Color photos of the Escalante and the Paria river canyons and the adjacent plateau into which these rivers, with the help of rain & wind, have sculpted surreal, brightly colored galleries. The text by Charles Bowden deals with Mormon heroes, the Hole-in-the-Rock migration, and with John D. Lee, infamous for his part in the Mountain Meadows Massacre.

An overview of the Colorado Plateau's fossil remains of organisms that lived millions of years ago, featuring numerous illustrations and photographs.

In the deep and colorful sandstone canyons west of the Rockies, along river corridors of northern Colorado, and inscribed on rock outcroppings of the Colorado Plateau, the rock art of ancient and historic inhabitants of the West is an enduring record of past ideas and practices. This first integrated analysis of rock art styles throughout the western Colorado region, dating from pre-A.D. 1 to the middle of the twentieth century, bring together information from earlier studies and presents new information to shed light on how various cultures developed and interacted over time and in diverse geographical settings. Sally Cole traces connections between art on canyon walls, rock shelters, and bolders and designs on pottery, basketry, and other artificts, placing the art in cultural context. This book surveys the cultural history and rock art traditions of Archaic hunters and gatherers, Anasazi, Fremont, Navajo, Eastern Shoshoni, and Ute peoples. regions of special interest include Mesa Verde and the Four Corners area, the Uncompahgre Plateau, Dinosaur National Monument and the canyons of the Green and Yampa rivers, and the Canyonlands of Utah and Colorado. An abundance of drawings, photographs, and maps illustrate the text and reveal the diversity of rock art forms and settings in the West.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Cedar Mesa, Utah, offers adventurous visitors magnificent examples of all the geologic wonders that define "canyon country" throughout the Southwest: stone arches, natural bridges, and breath-sucking precipices, plus hidden springs, hanging gardens, and a treasure of pre-Columbian Indian ruins.

The stunning vistas of the Grand Canyon came alive through the photography of Pulitzer Prize winner Jack Dykinga. complementing the photography, award-winning Charles bowden and Wayne Ranney offer unique prospectives on the Canyon's magnificent beauty and the theories surring its fascination formation.

Sunrise illuminates Colorado Plateau’s canyon country. In the early morning light, cliffs radiate a rich red glow, and a sculptured panorama of sandstone is revealed in a rich palette of crimson, vermilion, orange, salmon, peach, pink, gold, yellow, and white. Nearby are black, spherical rock marbles (iron concretions) collecting in small depressions, like puddles of ball bearings. These natural spherical balls have been called various names such as iron nodules, iron sandstone balls, or moki marbles. However, we use the name “iron concretion” to describe both the composition (iron oxide that is the dark mineral which cements the sandstone grains) and the formed shape (concretion). What paints the sandstone such rich colors? Why is red a dominant color? Where do the black marbles come from? How did the black marbles form? Is there a relationship between sandstone colors and the marbles? This booklet explores the answers to these questions and poses other questions yet unanswered.