Scotland has a new Parliament and it has North Sea oil, but is it yet an independent, self-sustaining democracy? Is it a true nation? In Stone Voices, Neal Ascherson launches what he calls an imaginative invasion of his native land, searching for the relationships, themes, and fantasies that make up "Scotland.

"Stone Voices is Ascherson's return to his native Scotland. It is an exploration of Scottish identity, but this is no journalistic rumination on the future of that small nation. Instead it weaves together a story of deep time - the time of geology and archaeology, of myth and legend - with the story of modern Scotland and its rebirth."

In a world of whispering stones and corporate evil, Lilibit and six other orphaned children with mysterious powers battle a shape-shifting enemy and his helipcopter army to reach Kiva, a sacred place where Lilibit's destiny lies as the new Stone Voice.

Debra Mullins introduced readers to the world of the Truthseers in Prodigal Son. Now the story of the lost Atlanteans continues in Heart of Stone. Darius Montana is a Seer. With his gift of empathy, he can see into the hearts of others, both human and Atlantean. When his family comes into possession of one of the legendary power stones of Atlantis, Darius is sent to find the Stone Singer. Faith Karaluros is the last Stone Singer. Manipulated all her life for her rare ability, she is widowed after her husband tried to steal her power for the Mendukati, an extremist group that hunts Seers. Faith wants nothing more than to stay out of this war when Darius comes to find her—just in time to rescue her from being kidnapped. Faith goes with Darius, determined to do the job and be on her way with the money that can set her up where no one can find her again. She didn't count on the Mendukati sending a hit man after her. Darius swears he can protect her, but when she discovers he is one of the rare Atlanteans whose powers work on their own kind, can she trust him to keep his word, or is she being used again? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Voices from Babylon : Or, The Records of Daniel the Prophet by Joseph Augustus Seiss, first published in 1879, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

The Language of Mothers is a hybrid memoir grounded in the power of prose and poetry. It is an imaginative tapestry of women' s storytelling that punctures narrative craft to illuminate the inheritance of domestic trauma and the voicing of familial stories that are healing spaces that carry through time. The Language of Mothers is about two mothers caught in abusive relationships, impoverished with children, with few avenues of escape. These stories shed light on the culture of American motherhood as a failure for women, perpetuating a system of patriarchal ideals that only values the nuclear family as whole spaces of abundance, love, and worth. At nineteen, Rain Wright' s mother left Dronfield, England, traveling through Europe before landing in New York in the turbulent 1960s. Swept up in the changing societal wave, Elizabeth, her mother travels to California, where she meets her future abuser, Rain' s father. This memoir is the story of Elizabeth' s courageous escape with three young children, and it is the story of Rain' s escape decades later. The Language of Mothers navigates the inheritance of trauma, finding that storytelling and art, for both women, become the impetus for healing. Elizabeth packs her children' s belongings in black plastic bags and hides them in the brush along Elk Ridge Road, in California, making her daring escape with the help of friends and an ex-lover. She flies with her children across an ocean to the safety of Hawai?i, where she finds art, lomi lomi, music, and security. After Elizabeth' s passing from breast cancer in 1996, her stories, inherited from years of car rides around Hawai?i Island, are the language of mythmaking. The Language of Mothers is an intimate look at why women stay too long in abusive relationships and an act of defiance and regenerative love. Rain' s story is a tapestry of early childhood trauma as witness to her mother' s abuse, domestic terror at the hands of her children' s father, and her own escape narrative. The Language of Mothers deeply sees the aftereffects of domestic abuse, including her eldest daughter' s suicide attempts, her middle daughter' s strive for perfection, and her youngest daughter' s need for control through anorexia. Women' s stories can heal. Rain interweaves traumatic parts of her past but recounts acts of love, telling her daughters stories and becoming their storyteller.