17 solo arrangements from the British Isles and beyond, in Orkney and other tunings, with standard notation, tablature, and performance notes

Traditionally the role of the guitar in Celtic music has been confined to accompaniment of lead instruments or a vocalist. In this book Steve Baughman suggests ways to break free of this mold, allowing the guitarist to internalize techniques that make the expression of Celtic melodies a pleasant endeavor. Divided into two sections, the book covers melodic and percussive expressive techniques. Written in standard notation and tablature. Audio available online.

This much-anticipated book presents favorite Irish melodies in stunning fingerstyle arrangements that blend traditional and modern influences. the majority of tunes are performed with the guitar in DADGAD or DGDGBD tuning. the author offers an introductory section on fingerstyle technique as well as informative program notes and his thoughts on accompanying Irish music. In notation and tablature.

The Travis pick revolutionized guitar picking in the 20th century, and frailing stands poised to do so in the 21st. This simple technique in which the thumb is employed on an upbeat, instead of on its usual downbeat, creates a driving groove reminiscent of Appalachian banjo. Frailing is a very versatile pattern that works as well with singer-songwriter guitar accompaniment as it does with fingerpicking blues and old time fiddle tunes. This is the first book ever published on the subject. Written in notation and tablature for intermediate to advanced guitarists.

This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, ß la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD. DVD is region 0, playable worldwide.

This is the first book ever of Yuletide music arranged for solo guitar in various "open" or "altered" tunings. In this genre of guitar music, the instrument is re-tuned to create a voicing ideally suited for each particular song. This book contains ten Christmas tunes and covers five open tunings that give voice and life to the music of the Yuletide season. The arrangements include old standards, like Silent Night and Joy to the World, and a sprinkling of more obscure tunes, such as Am Weinachts Baum die Lichte Brennen. All are beautiful, time-tested songs. Includes access to online audio.