Part travelogue, part journalism, part contemporary history, Stomping Grounds is a unique exploration of eight American subcultures that show how our identities are, to a surprising extent, shaped by the groups and pastimes to which we devote significant portions of our lives.

A rock n roll jaunt through the lands of bellydance and goddess worship. Part anecdotal, part instructional, this tasty little volume looks at historical uses of dance as ritual and provides spiritual seekers with a practical guide to DIY vision questing via dance. Loaded with easy exercises you can try at home, Stomping Ground is a great tool for both experienced and aspiring bellydancers as well as anyone looking to find meaning in the wild landscape of the modern age.

From the first colonization at Roanoke Island, the bizarre and inexplicable have shrouded the Tar Heel State. From history and legend, John Harden records ominous events that have shaped or colored state history.

Dom Perruccio was a popular, outgoing, athletic, generous, and handsome guy raised in the winding, narrow streets of Manhattan's Greenwich Village. He had many choices growing up in the neighborhood: stay on the street, stay in school, do nothing with your life, or do something. The choices involved strict rules and learned codes to keep from getting killed or arrested in a world of gang culture and hoodlum mentality. In this blisteringly honest coming-of-age narrative of how he and co-writer Charles Messina survived and ripened, Perruccio introduces the reader to the darker side of Greenwich Village generally depicted as a bohemia for artists, non-conformists, and vagabonds. But Perruccio exposes the darker side of this free-spirited Shangri-Lai-recalling the 1969 anti-gay Stonewall Uprising, The 1961 Washington Square Riot, and recurring, clandestine Mafia hits. Finally, Perruccio describes his adult restoration after it all. At the end when his mother died in 1993, Dom says, "That was the toughest time of my life. Losing my mother tore me apart. The one thing that gave me the strength to survive losing her was the birth of my daughter, Vanessa. I had to keep it together. I had to be a father."

STAMPING GROUNDS follows the Liechtenstein national football team through their defeat-strewn qualifying campaign for the 2002 World Cup. Drawn in a group with Israel, Bosnia-Herzegovina, Austria and mighty Spain, it was hard to see the principality's part-time players scoring even one goal, never mind adding to its meagre international points total. So what motivates a nation of 30,000 people and eleven villages to keep plugging away despite the inevitability of defeat? Travelling to all of Liechenstein's qualifying matches, Charlie Connelly examines what motivates a team to take the field dressed proudly in the shirts of Liechtenstein despite the knowledge that they are, with notably few exceptions, in for a damn good hiding. Sampling the delights of Liechtenstein's capital, Vaduz, such as the Postage Stamp Museum, the State Art Museum and, er, the Postage Stamp Museum again, Connelly provides an evocative and witty account of the land where every year on National Day the sovereign invites the entire population into his garden for a glass of wine.

The New York Times bestselling author of Neuromancer and Agency presents a fast-paced sci-fi thriller that takes a terrifying look into the future. DON'T MISS THE SERIES—NOW STREAMING EXCLUSIVELY ON PRIME VIDEO! Flynne Fisher lives down a country road, in a rural America where jobs are scarce, unless you count illegal drug manufacture, which she’s trying to avoid. Her brother Burton lives on money from the Veterans Administration, for neurological damage suffered in the Marines’ elite Haptic Recon unit. Flynne earns what she can by assembling product at the local 3D printshop. She made more as a combat scout in an online game, playing for a rich man, but she’s had to let the shooter games go. Wilf Netherton lives in London, seventy-some years later, on the far side of decades of slow-motion apocalypse. Things are pretty good now, for the haves, and there aren’t many have-nots left. Wilf, a high-powered publicist and celebrity-minder, fancies himself a romantic misfit, in a society where reaching into the past is just another hobby. Burton’s been moonlighting online, secretly working security in some game prototype, a virtual world that looks vaguely like London, but a lot weirder. He’s got Flynne taking over shifts, promised her the game’s not a shooter. Still, the crime she witnesses there is plenty bad. Flynne and Wilf are about to meet one another. Her world will be altered utterly, irrevocably, and Wilf’s, for all its decadence and power, will learn that some of these third-world types from the past can be badass.