Stay under Your Hat is not only a book title, but also a principle of living. Alan Walter, the author, first understood the principle while leading a dual diagnosis group for the Department of Community Supervision (state probation) in Northwest Georgia. As God further developed the principle in Alan’s mind and heart, it has grown into a book that will likely involve sequels. Stay under Your Hat is a call to those who believer in the death, burial, and resurrection of Jesus Christ. This book seeks to call Christians to return to the one basic purpose for our lives. That purpose is to effectively model God through the surrender of our identity, security, and reason for living to God the Father. While reading this book you’ll have the opportunity to see some of the simplicities and the glory of how God created, outfitted, and redeemed us to model Him well. My hope is that you will realize that the most natural, safe, and secure place for you to be as a Christian is to stay under your hat!

Two children sitting at home on a rainy day are visited by the cat who shows them some tricks and games.

From “all systems go” to “senior moment”—a comprehensive reference to idiomatic English. The American Heritage® Dictionary of Idioms explores the meanings and origins of idioms that may not make literal sense but play an important role in the language—including phrasal verbs such as kick back, proverbs such as too many cooks spoil the broth, interjections such as tough beans, and figures of speech such as elephant in the room. With extensive revisions that reflect new historical scholarship and changes in the English language, this second edition defines over 10,000 idiomatic expressions in greater detail than any other dictionary available today—a remarkable reference for those studying the English language, or anyone who enjoys learning its many wonderful quirks and expressions. “Invaluable as a teaching tool.” —School Library Journal

John and Susan Sterling take a much needed break from world class modeling and photography to sail their custom built 90 foot sailing yacht to Tahiti. After years of hard work and planning for the cruise they arrive in the Marquesas Islands of French Polynesia. After only a few idyllic days in a remote cove on Nuka Hiva Island, they are attacked by a man and woman with a machine pistol from another boat. Wounded and bleeding they hide under their skiff which is riddled with bullet holes, while the pirates make off with the Sterling's 90 foot yacht. Stranded and penniless in a foreign country John and Susan set out on a valiant but naive and dangerous attempt to recover their stolen yacht

The Bold Type meets The Social Network when three girls participate in a startup incubator competition and uncover the truth about what it means to succeed in the male-dominated world of tech. This summer Silicon Valley is a girls' club. Three thousand applicants. An acceptance rate of two percent. A dream internship for the winning team. ValleyStart is the most prestigious high school tech incubator competition in the country. Lucy Katz, Maddie Li, and Delia Meyer have secured their spots. And they've come to win. Meet the Screen Queens. Lucy Katz was born and raised in Palo Alto, so tech, well, it runs in her blood. A social butterfly and CEO in-the-making, Lucy is ready to win and party. East Coast designer, Maddie Li left her home and small business behind for a summer at ValleyStart. Maddie thinks she's only there to bolster her graphic design portfolio, not to make friends. Delia Meyer taught herself how to code on a hand-me-down computer in her tiny Midwestern town. Now, it's time for the big leagues--ValleyStart--but super shy Delia isn't sure if she can hack it (pun intended). When the competition kicks off, Lucy, Maddie, and Delia realize just how challenging the next five weeks will be. As if there wasn't enough pressure already, the girls learn that they would be the only all-female team to win ever. Add in one first love, a two-faced mentor, and an ex-boyfriend turned nemesis and things get...complicated. Filled with humor, heart, and a whole lot of girl power, Screen Queens is perfect for fans of Morgan Matson, Jenny Han, and The Bold Type.

Booklist Top of the List Reference Source The heir and successor to Eric Partridge's brilliant magnum opus, The Dictionary of Slang and Unconventional English, this two-volume New Partridge Dictionary of Slang and Unconventional English is the definitive record of post WWII slang. Containing over 60,000 entries, this new edition of the authoritative work on slang details the slang and unconventional English of the English-speaking world since 1945, and through the first decade of the new millennium, with the same thorough, intense, and lively scholarship that characterized Partridge's own work. Unique, exciting and, at times, hilariously shocking, key features include: unprecedented coverage of World English, with equal prominence given to American and British English slang, and entries included from Australia, New Zealand, Canada, India, South Africa, Ireland, and the Caribbean emphasis on post-World War II slang and unconventional English published sources given for each entry, often including an early or significant example of the term’s use in print. hundreds of thousands of citations from popular literature, newspapers, magazines, movies, and songs illustrating usage of the headwords dating information for each headword in the tradition of Partridge, commentary on the term’s origins and meaning New to this edition: A new preface noting slang trends of the last five years Over 1,000 new entries from the US, UK and Australia New terms from the language of social networking Many entries now revised to include new dating, new citations from written sources and new glosses The New Partridge Dictionary of Slang and Unconventional English is a spectacular resource infused with humour and learning – it’s rude, it’s delightful, and it’s a prize for anyone with a love of language.

Creative Writing and Art History considers the ways in which the writing of art history intersects with creative writing. Essays range from the analysis of historical examples of art historical writing that have a creative element to examinations of contemporary modes of creative writing about art. Considers the ways in which the writing of art history intersects with creative writing Covers a diverse subject matter, from late Neolithic stone circles to the writing of a sentence by Flaubert The collection both contains essays that survey the topic as well as more specialist articles Brings together specialist contributors from both sides of the Atlantic