Who has not, in a favored moment, ‘stolen the limelight’, whether inadvertently or by design? The implications of such an act of display – its illicitness, its verve, its vertiginous reversal of power, its subversiveness – are explored in this book. Narrative crafting and management of such scenarios are studied across canonical novels by Gide, Colette, Mauriac, and Duras, as well as by African Francophone writer Oyono and detective novelist Japrisot. As manipulated within narrative, acts of display position a viewer or reader from whom response (from veneration or desire to repugnance or horror) is solicited; but this study demonstrates that display can also work subversively, destabilising and displacing such a privileged spectator. As strategies of displacement, these scenarios ultimately neutralise and even occult the very subject they so energetically appear to solicit. Powered by gendered tensions, this dynamic of display as displacement works toward purposes of struggle, resistance or repression.

The stolen base is one of the most fascinating plays in all of sports. In no other sport is the opportunity present for the offense to literally take away what belongs to the defense. In other sports it is the ball (or puck) that must do the scoring; in baseball, however, it is the runner, and base stealing is the runner's greatest weapon. Not just ball games but entire World Series have turned on a steal. This book traces the history of the stolen base and stealing in the major leagues from its humble beginnings through its current status as an indispensable part of a team's offense. Also covered are the players who were synonymous with base stealing: Ty Cobb, Luis Aparicio, Maury Wills, Lou Brock, Rickey Henderson, and others. The most memorable steals in baseball history are also recalled.

Written by a Sydney native, English, The Aussie Way: A Fun Guide to Australia’s Colourful Phrases, Words, and Expressions offers an amusing way for English or non-English speakers around the world to learn the colloquial phrases for which Australia is famous. This user-friendly reference provides words/phrases and meanings/synonyms by using an example sentence. Says the author, “For seven years I housed international students who were attending English language schools in Sydney, and I realised that although they had a good grasp of formal grammar, they struggled to understand not only colloquial English, but many of the commonly used phrasal verbs, which could not be found in a standard English/Spanish, French, etc., dictionary. It was then that I decided to start writing some of them down for future reference and it grew from there.”

This dictionary provides a valency description of English verbs, nouns and adjectives. Each entry contains a comprehensive list of the complementation patterns identified on the basis of the largest corpus of English available at the present time. All examples are taken directly from the COBUILD/Birmingham corpus. The valency description comprises statements about the quantitative valency of the lexical units established, an inventory of their obligatory, contextually optional and purely optional complements as well as systematic information on the semantic and collocational properties of the complements. An outline of the model of valency theory used in this dictionary is provided in the introduction.

Why do we steal? This question has confounded everyone from parents to judges, teachers to psychologists, economists to more than a few moral thinkers. Stealing can be a result of deprivation, of envy, or of a desire for power and influence. An act of theft can also bring forth someone’s hidden traits – paradoxically proving beneficial to their personal development. Robert Tyminski explores the many dimensions of stealing, and in particular how they relate to a subtle balance of loss versus gain that operates in all of us. Our natural aversion to loss can lead to extreme actions as a means to acquire what we may not be able to obtain through time, work or money. Tyminski uses the myth of Jason, Medea and the Golden Fleece to explore the dilemmas involved in such situations and demonstrate the timelessness of theft as fundamentally human. The Psychology of Theft and Loss incorporates Jungian and psychoanalytic theories as well as more recent cognitive research findings to deepen our appreciation for the complexity of human motivations when it comes to stealing, culminating in consideration of the idea of a perpetually present ‘inner thief’. Combining case studies, Jungian theory and analysis of many different types of stealing including robbery, kidnapping, plagiarism and technotheft, The Psychology of Theft and Loss is a fascinating study which will appeal to psychoanalysts, psychologists, psychiatrists, social workers, family therapists and students.

To everyone's joy, Colette Gibson returns to the island she grew up on, back to her friends and family. She cant believe how much her kids have grown! Now seeing things through Rudisha Gibson's mind also, we see much more of what life is like for Rudi having a such famous mother. What is it about Colette that everyone is hiding from Rudi? Rudi grows frustrated, knowing there is something about her mother that is being kept from her. But what is it Colette realises the level of the faulty curse between herself and Matthew James has fallen once again, and she tries resisting the handsome man. Unable to fight true love, she juggles two lives on the island; a secret life with Matthew and her normal life with family and friends, while dismissing Maurice Blackwell's advances. Why is the shape shifting sorceror Sanguini Alsdair so afraid to look at Colette? And what does the Queen of Demons have against the enchantress? Find out now by reading the fourth book of The Link series by Makala Thomas.

"Camus's classic narrative, La Peste (The Plague), is a timely philosophical read in an era when a deadly pandemic rages worldwide. An allegory rich with suggestion, it rewards an imaginative reader with innumerable meanings as our own lived experiences mirror the novel. We witness protesters who argue for individual freedom and the autonomy to defy government-imposed regulations. They openly clash with followers of science who recommend shared actions of self-sacrifice to mitigate the spread of infection. Choosing either to act in one's own interest or to sacrifice for the good of all has become a haunting theme of American life in which the "richest nation on earth" experienced the highest number of cases and deaths in the world while under the leadership of former president Donald Trump as well as through the first year, 2021, of the administration of President Joe Biden. Political divisions over wearing masks, social distancing, police killings, Black Lives Matter, the January 6, 2021 assault on the United States Capitol, and recommended or mandated vaccines, sow discord at a time when solidarity could have united the U.S. to lead the world against the pandemic. Instead, misinformation campaigns have stoked opposition among the populace and away from the virus. "We're all in this together," was repeatedly uttered by Dr. Bernard Rieux, Camus's narrator. How seldom did we hear that call for unity from the podiums of power, for example, the leaders of America, Brazil, and India (the three countries with the highest death counts in the world)? After two years into the coronavirus pandemic with over one million deaths in the U.S. and over 6 million worldwide, we might ask ourselves, do we measure up to Camus's optimistic assessment of human behavior under duress? Do we collectively meet the minimum threshold of ethical behavior posed by Camus who wrote, "What's true of all the evils in the world is true of plague as well. It helps men to rise above themselves"?"--