Winner of the 2013 Commonwealth Writer's Prize for African literature. E.E. Sule's debut novel, Sterile Sky, presents a community wrecked by religious conflict and a young boy hunting for a better future. On the day that Murtala comes of age, violent riots break out in his home city of Kano – leading to unspeakable tragedy within his own family. While chaos threatens to erase everything he holds dear, Murtala is stalked by monsters both real and imagined. A gifted student, he grows desperate to escape from the web of poverty and religious extremism that surrounds him. An immensely poignant and powerful novel, Sterile Sky captures the religious conflicts of modern Nigeria and the enduring hope for peace. 'An ambitious work that tells the definitive story of an important moment in Nigeria's sociopolitical history.' Sanya Osha

The Architecture of Survival: Setting and Politics in Apocalypse Films offers a compelling exploration of how popular films and TV series from the past two decades use architectural spaces to comment on socio-political issues. The authors harness varied theoretical perspectives to demonstrate how, through set design, these works suggest that certain kinds of architecture support human development, community, and freedom, while other kinds separate us from our fellow humans and make democratic politics impossible. The clean lines of modernist design serve in films such as Contagion and Ex Machina as a metaphor for the sanitized, sterile politics that drive disaster. In The Walking Dead apocalypse survivors favor traditional architectural styles when rebuilding society, a choice that symbolically affirms their democratic principles. The massive walls and super-gentrification as seen in Elysium and Army of the Dead divide humanity, with those on one side wielding illegitimate power. Empty streetscapes intensify loneliness, alienation, and the destruction of civil norms. "Smart cities," offering a blend of high-tech surveillance and big data, erode social capital and community in Her and Transcendence. The book concludes with a somewhat hopeful glimpse into architecture’s potential to mitigate the catastrophic adverse effects of climate change, as seen in films like Zootopia.

This book examines Muslim women's creative strategies of deploying religious concepts such as ummah, or community, to solve problems of domestic and communal violence, polygamous abuse, sterility, and heteronormativity. By closely reading and examining examples of ummah-building strategies in interfaith dialogues, exchanges, and encounters between Muslim and non-Muslim women in a selection of African and Southeast Asian fictions and essays, this book highlights women's assertive activisms to redefine transnationalism, understood as relationships across national boundaries, as transgeography. Ummah-building strategies shift the space of, or respatialize, transnational relationships, focusing on connections between communities, groups, and affiliations within the same nation. Such a respatialization also enables a more equitable and inclusive remediation of the citizenship of gendered and religious citizens to the nation-state and the transnational sphere of relationships.

The Yellow City is in crisis. The wells are running dry, and the Sun Mages have been unable to call the rains. Frustrated Mages across the land can no longer work the magic that once ran their empire. Now the magic lies solely in the hands of a few women--the first ever to have developed magical powers.