In which part of North London were wild beasts once thought to roam the sewers? Why did 1920s working-class Londoners wear necklaces of blue beads? Who was the original inspiration for the 'pearly king' costume? And did Spring-heeled Jack, scourge of Victorian London, ever really exist? Exploring everything from local superstitions and ghost stories to annual customs, this is an enchanting guide to the ancient legends and deep-rooted beliefs that can be found the length and breadth of the city.

V. 12 contains: The Archer...Christmas, 1877.

Haunted Lambeth is a collection of real-life stories of apparitions and poltergeists from all across the London Borough of Lambeth. Included are the ghost stories of Lambeth Palace, the terrifying tradition of the 'Tomb of the Tradescants', a ghost at The Old Vic Theatre, the dream house that haunted the entertainer Roy Hudd, supernatural echoes of Waterloo's Necropolis Railway, the ghosts of Ruth Ellis and others at Streatham's Caesar's Nightclub. These stories have been collected and researched over many years, and come from a variety of sources including original newspaper articles, books and, as often as possible, personal communication with people directly involved.

How long has a corpse been staring out at passengers on the tube? Was London Bridge really shipped abroad by an American thinking he'd bought Tower Bridge? Did the Queen really mix with the crowds as a princess on VE Day? And did Hitler actually want to live in Balham? Where are there razor blades hidden and where did all these parakeets come from? Did they really belong to Jimi Hendrix? Urban legends are the funny, frightening and fierce folklore people share. Just like the early folk tales that came before them, which were attempts to explain the spiritual world, these tales are formed from reactions to spectacular events in the modern world, and reflect our current values. From royal rumours to subterranean legends, Scott Wood has researched and written about them with a sense of wonder, humour and a keen eye. He finds the truth, the myth and the lies amongst these tales.

The book expresses the conviction that the art of creating tools – Greek techne – changes its character together with the change of civilization epochs and co-determines such changes. This does not mean that tools typical for a civilization epoch determine it completely, but they change our way of perceiving and interpreting the world. There might have been many such epochs in the history of human civilization (much more than the three waves of agricultural, industrial and information civilization). This is expressed by the title Technen of the book, where n denotes a subsequent civilization epoch. During last fifty years we observed a decomposition of the old episteme (understood as a way of creating and interpreting knowledge characteristic for a given civilization epoch) of modernism, which was an episteme typical for industrial civilization. Today, the world is differently understood by the representatives of three different cultural spheres: of strict and natural sciences; of human and social sciences (especially by their part inclined towards postmodernism) and technical sciences that have a different episteme than even that of strict and natural sciences. Thus, we observe today not two cultures, but three different episteme. The book consists of four parts. First contains basic epistemological observations, second is devoted to selected elements of recent history of information technologies, third contains more detailed epistemological and general discussions, fourth specifies conclusions. The book is written from the cognitive perspective of technical sciences, with a full awareness – and discussion – of its differences from the cognitive perspective of strict sciences or human and social sciences. The main thesis of the book is that informational revolution will probably lead to a formation of a new episteme. The book includes discussions of many issues related to such general perspective, such as what is technology proper; what is intuition from a perspective of technology and of evolutionary naturalism; what are the reasons for and how large are the delays between a fundamental invention and its broad social utilization; what is the fundamental logical error (using paradoxes that are not real, only apparent) of the tradition of sceptical philosophy; what are rational foundations and examples of emergence of order out of chaos; whether civilization development based on two positive feedbacks between science, technology and the market might lead inevitably to a self-destruction of human civilization; etc.