Among the people that came to Virginia in 1609, two years after the colony was planted, was a boy named Henry Spelman. He was the son of a well-known man. He had been a bad and troublesome boy in England, and his family sent him to Virginia, thinking that he might be better in the new country. At least his friends thought he would not trouble them so much when he was so far away. Many hundreds of people came at the same time that Henry Spelman did. Captain John Smith was then governor of the little colony. He was puzzled to know how to feed all these people. As many of them were troublesome, he was still more puzzled to know how to govern them. In order not to have so many to feed, he sent some of them to live among the Indians here and there. A chief called Little Powhatan asked Smith to send some of his men to live with him. The Indians wanted to get the white men to live among them, so as to learn to make the things that the white men had. Captain Smith agreed to give the boy Henry Spelman to Little Powhatan, if the chief would give him a place to plant a new settlement. Spelman staid awhile with the chief, and then he went back to the English at Jamestown. But when he came to Jamestown he was sorry that he had not staid among the Indians. Captain John Smith had gone home to England. George Percy was now governor of the English. They had very little food to eat, and Spelman began to be afraid that he might starve to death with the rest of them. Powhatan—not Little Powhatan, but the great Powhatan, who was chief over all the other chiefs in the neighborhood—sent a white man who was living with him to carry some deer meat to Jamestown. When it came time for this white man to go back, he asked that some of his countrymen might go to the Indian country with him. The governor sent Spelman, who was glad enough to go to the Indians again, because they had plenty of food to eat.

1895. American novelist and historian, Eggleston's novels depicting early life in southern Indiana have been widely read. The design of this volume is laid out in the Preface: This book is intended to serve three main purposes. One of these is to make school reading pleasant by supplying matter simple and direct in style, and sufficiently interesting and exciting to hold the reader's attention in a state of constant wakefulness; that is, to keep the mind in the condition in which instruction can be received with the greatest advantage. A second object is to cultivate an interest in narratives of fact by selecting chiefly incidents full of action, such as are attractive to the minds of boys and girls whose pulses are yet quick with youthful life. The early establishment of a preference for stories of this sort is the most effective antidote to the prevalent vice of reading inferior fiction for mere stimulation. But the principal aim of this book is to make the reader acquainted with American life and manners in other times. See other titles by this author available from Kessinger Publishing.

A Life of Adventure and Delight delivers eight masterful stories from dazzlingly original and critically acclaimed author Akhil Sharma. Hailed as a storyteller whose fiction is “a glowing work of art” (Wall Street Journal), Akhil Sharma is possessed of a narrative voice “as hypnotic as those found in the pages of Dostoyevsky” (The Nation). In A Life of Adventure and Delight, Sharma delivers eight masterful stories that focus on Indian protagonists at home and abroad and that plunge the reader into the unpredictable workings of the human heart. A young woman in an arranged marriage awakens one day surprised to find herself in love with her husband. A retired divorcé tries to become the perfect partner by reading women’s magazines. A man’s longstanding contempt for his cousin suddenly shifts inward when he witnesses his cousin caring for a sick woman. Tender and darkly comic, the protagonists in A Life of Adventure and Delight deceive themselves and engage in odd behaviors as they navigate how to be good, how to make meaningful relationships, and the strengths and pitfalls of self-interest. Elegantly written and emotionally immediate, the stories provide an intimate, honest assessment of human relationships between mothers and sons, sons and lovers, and husband and wives from a dazzlingly original, critically acclaimed writer.

1895. American novelist and historian, Eggleston's novels depicting early life in southern Indiana have been widely read. The design of this volume is laid out in the Preface: This book is intended to serve three main purposes. One of these is to make school reading pleasant by supplying matter simple and direct in style, and sufficiently interesting and exciting to hold the reader's attention in a state of constant wakefulness; that is, to keep the mind in the condition in which instruction can be received with the greatest advantage. A second object is to cultivate an interest in narratives of fact by selecting chiefly incidents full of action, such as are attractive to the minds of boys and girls whose pulses are yet quick with youthful life. The early establishment of a preference for stories of this sort is the most effective antidote to the prevalent vice of reading inferior fiction for mere stimulation. But the principal aim of this book is to make the reader acquainted with American life and manners in other times. See other titles by this author available from Kessinger Publishing.

" The embodiment of the American hero, the man of action, the pathfinder, Daniel Boone represents the great adventure of his age—the westward movement of the American people. Daniel Boone: An American Life brings together over thirty years of research in an extraordinary biography of the quintessential pioneer. Based on primary sources, the book depicts Boone through the eyes of those who knew him and within the historical contexts of his eighty-six years. The story of Daniel Boone offers new insights into the turbulent birth and growth of the nation and demonstrates why the frontier forms such a significant part of the American experience.

Act One is the autobiography of Moss Hart, an American playwright and theatre director. Born into impoverished circumstances—his father was often unemployed—Hart left school at age twelve for a series of odd jobs that included being an entertainment director at a Catskills summer resort. Hart’s big break came in 1930 with the Broadway hit Once in a Lifetime, written with George Kaufman. The two would collaborate again on You Can’t Take It With You (1936) and The Man Who Came To Dinner (1939). You Can’t Take It With You won the Pulitzer Prize for drama in 1937, and the 1938 film version, directed by Frank Capra, won Oscars for both Best Picture and Best Director. Act One was adapted for a 1963 film starring George Hamilton, and for a 2014 stage production starring Tony Shalhoub and Andrea Martin. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.