Fleeing from her stepfather, Savannah and her half brother, Henry, travel to the childhood home of their mother, Alice. As the kids make their journey, another story unfolds: glimpses of a teenage Alice, caught in first love and unaware of its consequences.

Cheyenne, a blind sixteen year-old, is kidnapped and held for ransom; she must outwit her captors to get out alive. Sixteen year-old Cheyenne Wilder is sleeping in the back of a car while her mom fills her prescription at the pharmacy. Before Cheyenne realizes what's happening, their car is being stolen--with her inside! Griffin hadn't meant to kidnap Cheyenne, all he needed to do was steal a car for the others. But once Griffin's dad finds out that Cheyenne's father is the president of a powerful corporation, everything changes—now there's a reason to keep her. What Griffin doesn't know is that Cheyenne is not only sick with pneumonia, she is blind. How will Cheyenne survive this nightmare, and if she does, at what price? Prepare yourself for a fast-paced and hard-edged thriller full of nail-biting suspense. This title has Common Core connections.

“[A] fantastically hopped-up thriller . . . a wrong-man plot worthy of Hitchcock.”—Entertainment Weekly (Editor’s Choice) It’s three thousand miles from the green fields of glory, where Henry “call me Hank” Thompson once played California baseball, to the Lower East Side of Manhattan, where the tenements are old, the rents are high, and the drunks are dirty. But now Hank is here, working as a bartender and taking care of a cat named Bud who is surely going to get him killed. It begins when Hank’s neighbor, Russ, has to leave town in a rush and hands over Bud in a carrier. But it isn’t until two Russians in tracksuits drag Hank over the bar at the joint where he works and beat him to a pulp that he starts to get the idea: Someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it. Within twenty-four hours Hank is running over rooftops, swinging his old aluminum bat for the sweet spot of a guy’s head, playing hide and seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor. All because of two cowboys, two Russian mafia men, and some of the weirdest goons ever assembled in one place. All because of Bud. All because once, in another life, in another world, the only thing Hank wanted was to take third base—without getting caught.

Continuing his ongoing social critique, Henry Giroux now looks at the way corporate culture is encroaching on the lives of children by exploring three myths prevalent in our society: that the triumph of democracy is related to the triumph of the market; that children are unaffected by power and politics; that teaching and learning are no longer linked to improving the world. Looking at childhood beauty pageants, school shootings and the omnipresent nihilistic chic of advertising, Giroux paints a disturbing picture of the world surrounding our children. Ultimately, he turns to the work of Antonio Gramsci, Paulo Freire and Stuart Hall for lessons about how we can reinstitute a realistic childhood for our children.

JACKSON/THIEF AT THE END OF THE WOR

Those who dare to scratch the surface of ordinary, everyday life may be horrified to find a sick underbelly beneath-a nightmare world populated by villains and victims, predators and prey, where the rules of society no longer apply. Where you'll find people like Danny, the boy who sells himself to pay for his father's gambling debts and ends up in a situation more twisted than he ever imagined. Or Troy, the cop whose obsession with saving a brutalized human trafficking victim turns deadly. Or Drew, the mental patient who begins to suspect his nightly delusions of abuse by his doctor are actually real. Or David, the cuckolded husband who decides the best way to get revenge is to seduce his wife's barely legal son. Stealing Innocents is an exploration of our darkest human impulses, where sex is power, love is horror, and there's no such thing as a happy ending.

"Take her out back and finish her off." She doesn't know who she is. She doesn't know where she is, or why. All she knows when she comes to in a ransacked cabin is that there are two men arguing over whether or not to kill her. And that she must run. In her riveting style, April Henry crafts a nail-biting thriller involving murder, identity theft, and biological warfare. Follow Cady and Ty (her accidental savior turned companion), as they race against the clock to stay alive, in The Girl Who Was Supposed to Die. This title has Common Core connections.