"A clever twist on Robert Frost's classic poem where a little boy riding a hippo gets into quite an argument with the bard over what would be a far more interesting plot to the poem"--

In the spirit of Lane Smith and Jon Klassen, this delightfully irreverent picture book dives into the world of Robert Frost’s “Stopping by Woods on a Snowy Evening,” where a boy with a unique vision gives some creative feedback to the famed poet. When Robert Frost writes, “Whose woods these are I think I know,” he paints a picture of a serene winter night in the deep woods, surrounded by blankets and blankets of snow. But the tranquil scene is interrupted by a little boy! This wildly imaginative interloper generously offers to tweak the poem to make it more exciting. Instead of riding a horse, why not a hippo? And replace the snow falling from the sky with cookie dough! As Robert Frost sputters in dismay, the boy unleashes poetic mayhem, but when his edits get away from him, the self-possessed poet and chaotic kid have to put their heads together to make a clean getaway.

Somber poems deal with the end of summer, winter dawn, travel, mortality, childhood, education, nature and the spiritual aspects of life.

The album debut for Quentin Dupieux may not have received worldwide distribution had it not been for its most publicized track, the notorious Levi's advert and crossover hit named "Flat Beat." But it's doubtful Dupieux will turn into a one-hit wonder -- and if he does, there's always his directing career -- since Analog Worms Attack is an inventive album that somehow marries the experimental side of techno (Cristian Vogel, Laurent Garnier) with the outrageous flair of novelty tracks usually seen on, well, television commercials. Even including "Flat Beat" (which was wisely added only as a bonus track), the highlights are "Monophonic Shit" and "No Day Massacre," two tracks that blend surprisingly deep grooves and oddball effects. It's not so much a sense of humor that Dupieux displays here; it's closer to the playful side of quasi-pop electronica fashioned by Mouse on Mars and Like a Tim. Fans of the trademarked "Flat Beat" sound will find much to love as well ("Smoking Tape" and "Flat 55" are most similar to the hit), making Analog Worms Attack a left-field treat for both pop-culture seekers and genuine music fans. ~ John Bush

Horror films, books and video games engage their audiences through combinations of storytelling practices, emotional experiences, cognitive responses and physicality that ignite the sensorium--the sensory mechanics of the body and the intellectual and cognitive functions connected to them. Through analyses of various mediums, this volume explores how the horror genre affects the mind and body of the spectator. Works explored include the films 28 Days Later and Death Proof, the video games Resident Evil 4 and Doom 3, the theme park ride The Revenge of the Mummy, transmedia experiences associated with The Dark Knight and True Blood, and paranormal romance novels featuring Anita Blake and Sookie Stackhouse. By examining how these diverse media generate medium-specific corporeal and sensory responses, it reveals how the sensorium interweaves sensory and intellectual encounters to produce powerful systems of perception.