While visiting the site of sacred cave paintings in the middle of the Australian outback, John Midas slips back thousands of years and finds himself among a prehistoric aboriginal tribe.

In this gritty memoir of a sea-going hitchhiker, Sullaway journeys through the South Pacific. After nearly two years at sea and imprisonment, shark attacks, and other near-death experiences, she pedals a "push bike" deep into the heart of the Australian outback, a desolate and scarcely inhabited area populated by few outside of the indigenous tribes. It is here that she catches a glimpse of the aboriginal concept of Dreamtime, an elusive spiritual interpretation that helps both Sullaway and the reader understand the journey's events.

Still in the Dream Time celebrates the natural and metaphysical worlds in a voice that is at once contemporary and classical, in forms that range from the epigram to the ode. The poems speak the "moments of inbetween" where, poised between presence and absence, a reader might hear the whispers of the unseen soul.

This beautifully illustrated divination kit is based on Aboriginal dreamings, which acknowledge the creatures and natural phenomena of the world as a living oracle. This is a tradition of storytelling, of passing down the wisdom of Nature through the generations to provide insight and guidance for today. Each of the unique circular cards represents a particular dreaming story. Read the cards individually and in spreads to discover this fascinating and ancient mythology, blending its stories and interpretations for inspiration, guidance and spiritual fulfillment. Five Aboriginal artists provide the illustrations for this kit in authentic Aboriginal style.

In a remarkable book that explores her own past as an incest survivor, her bouts with depression, and crippling inability to pursue her dreams, the author uses shamanic practices rooted in Native American, Celtic, and Aboriginal culture to help others heal.

'I danced and danced because the neon light across the road had just blinked on, because it was the middle of spring, because I was twenty-one, because my father was playing beside me. . . .' In this vivid, seductive, gorgeously written memoir, Mandy Sayer recounts the fascinating years she spent performing on the streets of New York and New Orleans with her father. Gerry Sayer was a jazz drummer, a beguiling Irish charmer with a million stories and an insatiable love for jam sessions and all-night parties. Mandy grew up captivated by his outrageous tales even after he left the family for good and her mother descended into the distance of drink. When her siblings failed him by rejecting the bohemian performing life, Mandy saw her chance to become a character in his stories, part of the only life he really loved. So she learned to tap-dance, and they set off together to satisfy their grand ambitions on the toughest stage in the world - New York. Driven by their dream of making it big, Mandy and Gerry arrived in the city with no place to stay and only costumes to their names. They became part of the thrilling, precarious world of street performers - jugglers, magicians, fire-eaters, dancers - who eked out their livings at the mercy of the elements, the cops, complaining neighbors, and lurking thieves.

Recounts the aborigine story of creation featuring Goorialla, the great Rainbow Serpent.