An incisive exploration of women and work, showing how globalization’s promise of liberation instead set the stage for repression—from the acclaimed author of Factory Girls “Exhaustively reported and researched, Egyptian Made takes us halfway across the world and inside the intimate lives of women caught between tradition and independence.”—Monica Potts, New York Times bestselling author of The Forgotten Girls What happens to the women who choose to work in a country struggling to reconcile a traditional culture with the demands of globalization? In this sharply drawn portrait of Egyptian society—deepened by two years of immersive reporting—Leslie T. Chang follows three women as they persevere in a country that throws up obstacles to their progress at every step, from dramatic swings in economic policy to conservative marriage expectations and a failing education system. Working in Egypt’s centuries-old textile industry, Riham is a shrewd businesswoman who nevertheless struggles to attract workers to her garment factory and to compete in the global marketplace. Rania, who works on a factory assembly line, attempts to climb to a management rank but is held back by conflicts with co-workers and the humiliation of an unhappy marriage. Her colleague Doaa, meanwhile, pursues an education and independence but sacrifices access to her own children in order to get a divorce. Alongside these stories, Chang shares her own experiences living and working in Egypt for five years, seeing through her own eyes the risks and prejudices that working women continue to face. She also weaves in the history of Egypt’s vaunted textile industry, its colonization and independence, a century of political upheaval, and the history of Islam in Egypt, all of which shaped the country as it is today and the choices available to Riham, Rania, and Doaa. Following each woman’s story from home and work, Chang powerfully observes the near-impossible balancing act that Egyptian women strike every day.

Calling all explorers and archaeologists! Inside Out: Egyptian Mummy comes with everything you need to start an Egyptian adventure, from discovering a tomb to unwrapping a mummy. Though the ancient civilization of Egypt may be long gone, its dead still have secrets to tell. From the myth of Isis and Osiris, to King Tut’s tomb, to the intricacies of preparing the body for its underworld journey, Inside Out: Egyptian Mummy takes you step by step into a tomb. Get a fascinating glimpse into how an ancient culture saw death and the afterlife beyond. That isn't all though! Alongside beautiful illustrations and photographs, an interactive die-cut model reveals the many rites of the Egyptian tomb. You will be amazed by everything from the iconic golden burial mask, to the lucky amulets the dead were buried with, protective linen wrappings, and even the mummified body and preserved sacred organs. And when it comes to hieroglyphics, hidden burial grounds, and missing treasure, there’s always more to uncover, so get your start now, who knows where your journeys will take you!

Debbie does crochet! Debbie Stoller, the “knitting superstar,” has been leading an entire movement of hip young knitters with her New York Times bestseller Stitch ’n Bitch and its follow-up, Stitch ’n Bitch Nation, together with over 521,000 copies in print. But guess what? For every one knitter in the world there are three crocheters—which translates into millions of hip, crafty, 18- to 35-year-olds ready to be happy hookers with Stitch ’n Bitch attitude, sexiness, ingenuity, and cool. Written in the author’s cheeky chick style, this heavily illustrated book—featuring four-color photographs and instructional illustrations throughout—is chock-full of instruction, inspiration, and to-die-for designs, from a Fishnet Skullcap to a lacy evening wrap. For knitters and new crafters exploring the hook comes the primer: the advantages of crochet and the ways in which knitters (and nonknitters) benefit by learning this sister craft; a discussion of tools; all the cool yarns available, and what the different gauges mean; plus basic techniques and stitch patterns—including the chain stitch, picot, flowers, filet crochet, changing yarns, and finishing. Then come 40 fabulous, funky projects—the kind that make Stitch ’n Bitch rule—for crocheters: Pom Pom Capelet, Retro Clutch Purse, Anarchy Irony Hat, Ms. Pac Man Change Purses, Doris Daymat, Va-Va-Va Voom Bikini, Animal I-Pod Cozies, Kid’s Sock Monkey Poncho. No, these aren’t your grandma’s doilies.

Costumes of Egypt: The Lost Legacies sums up decades of Shahira Mehrez's research: it is a four-volume work recording and tracing the origin of hitherto undocumented ways of dressing and jewelry of Egyptian women, most of which have today become obsolete. The costumes surveyed in this first volume establish the fact that irrespective of distant geographic locations, beyond religious and ethnic diversity, and throughout thousands of years of history and successive civilizations, Nubians, Nile Valley peasants, Bedouins and oasis dwellers, both Christian and Muslim, were heirs to the same legacy. Old and new emblems were melted into one tradition, defining a multifaceted but harmonious Egyptian identity. This tradition provides undeniable and tangible proof of the unity of the country and bears witness to the fact that throughout history these various communities were the different parts of a multicultural and pluralistic nation.

Over 50 color-coded charts of needlework designs with ancient Egyptian themes: sarcophagus, Egyptian cat, scarab, winged serpent, many more. Instructions, 16 how-to diagrams.

This military history follows the 5th Battalion of the Suffolk regiment from England to Syria and the end of World War I. Among the previously untapped primary source materials used are the author's father's correspondence and photographs from his 1913-1919 service with the 5th Suffolk in England, Gallipoli, Egypt, Palestine and Syria. It follows chronologically the frustrating failures, and the final victory, of the campaigns in North Africa and the Middle East and refutes the widely held misconception that cavalry played no major role in the conflict.