easily into the narrative of Haiti as a dependent nation, unable to govern or even fend for itself, a site of lawlessness that’s in need of more powerful neighbors to take control. Essayists in Haiti and the Americas present a fuller picture developing approaches that can account for the complexity of Haitian history and culture.

What if you asked 125 top writers to pick their favorite books? Which titles would come out on top? You'll find the answer in The Top Ten: Writers Pick Their Favorite Books: the ultimate guide to the world's greatest books. As writers such as Norman Mailer, Annie Proulx, Stephen King, Jonathan Franzen, Claire Messud, Margaret Drabble, Michael Chabon and Peter Carey name the ten books that have meant the most to them, you'll be reminded of books you have always loved and introduced to works awaiting your discovery. The Top Ten includes summaries of 544 books—each of which is considered to be among the ten greatest books ever written by at least one leading writer. In addition to each writer's Top Ten List, the book features Top Ten Lists tabulated from their picks, including: • The Top Ten Books of All Time • The Top Ten Books by Living Writers • The Top Ten Books of the Twentieth Century • The Top Ten Mysteries • The Top Ten Comedies The Top Ten will help readers answer the most pressing question of all: What should I read next?