Stolen Snapshots: I am NOT a Poet is a quirky, sexy, sappy and highly illustrated book of performance poetry aimed at the people that hate poetry, yet have some poems hidden inside themselves. And, because it doesnt suck, famous foo-foo poets are fans of it too. No rhyming poetry has been allowed. You will actually understand it all.

Spring was late in 1913 and Edward Thomas decided to go and search for winter's grave and the tell-tale signs of season's turn - he set out to cycle westwards from London to the Quantocks. Edward Thomas 1878-1917 turned from writing prose to poetry in 1914. His work as a poet has been widely celebrated and admired - Ted Hughes described Thomas as "the father of us all". The Pursuit of Spring, originally published in 1914, bridges the divide between Thomas the journalist/critic and Thomas the highly regarded poet.

The astonishing, powerful debut by the winner of a 2016 Whiting Writers' Award WHEREAS her birth signaled the responsibility as mother to teach what it is to be Lakota therein the question: What did I know about being Lakota? Signaled panic, blood rush my embarrassment. What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics. —from “WHEREAS Statements” WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

“I love Christmas, that Muslim holiday.” (K. Biebl) In 1926, the communist avant-garde poet Konstantin Biebl (1898–1951) travelled from Czechoslovakia to the Dutch East Indies. In his texts, poetic and often comic, both landlocked Bohemia and the colonized tropical islands are seen disorientingly anew, like “mirrors looking at themselves in each other.” On This Modern Highway, Lost in the Jungle takes the reader on a journey crisscrossing the poet’s life and work, with particular attention to his travel writing and his dreams and memories of travel, as they mirror the book author’s own life experience as a Czech scholar of Indonesia living in island Southeast Asia. Biebl’s poetry and travels are also the book’s point of departure for a broader exploration of the intersections of travel and poetry, the attitudes to colonial/social injustice, and the representation of otherness in Czech literary and visual imagination, beyond Biebl’s times. In its attention to how poetic travel reflects the Czech historical experience in the shadow of imperial nations, the book moves scholarly reflection on literary travel, modernity, and colonialism to a new ground. Jan Mrázek grew up in Czechoslovakia and lives on an island in the Malay Archipelago. He is Associate Professor in Southeast Asian Studies at the National University of Singapore and has published widely on Indonesia, seafaring, and Czech travel writing.

Pillow Thoughts is a collection of poetry and prose about heartbreak, love, and raw emotions. It is divided into sections to read when you feel you need them most.