Oda Sakunosuke (1913-43) is described in Japan as one of the "hooligan school" of writers, who worked before and during WW2. Seeking to create an underground literature in opposition to the traditional literature favored by the militaristic government, these writers often depicted unflattering realities rather than exemplary ideals. By deliberately focusing on Japan's hustlers, bunglers, and misfits, "Stories of Osaka Life" skillfully recaptures the essence of the Osaka temperament: its hedonism, wry humor, and lust for life. Among the preeminent works of one of modern Japan's most admired writers, these stories offer extraordinary characterizations executed with compassion, honesty and humor.

Oda Sakunosuke (1913-43) is described in Japan as one of the 3hooligan school2 of writers, who worked before and during WW2. Seeking to create an underground literature in opposition to the traditional literature favored by the militaristic government, these writers often depicted unflattering realities rather than exemplary ideals. By deliberately focusing on Japan1s hustlers, bunglers, and misfits, 3Stories of Osaka Life2 skillfully recaptures the essence of the Osaka temperament: its hedonism, wry humor, and lust for life. Among the preeminent works of one of modern Japan1s most admired writers, these stories offer extraordinary characterizations executed with compassion, honesty and humor.

A hilarious story of one man’s obsession and a brilliant reckoning of a nation’s cultural confusion—from a master Japanese novelist. When twenty-eight-year-old Joji first lays eyes upon the teenage waitress Naomi, he is instantly smitten by her exotic, almost Western appearance. Determined to transform her into the perfect wife and to whisk her away from the seamy underbelly of post-World War I Tokyo, Joji adopts and ultimately marries Naomi, paying for English and music lessons that promise to mold her into his ideal companion. But as she grows older, Joji discovers that Naomi is far from the naïve girl of his fantasies. And, in Tanizaki’s masterpiece of lurid obsession, passion quickly descends into comically helpless masochism.

The 13 stories in this collection by Japanese writer Junzo Shono are linked by the daily life of a husband and wife and their children. The stories are like the back of a tapestry where threads seem to cross randomly. Births, weddings, school activities, a suicide attempt - all occur out of view. Readers understand crucial events through ordinary days. But these quiet tales have a cumulative power. Toys, birds, and playing cards relate to human lives as portents, parallels, parodies. The mother, with her secret sorrows, and the puzzled, bemused father savor reveries and survive unexplained misfortunes. Shono's vivid snapshot technique, the layering of images, events, and conversations, creates an effect Western readers may find more akin to an Ozu film crossed with haiku than to traditional short stories.

Jun’ichirō Tanizaki is one of the most eminent Japanese writers of the twentieth century, renowned for his investigations of family dynamics, eroticism, and cultural identity. Most acclaimed for his postwar novels such as The Makioka Sisters and The Key, Tanizaki made his literary debut in 1910. This book presents three powerful stories of family life from the first decade of Tanizaki’s career that foreshadow the themes the great writer would go on to explore. “Longing” recounts the fantastic journey of a precocious young boy through an eerie nighttime landscape. Replete with striking natural images and uncanny human encounters, it ends with a striking revelation. “Sorrows of a Heretic” follows a university student and aspiring novelist who lives in degrading poverty in a Tokyo tenement. Ambitious and tormented, the young man rebels against his family against a backdrop of sickness and death. “The Story of an Unhappy Mother” describes a vivacious but self-centered woman’s drastic transformation after a freak accident involving her son and daughter-in-law. Written in different genres, the three stories are united by a focus on mothers and sons and a concern for Japan’s traditional culture in the face of Westernization. The longtime Tanizaki translators Anthony H. Chambers and Paul McCarthy masterfully bring these important works to an Anglophone audience.

A New York Times Top Ten Book of the Year and National Book Award finalist, Pachinko is an "extraordinary epic" of four generations of a poor Korean immigrant family as they fight to control their destiny in 20th-century Japan (San Francisco Chronicle). NEW YORK TIMES NOTABLE BOOK OF 2017 * A USA TODAY TOP TEN OF 2017 * JULY PICK FOR THE PBS NEWSHOUR-NEW YORK TIMES BOOK CLUB NOW READ THIS * FINALIST FOR THE 2018DAYTON LITERARY PEACE PRIZE* WINNER OF THE MEDICI BOOK CLUB PRIZE Roxane Gay's Favorite Book of 2017, Washington Post NEW YORK TIMES BESTSELLER * #1 BOSTON GLOBE BESTSELLER * USA TODAY BESTSELLER * WALL STREET JOURNAL BESTSELLER * WASHINGTON POST BESTSELLER "There could only be a few winners, and a lot of losers. And yet we played on, because we had hope that we might be the lucky ones." In the early 1900s, teenaged Sunja, the adored daughter of a crippled fisherman, falls for a wealthy stranger at the seashore near her home in Korea. He promises her the world, but when she discovers she is pregnant--and that her lover is married--she refuses to be bought. Instead, she accepts an offer of marriage from a gentle, sickly minister passing through on his way to Japan. But her decision to abandon her home, and to reject her son's powerful father, sets off a dramatic saga that will echo down through the generations. Richly told and profoundly moving, Pachinko is a story of love, sacrifice, ambition, and loyalty. From bustling street markets to the halls of Japan's finest universities to the pachinko parlors of the criminal underworld, Lee's complex and passionate characters--strong, stubborn women, devoted sisters and sons, fathers shaken by moral crisis--survive and thrive against the indifferent arc of history. *Includes reading group guide*

Touted as one of Korea’s most important works of fiction, Three Generations (published in 1931 as a serial in Chosun Ilbo) charts the tensions in the Jo family in 1930s Japanese occupied Seoul. Yom’s keenly observant eye reveals family tensions withprofound insight. Delving deeply into each character’s history and beliefs, he illuminates the diverse pressures and impulses driving each. This Korean classic, often compared to Junichiro Tanizaki’s The Makioka Sisters, reveals the country’s situation under Japanese rule, the traditional Korean familial structure, and the battle between the modern and the traditional. The long-awaited publication of this masterpiece is a vital addition to Korean literature in English.