Welcome to this series of Short Talking Books. This volume focuses on Bob Stokoe's Sunderland’ during a single landmark season. It briefly highlights his early years as a player, right up to him joining Sunderland as manager and leading them to the 1973 F.A. Cup final success over Leeds United. The book includes short profiles of the Cup final team. The book is written in a conversational question and answer format. ‘The Talking Manager’s series is designed as an ‘on the go’ travel book. The print size offers an easier read for small devices like mobile phones.

50th anniversary edition of the story of the team that caused the last, great FA Cup upset... 'Times have changed but this book is an engrossing reminder for all fans' INDEPENDENT ON SUNDAY 'An essential piece of British football history for fans of any club. Brilliantly researched and written with an undisguised passion' Guy Mowbray, BBC's Match of the Day Today, it seems inconceivable that a team from the lower reaches of the Championship could beat the likes of Chelsea or Manchester United in the FA Cup Final. Yet, on 5 May 1973 that is exactly what happened. Six months earlier, Bob Stokoe took on an ailing Sunderland team, struggling at the bottom of the second division. But the long road to Wembley sees them beating Arsenal and Manchester City to reach the final, where they face Don Revie's mighty Leeds United in a game few expect them to win. Yet what lies ninety minutes ahead is the greatest FA Cup Final shock of all time. Sunderland's victory was, arguably, the last fairytale of recent footballing times. In STOKOE, SUNDERLAND AND '73, Lance Hardy talked with all the Sunderland players who turned out at Wembley that day and to the family of Bob Stokoe, to produce the definitive account of an unforgettable game.

There is a persistent myth about the British: that we are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia - the first history of crying in Britain - comprehensively debunks this myth. Far from being a persistent element in the 'national character', the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of our past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which we express and understand our emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.

Welcome to this series of Short Talking Books. This volume focuses on Bob ‘Stokoe's Blackpool.' It highlights Bob’s success in winning Blackpool the Anglo Italian Cup. The book includes short profiles of the team and others who played a part in their biggest success. It is written in a conversational question and answer format. ‘The Talking Manager’s’ series is designed as a ‘on the go’ travel book. The print size offers an easier read for small devices like mobile phones. Look for others in the series.

There is a persistent myth about the British: that they are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia--the first history of crying in Britain--comprehensively debunks this myth. Far from being a persistent element in the national character, the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of the nation's past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which Britons express and understand their emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.

SHORTLISTED FOR BEST SPORTS WRITING AT THE SPORTS BOOK AWARDS 2023 "Sheer joy" – Patrick Barclay "Exhilarating" – When Saturday Comes "Perfect" – Josh Widdicombe "★★★★★" – FourFourTwo Four years after the crowning glory of 1966, and a decade after the abolition of the maximum wage, a brash new era dawned in English football. As the 1970s took hold, a new generation of larger-than-life players and managers emerged, appearing on television sets in vivid technicolour for the first time. Set against a backdrop of strikes, political unrest, freezing winters and glam rock, Get It On tells the inside story of how commercialism, innovation, racism and hooliganism rocked the national game in the 1970s. Packed with interviews with the legends of the day, this footballing fiesta charts the emergence of Brian Clough, Bob Paisley and Kevin Keegan and the fall of George Best, Alf Ramsey and Don Revie, presenting a vibrant portrait of the most groundbreaking decade in English football history.