Apparently the first original publication from the New York Review imprint (exclusively a reprint house until now), this collection makes an ideally readable introduction to this sometimes forbidding, internationally admired, poetic group. Fin-de-siecle concerns of love in cafés, of sun and song, flirtation and regret, give way to darker worries as the Russian Revolution runs its course: Blok and Boris Pasternak sound particularly effective in Schmidt's libretto-like, clarified versions, while Akhmatova--grown older, immersed in sorrow--proposes a toast to the terrible world we inhabit/ And to God, who never replied. Editor Catherine Ciepela offers a long and useful introduction, along with capsule biographies of Schmidt's eight poets; poet and biographer Honor Moore adds an epilogue. --Publishers Weekly.

Drawing from the poetry of generations of esteemed writers Gary Bouchard shows how poems often express the longings of the human heart as a kind of prayer. Emily Dickinson, Rev. Rowan Williams, Pope John Paul II, Christina Rossetti, Robert Frost, and Fr. Kilian McDonnell, OSB, among others, offer readers an inspiring path to reflect upon and pray with poetic verse. Arranged under six engaging themes, each selection uses the words of poets as vehicles to prompt “heaven in ordinary” or to praise like “exalted manna”; to find the right “paraphrase” for your own soul or maybe sense your “soul’s blood”; to muster up from your grief or anger “reversed thunder” or dare to articulate from your own personal anguish “Christ-side-piercing spear.”

"The poems in this collection examine issues of identity, positionality, desire and unity from the perspective of a First Nations woman of mixed blood. Through the blending of voices, traditions and memories from First Nations and European cultures, the poems represent a challenge to re-define notions of authority, identity and genre"--Back cover

Winner of the Vassar Miller Prize in Poetry 2009 With poems that combine the self-scrutiny of Philip Larkin with the measure of Elizabeth Bishop, Amy M. Clark burnishes her first collection, Stray Home, with exquisite understatement and formal control. Sweeter than Larkin and more intimate than Bishop, these poems address the suppressed pain and shame of living as a childless woman in a world of mothers, the dissociation attendant on depression and fraught family relationships, and the search for a sense of belonging in the face of dislocation. Stray Home cuts deeply to discover the buried emotions and insights universal to all suffering and compassionate human beings. "Clark is able to imbue our small, usually overlooked moments with unexpected grandeur. A quiet humor is employed in service of her twin gifts, imagination and metaphor. This is an accomplished, deft, and important debut."-Beth Ann Fennelly, author of Tender Hooks and judge AMY M. CLARK grew up in San Luis Obispo, California. She is a graduate of Carleton College, and holds degrees from the University of Nevada, Reno, and Spalding University's MFA Program. She works as an editor and divides her time between Concord, Massachusetts, and San Diego, California. Her poems have been published in The Cincinnati Review, Cream City Review, and 32 Poems. Number Seventeen: Vassar Miller Prize in Poetry

Exotic, erotic, sexy little treats fill this anthology that features Maori authors Hone Tuwhare, Briar Grace-Smith, Witi Ihimaera, Patricia Grace and Robert Sullivan alongside a who's who of the world's established and emerging indigenous writers: Haunani-Kay Trask, Sherman Alexie, Richard Van Camp, Linda Hogan, Joseph Bruchac, Alootook Ipellie, Gregory Scofield, Kateri Akiwenzie-Damm, Basil Johnston, Maria Campbell, Dan Taulaitu McMullin, Tiffany Midge, Armand G. Ruffo, Melissa N. Begay, Gloria Bird, Thom E. Hawke, Marcie Rendon, Jack D. Forbes, Wayne Keon, Joanne Arnott, Daniel David Moses, Marilyn Dumont, Rolland Nadjiwon, Velvet Black, Geary Hobson, Beth Cuthand, Gail Tremblay, Paul Seesequasis, Randy Lundy, Beth Brant, Chrystos, Joy Harjo, William George, Melissa Lucaschenko, Kenny Laughton.

New York Times Bestselling Author of Solito "Every line resonates with a wind that crosses oceans."—Jamaal May "Zamora's work is real life turned into myth and myth made real life." —Glappitnova Javier Zamora was nine years old when he traveled unaccompanied 4,000 miles, across multiple borders, from El Salvador to the United States to be reunited with his parents. This dramatic and hope-filled poetry debut humanizes the highly charged and polarizing rhetoric of border-crossing; assesses borderland politics, race, and immigration on a profoundly personal level; and simultaneously remembers and imagines a birth country that's been left behind. Through an unflinching gaze, plainspoken diction, and a combination of Spanish and English, Unaccompanied crosses rugged terrain where families are lost and reunited, coyotes lead migrants astray, and "the thin white man let us drink from a hose / while pointing his shotgun." From "Let Me Try Again": He knew we weren't Mexican. He must've remembered his family coming over the border, or the border coming over them, because he drove us to the border and told us next time, rest at least five days, don't trust anyone calling themselves coyotes, bring more tortillas, sardines, Alhambra. He knew we would try again. And again—like everyone does. Javier Zamora was born in El Salvador and immigrated to the United States at the age of nine. He earned a BA at UC-Berkeley, an MFA at New York University, and is a 2016–2018 Wallace Stegner Fellow at Stanford University.